Waiting for The Great Reset

We must all act together now (excerpt)

New album ‘Can You Hear Me’ out on Flaming Pines on 22 November 2024 attempts to find common ground between a young human and threatened birds in this time of the Anthropocene and recreates the calls of endangered Australian bird species from recordings of the vocalisations of a four-month-old boy, accompanied by a lonesome, wistful autoharp. Previous works ‘Waiting for The Great Reset’ (Flaming Pines, 2020) addresses scale, degradation and renewal; 'Suddenly woken by the sound of stillness' (Flaming Pines, 2017), built from recordings made along the Trans-Siberian Railway; 'Transitions' (3LEAVES, 2015), made from fragments of sound from everyday life; 'Domestic Cinema' (Wood & Wire/New Weird Australia, 2013), composed from recordings of archaic equipment at the Telecommunications Museum in Melbourne, household objects, typewriter and drum kit; and ‘Internal Temporal Order’ (Sensory Projects, 2011), which was made in 24 hours using a standard acoustic drumkit, metallophone, brooms and brushes, and bits and pieces as part of The 24-hour Drawing Project. Also co-founder and drummer of veteran Melbourne instrumental band ‘This is Your Captain Speaking’, who have released 3 internationally acclaimed albums over the last 10 years, toured Europe and the UK, played the Sydney Opera House and signed to Resonant Records (London).
Email: pulse_modulator@hotmail.com

Waiting for The Great Reset

david_evans