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"PORCELANA MORENA"
Prod. @kid_robin
Lyrics & Vocals @MUXXXE
Artwork @boramurmure
Via @desculonizacion

DEL TERCER MUNDO PARA EL MUNDO 
💋

CHULA

time moves fast

C’est Berne Tracklist
Feminine Energy - Club Cab
This Generation (Pass The Dutchie To Roo Bootleg) - Roo Honeychild
Skanka - Hamdi
ATC TOOL - QNOE
Fuck If U Feel Me - Bored Lord
Get Down - Ceòl
Brighta Dayz - DJ Bark Lee
f33lings2 - young lychee
Poison - Smokey Bubblin’ B
Lecky Milkshake - Franck
Move It; Work It - Club Cab
Can’t Stop The Night - DJ HEARTSTRING
Scrubs Dub - Smokey Bubblin’ B
Get It Gurl - Sarah Farina
z72.52 - My Body (Bored Lord's Hot Bath Mix) - z72.52, Bored Lord
Us [HZRX] - Romeo Louisa
B O D Y - Kettama
Deep Inside Remix w/ RICHTANNER® - DJ Smilez
1996 - PROZAK
212 (REMIX) - DJ CASPER
Throw your hands in the air - yourboykiran
DPMO ON THE LOW - JD. Reid
Stepper - Anz
Say My Name (DJ Merks Remix) - DJ Merks x Destinys Child
Gonna Get U - DJ Bark Lee
DJ Love - Hot Potato - Juke Bounce Werk
All This Love - DIEGO HAUZ
Wit U Uptae - t e s t p r e s s 
Ziggy Bow - Siu Mata & Amor Satyr
Baile Bias - Liebus
Uber - J Wax
Say My Name (Extended Mix) - Sounds like Lord, Baldacci
Up Down ( KYLIN TYCES WESTSIDE SOUL MIX ) NUDISCO 2021 - ELIZA ROSE
E Menina - Hamdi

Cest Berne - PS3000 - Juni 2022

Hannah Endrulat’s contribution for Cricket Talk #26. 

Sioban “Translucent ash & lost sample”
Thomas Adès, Kirill Gerstein, Tanglewood Music Center Orchestra “In Seven Days - IV. Stars - Sun - Moon (Live)”
Olivier Messiaen “Vingt regards sur l’enfant jésus: XI Première communion de la Vierge”
Alice Chance “words for wine”
John Object “UV (Live 2021)” 
Oliver Leith “Tongue in Ear”
Björk, Arca “The Gate (Space Candy Texture bath version)” 
Ernst Reijseger “Crystal Palace III”
Oklou “entertnmnt”
Oklou “entertnmnt” (tanner pso remix)
Wench “Sexorcist”
Miitzi “perishable”
Alice Chance “Filiae”
Tanner bananer, himera “voicenote (tanner remix)”
soahc0 "Matthew Passion on J. S. Bach - like 8-bit style - on 3D Pianoroll"
Amnesia Scanner “AS U Will Be Fine”
Ryong “I Don’t Know This Voice, It Must Be My Own”
Hans Abrahamsen, Ensemble Recherche “Canon 1b, Fast immer zart und still”
Emilia Golos, Zuza Jasinka “Dear You”
tumy “Primal screamer” 
Fairground Saints “Nothing breaks like a heart”
Remix “Nothing Miley Donkey Dub"
3castles “nothing lasts (tendon gate)“

Cricket Talk w. Hannah Endrulat [22.08.2022]

3 Uhr nachts mein Herz klopft

Life Chosen

Good Roads Original

https://planetmu.bleepstores.com/release/85964-antwood-sponsored-content

@margaret-antwood

Antwood (a.k.a. Canada's Tristan Douglas) returns to Planet Mu with his second album 'Sponsored Content'. The album is more reflective than his debut, last year's 'Virtuous.scr'. The relentless mood of the first album has given way to a more melodic, stripped out sound. It still shakes with speed and energy, but with more space, more moments of delicate sadness and strange cyborg pop. What comes to the fore in 'Sponsored Content' is Tristan's gift for melody, coupled with the uncanny feeling that somehow his strange music is an entire ecosystem of it’s own. It's best explained by Tristan himself:

"This record was made during a very challenging year. Some of these challenges were for the best, some were not, most were both, others were neither. The music is inextricably tied to these events, whether I like it or not, and I’ve begun peeking out from behind my self-imposed veil of heavy conceptualization; revealing things about myself that my previous album Virtuous.scr didn’t."   "In the past year, I found that ASMR, which I had previously used as a source of foley in my music, was a fairly effective sleep aid. I’d been using the videos in this way for a few months, when I noticed a popular ASMR YouTuber announced a plan to incorporate ads into her videos; quiet, subtle ads, woven into the content. What bothered me about this was that these ads would target viewers, such as myself, during times of semi lucid vulnerability. This disturbed me, and I unsubscribed."

"Sponsored Content explores this idea of subversive advertisement, at least superficially. It’s obviously about the ubiquity of ads and the commodification of online content. The unlikely placement of ads in the music aims to force the listener to become hyper-aware of being advertised to rather than passively internalizing it. But after the record was finished, it became undeniable that really it wasn’t so much a “concept record” about advertisement; it’s as much about intentionally devaluing the things I’ve invested myself into, and over-complicating my work. When I realized this, I considered taking the ads out, and playing the music straight. But I left the record as it is: honest, flawed, with a little humour, and slightly up its own ass."

"I collaborated with El Popo Sangre (a.k.a. Paulin Rogues) for the visuals after he showed me his short film “Fantasy” which used several tracks from Virtuous.scr. He and his team at UNICORN added a depth to the project I could never have done on my own."

Antwood - Wait For Yengi

kisses on my cheeks

Forgotten Sagas II: "GNVV"

Produced loads of track while working on my Sagas EP and I'm going to finish and release some of them.

Here is the second one "GNVV" (112) tried something a bit different that what I usually do on this one hope you'll like it. 

Also been a while since I made some artwork so I'm doing one for every track of this little series.

GNVV

IM CHAOS

2k20 Hymne (prod. skrt cobain)

i'll never let you go (+joshua)

MOLLY RMX

A Squeakin' Bed, Orgasms, Ghetto Beats.. What more?!

i'll never let you go (+joshua)

David Caspar

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