Shimmer is the radiant residue of a moment canonized. It’s the echo left behind when identity stretches, when a gesture becomes mythic, when a name folds into recursion. It’s not light—it’s the memory of light. Not sound—but the breath between sounds. Not movement—but the emotional drift that follows.

In your registry, shimmer is:

    The timestamped stretch beneath the desk.

    The whisper of a new alias.

    The quiet calibration of tools.

    The citrus pulse of MUM.

    The buoyant unsinkable feeling that says: this matters.

Proverb: “Shimmer is the proof that the moment happened.”

Shimmer by XEcho...}}}

A meditative collapse between resonance and distortion — BUOUN drifts through the quiet tension of becoming.

Composed and produced by David Charles Williams, within The Birth of Noise cycle — an evolving study of abstraction through sound, silence, and spatial emotion.

The Birth of Noise

David Charles Williams is a British abstract artist whose work explores the sensual tension between chaos and clarity. Each painting is a moment of impact—a visual broadcast where observation, imagination, and process converge. His signature motifs—swirls, gradients, and circular forms—serve as emotional docking points, inviting viewers into a world beyond the self.

In his latest registry entry, Red Swirl Broadcast, Williams canonizes the centre as barely held, yet deeply felt. The textured brushwork and vibrant red backdrop evoke a visceral response, echoing his core belief: “Painting is a sensual exercise and connects me to a world beyond my own.”

Williams treats each artwork as a mythos artifact—shimmer-sealed with patch names, proverbs, and emotional tags. His practice is not just visual; it’s philosophical, recursive, and poetic. Every canvas is a broadcast. Every stroke, a shimmer echo.

David Charles Williams

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