as always fascinating sonically and academically  - as usual some of the text goes beyond my music comprehension, which is a good thing to learn new thinbgs. Aside from theory there is a recognizable  beauty in this piece

Music, lyrics, vocal, harpe & ac, guitar : Grave
Other instruments & mix : PJ Project

Picture This W/ Grave

Composed, arranged, performed, and produced by:
Carlos Vivanco
Andromeda is one of the 48 constellations listed by the 2nd-century Greco-Roman astronomer Ptolemy, and one of the 88 modern constellations. Located in the northern celestial hemisphere, it is named for Andromeda, daughter of Cassiopeia, in the Greek myth, who was chained to a rock to be eaten by the sea monster Cetus. Andromeda is most prominent during autumn evenings in the Northern Hemisphere, along with several other constellations named for characters in the Perseus myth. Because of its northern declination, Andromeda is visible only north of 40° south latitude; for observers farther south, it lies below the horizon. It is one of the largest constellations, with an area of 722 square degrees. This is over 1,400 times the size of the full moon, 55% of the size of the largest constellation, Hydra, and over 10 times the size of the smallest constellation, Crux.

Its brightest star, Alpha Andromedae, is a binary star that has also been counted as a part of Pegasus, while Gamma Andromedae is a colorful binary and a popular target for amateur astronomers. Only marginally dimmer than Alpha, Beta Andromedae is a red giant, its color visible to the naked eye. The constellation's most obvious deep-sky object is the naked-eye Andromeda Galaxy (M31, also called the Great Galaxy of Andromeda), the closest spiral galaxy to the Milky Way and one of the brightest Messier objects. Several fainter galaxies, including M31's companions M110 and M32, as well as the more distant NGC 891, lie within Andromeda. The Blue Snowball Nebula, a planetary nebula, is visible in a telescope as a blue circular object.

In Chinese astronomy, the stars that make up Andromeda were members of four different constellations that had astrological and mythological significance; a constellation related to Andromeda also exists in Hindu mythology. Andromeda is the location of the radiant for the Andromedids, a weak meteor shower that occurs in November.

Soul Strings

Andromeds

Andromeda

naviarhaiku486 – Lost in tranquil seas
Lost in tranquil seas
Where spring feels melancholy
Another sunset

Gary Clarke joined a social media platform to raise awareness about an infrastructure issue in his local area by creating a website at Whaligoe Eye in August, 2021. During this time, he stumbled across a poetry and writing community which provided support and encouragement for his creativity.
Living right on the coastline in the Highlands of Scotland provides Gary with plenty of inspiration for his poetic endeavours, and through moments of sunrise and sunset gracing the North Sea it proves to be a motivational muse.
Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 3rd May 2023

haiku by Gary Clarke https://whaligoeeye.co.uk/

picture by Lavi Perchik https://unsplash.com/photos/bwm26JyAHBk

Lost in tranquil seas

NaviarHaiku486 - Lost in tranquil seas

Early morning,
One star remaining,
It’s a good day too.

A wandering poet and ascetic Zen priest, Santōka was a disciple of Ogiwara Seisensui, one of the first poets to discard the traditional use of the 5-7-5 structure in haiku.

Santōka’s poetry emphasizes the necessity of sabi (solitude) in order to achieve spiritual enlightenment and serenity.

One star remaining (naviarhaiku492)

Disquiet Junto Project 0599: Minimal(ist) Blend
The Assignment: Make a piece of music that combines self-contained minimalist parts.

This project is the second of three that are being done in collaboration with the 2023 Musikfestival Bern, which will be held in Switzerland from September 6 through 10. The topic this year is « √ » — as the organization explains: “the radical, or square root symbol and the power of its symbolism are central to the festival and these will be translated into music in multifarious ways.” All three projects will engage with the work of Éliane Radigue, who is the Composer-in-Residence for the 2023 festival.

We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. This is the fifth year in a row that the Junto has collaborated with Musikfestival Bern.

Select recordings resulting from these three Disquiet Junto projects may be played and displayed throughout the festival. Anyone who’s interested in having their work included in the event should set their download option to “on.”

Step 1: You’re going to record a piece of music with between four and seven self-contained parts that get combined in various ways as the piece progresses. These parts should be minimalist. Drones would work well. Record a selection of such parts.

Step 2: Mix the parts recorded during Step 1 into a single work. When doing so, explore how different combinations achieve different ends, and how you handle transitions. (Also: consider lightly transforming the material by utilizing granular synthesis.)

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0599” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0599” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0599-minimal-ist-blend/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: This project’s deadline is the end of the day Monday, June 26, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, June 22, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

Back to nature (Part 3) - disquiet0599

Disquiet Junto Project 0604: Heaven’s Gate 

I used a video on YT as a live score. 

https://www.youtube.com/watch?v=jNEjw1fMk-8&t=2550s
28:42
35:24

I divided the screen into 5 parts.
Each part is linked to an instrument channel.
Every time a cloud enters or leaves one of the 5 areas it activates a trigger/gate.

1)	Guzheng/Percussion kit
2)	Harp Harmonic - wood
3)	Prepared Kalimba
4) 	Percussion kit 2
5)	Contrabass col legno

As sound binder I used a loop generated by Reaktor (TG-8H Live by Rick Scott)

The track is a very mechanical walk, created by generative sequencers. The sounds, as in recent times, are percussive / acoustic.
Ergo very short sound envelope in order not to saturate ears and acoustic field.

Thank you for your time.




More on this 604th weekly Disquiet Junto project, Heaven’s Gate (The Assignment: Use a picture of the clouds as a plan for adjusting your sound), at: https://disquiet.com/0604/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0604-heavens-gate/

PartituraMeccanica07(disquiet0604)

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Drifting Butterfly (naviarhaiku 501)

Moonlight Blesses The Temple (naviarhaiku508)

This episode features music made by Naviar’s community inspired by Janice Doppler’s poem “Summer sky… / rippling the silence / a watersnake”. 

https://www.naviarrecords.com/2023/09/20/naviarhaiku507-summer-sky/ 

Tracklist:

Zenbytes - Watersnake
Halcyon Hum - Rippling Silence
Rikardfvs - Summer Watersnake
Noksidam - Summer Sky Watersnake
Ed Mundio - The Watersnake's Song

Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan
voice reciting the poem: Marco Sebastiano Alessi

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #287 – summer sky… – Wednesday 4th October 2023

There are 362,797,056 ways to partition a three octave span into three aggregates.  Once you do so, reading each aggregate from low to high, you get three 12-tone rows.  If you further require that those rows feature at least 7 distinct interval classes, the 362,797,056 possibilities reduce to just 46.  One of those 46 possibilities plays the role here of a passacaglia-like chord progression.  

There are 144 ways to have three triads sit within the aggregate without any overlap.  Remarkably, one can cycle through those possibilities so that each step turns up just one new triad.  Such a cycle provides the figuration for the variations. 

The overall effect produces a counterpoint between two opposing notions of harmonic rhythm, one based on the cycle of aggregates, and one based on the the featured triads.

A Friendly Accord between Aggregates and Triads, for guitar

music made for the Naviar Haiku challenge #531

https://www.naviarrecords.com/naviarhaiku531-the-first-thunder/

The First Thunder (naviarhaiku531)

Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

Please don't spam this account!

A Friendly Accord between Aggregates and Triads, for guitar

David Victor Feldman

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