This set was played at Beat Church Asheville at the Galaxy Room. It was a magical evening with some dear friends. The theme of the set touches upon many heart strings, ranging from the fires of desire and passion, to the laments of losing love and self. Be prepared to go deep, and to let something go in the process.

There's an elongated soft landing to sooth the emotions and bring us all back to a place of nurturing acceptance for what is. With love and gratitude, to the one's we've loved and the one's we've lost. May we carry them all in our hearts. <3 

Special thanks to Audree for creating a beautiful dance container at Beat Church Asheville without which this set wouldn't have come into being.

Submissive Temptation [explicit] {Ecstatic Dance set by MIKAYA}

Westside Anthems EP

This is a song I wrote for my hometown of Lahaina, Hawaii. Back in the day, Lahaina was a place of abundance with streams flowing through the town bringing water to crops like taro, breadfruit and coconuts. Over the years that water source was diverted to feed sugarcane and pineapple plantations and, later, resorts and golf courses, leaving Lahaina to become the hot and dry place I knew my entire life. On august 8th, 2023, a wildfire raged through west Maui and taking from us our Ohana along with most of Lahaina town. Homes, schools, churches, buildings that stood for centuries are all gone but, unlike the many precious lives that also lost, these things can be restored. The streams that once fed Lahaina, allowing it to be such a place of abundance that the King Kamehameha chose it for the capital of his newly formed island kingdom, the streams can also be restored. Much was lost over the centuries before the fires and now much of those things have an opportunity to be restored. The homes and businesses will be rebuilt, the trees replanted and then some. Through a generational effort, we will restore the environment to what it once was, bringing the clouds back to the Mauka, allowing for the streams of Lahaina, the once lost soul of Lahaina, to flow again. That’s what this song is about.

6. The Streams Will Flow Again

Joe Jackson - It's Different For Girls (The Smile Cover)

JF and DF Jamming - dated November 30, 2008 - i.e. Thanksgiving

Triptophan Jam #2

composed and performed by Gary Lucas 
recorded to iPhone on his 1941 Gibson J-45 acoustic 
6/12/24 NYC
watercolor and pen and ink drawing by David Scher

"That taut rope sound" was how my friend Paul Haines, the late Canadian poet and jazz lyricist ( Carla Bley's "Escalator Over the Hill" and Kip Hanrahan's "Darn It") once described my playing

"That Taut Rope Sound"--Gary Lucas

Lyrics are all from catalog and and submissions to an agency promising to aid inventors.  Written circa 1980


Ideas Change Lives

Been feeling the push and pull of the seasons changing. Woke up and stared to dj and this is what came through and whipped up. 34 min of deep bass of sexy grooves, hip hop reshapes and the wubs of bass to feel in your bones as we enter into the season where the veils are thin. 

Something to move your body, feel yourself, love yourself and all of it. Short and sweet and wanting more..

Sensorium Vol. 2 : Deep Bass

Suffering Isn’t Optional

Cumbia Remix: Sidestepper. Colombia
Original: Dub Colossus. Etiopía 

(Sidestepper) DuB Colossus - Black Rose

Brian Wilson and The Zombies are touring together!!! I repeat, head Beach Boy Brian Wilson and recent Rock & Roll Hall of Fame inductees The Zombies are touring America together right now! To celebrate these legendary artists sharing the stage, we got 'em together at the first gig of the run for a Talkhouse Podcast conversation.

The Zombies’ songwriter/keyboardist Rod Argent and singer Colin Blunstone roundtable some wonderful ideas with Wilson, fellow Beach Boys founder Al Jardine, 1970s Beach Boys addition Blondie Chaplin (who also plays with The Rolling Stones), and Darian Sahanaja, who’s played with Brian for two decades and was key in the making of the fantastic Smile LP. Their talk takes in the early days of The Beach Boys and The Zombies, and the bands' love of each other's music; challenges in playing songs you haven’t played in 50 years; recording Friends in Brian’s living room; and "balls out" Hammond B3 organ that'd make Argent proud.

Check it out, and stay tuned after the featured conversation for clips of our favorite Brian Wilson and Zombies appearances on the show from 2016, including Brian and Carly Rae Jepsen in a "one-question wonder" chat from Pitchfork Music Festival, and The Zombies chatting with Hollis Brown at the Samsung store in NYC.

Catch Brian Wilson and The Zombies on tour:

9/12: Los Angeles, CA — Greek Theatre
9/13: Oakland, CA — Fox Theater
9/16: Seattle, WA — Paramount Theatre
9/17: Portland, OR — Arlene Schnitzer Concert Hall
9/19: Sandy, UT — Sandy Amphitheater
9/20: Denver, CO — Paramount Theatre
9/22: Milwaukee, WI — The Riverside Theater
9/23: Cincinnati, OH — Taft Theatre
9/24: Detroit, MI — Masonic Temple
9/26: New York, NY — Beacon Theatre
9/27: Waterbury, CT — Palace Theater
9/28: Upper Darby, PA — Tower Theater

Today's show was recorded by Malcolm Harrison of National Southwestern in Las Vegas, and Mark Yoshizumi at Hook and Fade Studios in Brooklyn. It was co-produced by Mark Yoshizumi.

The Talkhouse Podcast’s theme song was composed and performed by The Range.

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Brian Wilson with The Zombies

from the album 

"The Andrew Oldham Orchestra and Friends Play the Rolling Stones Songbook Vol. 2"
Produced by Andrew Loog Oldham

Gary Lucas--guitars
Andy Zeta--drums
Pablo Memi--bass

recorded in Bogotá Colombia 7/2009

Produced by Andrew Loog Oldham

photo: session at Pirate Cove Studios Bogotá

"Play With Fire"--Gary Lucas with The Andrew Oldham Orchestra

Got the bug at age two singing Volaré at the U.S. Consulate in Florence Italy, fasting forward to playing bass as a teen  in Barbados, experimental music in NYC after college, and recording topical songs on the island of Maui.

Ideas Change Lives

DavidFisher

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