OOOOOOOOOO!!!!!!! WOW Y'ALL THIS IS AMAZING !!!!!!!! I LOVE IT!

Experimental Gems

For all older sisters but specially for Jemima and Matilda.

Older Sister

Guest Musicians
STONERJAZZ/Guitars & Vocal
https://soundcloud.com/user-911083679
The Windscale Blues Experiment/Wind instruments
https://soundcloud.com/windscaleblues

Production Note
https://furicomusicteam.blogspot.com/p/leaked-live-fmt-2.html
Original Version
https://soundcloud.com/user-596493783/bangriddim

Bangriddim 594 (Live)

It is often amusing to find that cycles and periods are found in all aspects of observable reality. The Clockworks series is inspired by this perception.

Il est souvent amusant de constater que les cycles et les périodes se retrouvent dans tous les aspects de la réalité observable. La série Clockworks s'inspire de cette perception.

An axial procession is in fact a shift of the celestial panorama according to the inclination of the planet.
No need to say I'm indebted to the great Steve R.

Une procession axiale est en fait un décalage du panorama céleste en fonction de l'inclinaison de la planète.
Pas vraiment besoin de dire que je suis redevable au grand Steve R.

Axial Procession (Clockworks I)

Hiya! welcome to  track 8 by "Then She Reaches For The Gun”. Big big thanks to all the amazing artists on this little track and in particular to Chicago Word Brigade whose wicked spoken word was the starting point and focus of this little tune. 

The project’s inspiration is two fold: Firstly its a homage to some of the stuff i grew up listening to like Mr. Bungle and other noisy bastards where anything goes, and often in quick fire succession and secondly it” a chance to work with an never ending stream of talented musicians that i have known for years either in real life Australia or via the Internet. Each track will no doubt change depending on who has sent me what. 

Breakfast with Charlie Contained No Fucks Whatsoever features the following artists

Chicago Word Brigade - Poetry/Voice
Dane Renshaw - Drums
Primaloop -Drums
Dani Kirby - Voice
Garbage Truck Disco - Pixies Tribute
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass
Hverheij - Nursery Rhyme Glockenspiel 
Life in The Movies - Electronic Percussion and Synths 
PuppetXeno- Guitar
Primaloop -Drums
Paul Miller - Keyboards
My Nocturnal Twin - Guitar

Me - Sensible Bass/Noise

If you would like to be part of this ongoing project

The process is simple, I collect a bunch of random recordings from people and then see what i can arrange from it. Nothing subtle here, just huge noisy fun : ) I am open to anyone that thinks they might like to be part of this mess. Drop me a message and i will send you my email. The only criteria is that i wont be using samples from TV/film/other music etc, so just original stuff played on instruments, field recordings, stupid drunk conversations etc. Cheers!

Breakfast At Charlies Contained No Fucks Whatsoever

[…]

UTILES tres uñas sa(que) que ojos aojan.
(…) las tres uñas del titán iconoclasta que hincharán los oídos.
ROEDOR cruel (guión) aéreo y halcón maorí (…) de un racial axioma en aerosol iberoamericano.
RIBERA que (ce)ja copias es adusto aquí (…) e un befo oboe los eucaliptos y los géiser son de Quilmes. Jinete de ajedrez (en) cual fastidio yace.
(…) que al nevar titila como figura de un irrompible pundonor. Doncella mal se u(fa)na con su normal ira (…) por el yugo aquieta otra mañana entre los buches de calor. Edema ruin izquierdo (no) hay hado oscuro (…) ya tu fobia dispara entre otoño zeque y buzos jíbaros.  

 
J(i)NeTe dE qwa(L)L AJeDreZ

 D i ó g e n e s  T a c u a r a

(CC BY-NC-ND 4.0)

creativecommons.org/licenses/by-nc-nd/4.0/

jinete de qwall ajedrez

Insecticide

There will always be differences and points of contention. These can destroy us or make us stronger and better. I think the path we choose here depends on face to face discussions, exchanging ideas and recognizing there are many ways to exist that are not mutually exclusive

everyone has to find their own peace
I can't tell you exactly what I see
As you can't tell me exactly what you need
still we must find a way to agree

you know the demons dancing in your head
their names, their faces and all of their children
to you they are real and something to dread
to me they are nothing but shadows in your head

we sit on a park bench and look out at the view
I see a sunrise and the glistening dew
but you tell me you're afraid it may rain
I say the rain brings color to the flowers
you say it just brings cold and darkness

you look at a person and see black red or white
I see a father and a brother and a wife
you hold your cell phone like it's your heart and soul
yet I can walk in a forest  and won't be alone

if we want world peace and brotherhood of man
then there's two ways to get there from where I am
we can learn to live together knowing that makes us strong
or keep killing each other till we are all together gone

can we both be right or are we both really wrong
to think that the other is too far gone
or should we accept that differences exist
so learn from each other
THAT is life's secret trick

tolerance..life's secret trick

Ballerina in Break

Ballerina in Break (sample piano by Davide Ambrosecchia)

The endless Winter

Bakhmut

The time we are given in this life is the crosswalk of our crossing. This song is part of the Mediterrâneo sequence.

PASSADEIRA

Parei o carro, que a passadeira é para parar.
Principalmente quando é um velhinho a atravessar.
Tremem-lhe as pernas, na tentativa de acelerar o passo minúsculo.
E eu até duvido que ele vá chegar ao outro lado,
a qualquer rua, a qualquer lugar.
Falta-lhe o tempo num mundo feito para circular.
E ele sacode o corpo, na tentativa de me acenar,
a agradecer-me a paciência do meu esperar.
E fez-se tarde, e eu vou ter mesmo que acelerar nesta viagem,
rumo a um futuro crepuscular,
que cruza a estrada de um deus que espera sem me apitar,
porque a minha vida vida é a passadeira do meu passar.

E fez-se tarde no meu passar.
Tremem as pernas no meu passar.
Tropeça o passo no meu passar.
E Deus à espera... 
É a passadeira do meu passar.

CROSSWALK
I stopped the car, the crosswalk is there for me to stop.
Especially when it's a frail old man crossing.
His legs tremble, in an attempt to accelerate the tiny steps.
And I even doubt he'll make it to the other side,
to any street, to anywhere.
He's short of time in a world made to circulate.
And he shakes his body, trying to wave at me,
to thank me for the patience of my waiting.
And it's getting late, and I'm really going to have to speed up on this trip,
towards a twilight future,
that crosses the road of a god who waits without horning at me,
because my life is the crosswalk of my crossing.

And I'm getting late in my crossing,
my legs trembling as I cross,
my steps stumbling as I cross.
And God just waiting for me,
because it's the crosswalk of my crossing.

Passadeira

Y-Hot Grease

Because of the Marshal's popularity in the first installment, we thought a sequel would be fun as he embarks on another daring mission of bringing Old-West law and order to another planet where criminal mischief has broken down the rule of celestial law. Central Galactic Intelligence(CGI)received a frantic call for help that anarchists had taken over a peaceful and prosperous world and needed the Marshal to set things right.  The track begins with him and his crew (Curtis, Seagull, and David)being cleared for takeoff.
A big thank you to Curtis Gremmel(center-left in the mix) for his superb playing, Seagull @farout-music-studio for his visionary and production expertise, and Clara for being the angelic voice of CGI. 
The original "Space Marshal" release can be heard here: https://soundcloud.com/david-dunhamuser589535203/space-marshal-curtis-david-and-seagull

Space Marshal 2 (the sequel) Curtis Gremmel, Seagull, David, and Clara

Le projet qu’on m’a commandé pour les Festes Baroques, consistait à créer une composition qui établisse un dialogue entre musique baroque et production sonore contemporaine.

Dans cette création, j’ai cherché à rejouer certaines structures tonales propres au baroque, tout en les faisant évoluer vers une forme de composition modale. Ce qui m’intéresse profondément dans la musique, c’est la narration, et ce dialogue entre les époques et les langages musicaux, m’a tout de suite attiré. Pour détourner certains accords baroques classiques, j’ai choisi d’utiliser des modes pan-méditerranéens et des micro-intervalles ou micro-tons. À l’inverse, certaines parties conservent des mélodies d’inspiration classique, mais interprétées par des instruments non occidentaux, comme le oud. Je me suis aussi interrogé sur la question de la narration rythmique, car le rythme tel qu’on l’entend aujourd’hui est assez absent de la musique baroque. Cela m’a amené à travailler autour de la répétition, de la densité sonore, et à interroger la façon dont on perçoit le temps dans une pièce. 

Cette pièce a donc été un long mais passionnant périple.

Barroco - pt11

Face your soul

perfect fade

experimental musician, I love sampling, breaking up and reassembling the fragments .... I have been working with musicians of various kinds and for some time together with my partner anam we have been producing rare pearls of a new hip hop.

Our "THREATENED TO SPILL" EP -- Another merger of two projects, Arcachata and XITX, available for your checking out today!!
---------------------------
The new album In Deference To (Indifference To?) the Seminal Works now on Spotify!!
https://open.spotify.com/album/5KvBqfQXbgQdz6uibwwuY0?si=Jg3GeuFCSbCEVS2gLF1y-Q
---------------------------

Arcachata:
Main alcohol:  Trumpet, Piano, Acoustic and electric guitars, Monotonal and polytonal vocalisations, Bongo, Drum kit, Bass guitar, Trombone, Synthesizers, Sequencers, Percussion.

Ingredients: 1 oz rock, 1 oz trance, 1 oz avant garde, 1/2 oz instrumental hip hop, 1/2 oz metal, 1/2 oz world, 1/2 oz prog, and a splash of traditional Panamanian folk.

Preparation: Add all ingredients into sonic mindspace filled with 70’s, 80’s, 90’s and 00’s nostalgia.  Mix vigorously.  Strain electronically.  Stir gently.  Garnish with beats from the future.  Serve with some 20’s ghost whistling.

Drinkware: Store the lyrics away for the future generation.

ARCACHATA
Serving isthmian goth hop since November 2018.
Thanks for listening.
All music written and produced by Adolfo Ernesto Samudio Stec.

Ballerina in Break (sample piano by Davide Ambrosecchia)

Tubo Dj (Scribes of Avalon)

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