and as for your assessment of my abilities, it takes one to know one! thank you for the plug

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Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Structured  Noise Resource 10 "
credit :  plug data, ipad9
date:25-06-2025

Support us :
aleatoric music compositions at:
trampelfad.bandcamp.com
Daily Video:
https://www.youtube.com/watch?v=rq2MjMIN7vw

2025 Live :
www.youtube.com/watch?v=Qclul4XfxYU

Nu Pb 2201

Composed and performed by Megan Jennifer Lewis

This afternoon I found myself wondering why I compose, and perhaps more specifically why I put my creations "out there".  I felt a little lost.  So I sat down at the piano, determined to reconnect with the little girl that I once was.  A little girl who used to call for her school friend....just because that friend happened to have a piano.  A little girl who sat and "played" that piano for many hours, without any real idea of what she was doing.  Just enjoying putting her hands on the keys and making patterns with sound.

The result is this little piece called "Why" and it is pretty much what I guess you would call an impromptu.  Composed in a short amount of time with minimal refinement.  It was important in this case not to self scrutinise or ask for external opinion.  Just create, enjoy........and share.

Inwa

Another hypercanon piece.  

This time, from the mathematical perspective, beats get filled when their beat number equals the sum of a square, a positive cube and 6th power.  

Because the powers vary, the music keeps the counts on different instruments. 

The numbers to square get heard on the piano (with 1 the top key and then descending chromatically).

The numbers to cube get heard on pizzicato strings tuned in 19-TET, using an ascending scale that divides three octaves into 19 equal intervals which sound as nearly 10:9 rations.

The numbers to raise to the 6th power, never more than 4, map to a small gamut of tuned drums.

The complexities of the sets of sums of just two kinds of powers asserts itself as the irregular staggered entrances of the canon on the instrument associated with other power.  

If this is too much information for you, the bottom line is an intense listen which, white it has a hypersimple underlying concept, also feature a rather complex surface regardless, and because of the density of the beat numbers with a "yes" answer, intense but also unfamiliar syncopation. 

Big thank you to Peter Thoegersen, who literally wrote the book on polymicrotonal (and polytempic) music.  He's a genius and you should check out his music.  While his music and also his working methods are quite different than mine, he has opened me up to one of his great discoveries, namely that the listening mind can instinctively decouple the layers of a complex music according to the tuning systems girding each layer (at a given moment).  The effect is like passing to an experience in a higher dimension, akin to the discovery of perspective in visual art.   I'm not sure Peter would even count this as "poly" since two of the layers are 12TET and my treatment of 19TET avoids actual microintervals.  But I'd never have come to this way of projecting my ideas without his influence.

Higher Powers, for Piano, Percussion and Pizzicato Strings

gruyorn

Recording sessions from 18/11/2023 - 19/12/2024.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,
  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________
❤️🕊️🙏

HVAC Variations #1

By the Light Of The Milky-Way (NaviarHaiku 601)

I reckon human nature is easy to explain. either it’s driven by love, or it’s driven by hate, or most often: anything between. I also guess, love driven people tend to look for similarities between individuals, whereas hate driven people focus on differences. appetency towards friends vs appetency towards foes. that’s humans, just that easy, just that conflicting…

anyway, here comes a song dedicated to something most human. a very special kind of moment that connects all of us billions of times each day or rather night. a moment that should actually tell us how absurd hate is.

there’s also a very different version made for a video concept I just put on youtube, if you are interested, youtu.be/Xl8ACnyZFw0?si=7JKl8jbROj031M0U

lyrics, music and production by ©Hans-Michael Albers – vocal performance by suno.4.5

Google translation

Endlessly distant ceilings.
made of dark shadows and black corners.
a canvas of sleepless brooding
Of bright, beautiful, evil and sick thoughts.

Worrying, fearing, hoping, praying.
Smiling, loving, cursing and kicking.
Minutes, hours, night after night.
Not a single eye closed.

Sleep, people, sleep!
Sleep, people, sleep!

Same happiness, same sorrow.
Longing for a little slumber.
Heads full of similar things.
No matter what we argue about,

A sea of lonely human feelings.
Unfathomable deep and infinite.
Everything that turns dreams into thoughts.
Tonight, for night, for night, for night.

Sleep, people, sleep!
Sleep, people, sleep.

Original:

Unfassbar weite Zimmerdecken
Voll dunkler Schatten, schwarzer Ecken
Die Leinwand schlafloser Gedanken
Von hellen, schönen, bösen, kranken

Ein Sorgen, Fürchten, Hoffen, Beten
Ein Lächeln, Lieben, Fluchen, Treten
Minuten, Stunden, Nacht für Nacht
Nicht mal ein Auge zugemacht

Schlaft Menschen, schlaft

Das gleiche Glück, derselbe Kummer
Die Sehnsucht nach ein bisschen Schlummer
Die Köpfe voll Gemeinsamkeiten
Egal, worüber wir uns streiten

Ein Meer einsamer Menschgefühle
Unendlich tief, unendlich viele
Alles, was Träume zu Gedanken macht
Heut Nacht, für Nacht, für Nacht, für Nacht

Schlaft Menschen Schlaft

Your Sense of Purpose

Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

Please don't spam this account!

Higher Powers, for Piano, Percussion and Pizzicato Strings

David Victor Feldman

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