THE AUTISM OF CREATION

9 PARALLEL ETERNAL LIVES

A TRAIN AFTER HOURS

CHILDREN OF THE LIGHT

GOTH CLUB SYNAPSE

QUANTUM SOUP

STINGRAY EVOLUTION

THE DEPTH OF SOUL DIVING

TIME MOVING EVERYWHERE

Sat in front of the Synthesizer and went back to trying to remember A piano composition I wrote years ago called MIKAMI. I reperformed this using Pianoteq 8 [studio Steinway D], a prepaired piano by Oliver Patrice Weder, a nice subtle sound of an oran piano called Reka. Finely blended together with other outstanding instrument sounds. Used a room reverb from EVentide Called T - verb. This emulated my performance as if In a very famous Berlin studio Hall.  Everything was mixed on SSL console emulation software. This song is and alway will be dedicated to my. X wife who I wrote it for when we were married. Her being the mother of my children. The Kami of their existence. The love of my soul that brings to the world maybe the best and only best composition I have ever written in my entire lifetime.

MIKAMI

A STEP A WALK AND A JOURNEY

QED FIELDS

THE SATIE SYNDROME

ONYX LIGHT

UFO's DELIVER BABIES

HOLOCENE GHOST

The Autism of Creation

THE GOD PARTICLE TRANSPORT

AIWA WAY TIME CAPSULE 5

Real name is David Gonzalez. I have composed and recorded music under the name David Audio. Prior to this I had recorded music under the name David Akimori in honor of my X wife and children who retain her family name. I am pretty much a very solitary man who does a lot of sound design experiments. Musical composition experiments and recording experiments. I call them all experiments because I am scientific in mind and studies. So I look at all of these things like experiments. Then I work with the results to present what you hear today. You could say this is my musical diary. A journal of my time and experiences through this lifetime, and past lifetimes. My thoughts and contemplations all expressed in music. I can’t say I have had any spirituality events related to the musical output yet there are undefined moments which seem spiritual to me  yet they are not constant.  They just appear emotionally within unforeseen moments  in time during the compositional or performance process. I hope you enjoy what you hear.

DAVID AUDIO

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