Piano

Labosh – Électronique Émotionnelle – 2010

pt.1 – 36:16	

space – "space media" – 1980
patrick juvet &amp; jean michel jarre – "ou sont les femmes?" – 1977
skyline – "moon dream" – 1979
kabelelektrik – "mirage" – 1977
zodiac – "zodiac" – 1980
grauzone – "ich lieb’ sie" – 1981
john mills cockell – "truffaldino’s bird song" – 1973
pyrolator – "ein morgen und ein spaziergang" – 1984
syntonic research series – "optimum aviary" – 1984
m – "woman make man" – 1979
savage – "only you" – 1984
valerie dore – "get closer" – 1984

including spoken word parts from:
the steadfast tin soldier (h.c.andersen) – by jeremy irons &amp; mark isham – 1987
aussohnung &amp; manche tone sind mir verdruss (g.f.goethe) – by will quadflieg – 1958

Labosh Électronique Émotionnelle mix pt.1

Nachts am Meer

You can order 'Revisionist' here: https://losttribesound.bandcamp.com/album/revisionist

Or subscribe to the 11 album series from Fritch on Bandcamp,
http://losttribesound.bandcamp.com/album/leave-me-sessions-subscription-series-pre-order

Our website also has an option for 3 or 5 monthly installments here: http://losttribesound.com/shop/wrfseries

Buy or Stream Revisionist here:
Bandcamp: http://smarturl.it/buyrev
Itunes: http://smarturl.it/revitunes
Amazon: http://smarturl.it/revamazon
Spotify: http://smarturl.it/revspotify
Darla (US): http://smarturl.it/revdarla
Norman Records (UK): http://smarturl.it/revnorman
Stashed Goods (UK): http://smarturl.it/revstashed
Experimedia (US): http://smarturl.it/revexperimedia

'Revisionist', the latest record from composer William Ryan Fritch (Vieo Abiungo), brings an emphatic close to his incredibly prolific 2014. Just one month after the release of Death Blues 'Ensemble'—his powerhouse collaboration with drummer and new music ringleader Jon Mueller—Fritch has produced his most focused and dynamic work yet. Energized by the collaboration with Mueller (Volcano Choir), the otherwise self-sufficient multi-instrumentalist surrendered his auterist sensibilities, seeking creative alliances with Benoit Pioulard, D.M. Stith, Origamibiro and Esme Patterson. The results are scintillating. From the elegant minimalism of “Winds” (produced by Pioulard) or the exultant vocals of “Gloaming Light” (performed by D.M. Stith), these inspired partnerships take Fritch’s instrumentation and craft to new destinations, employ new techniques, and further it’s immediacy and appeal.

Fritch writes, “The record explores the psychology of revisionism: how we forget evil, distort it, skim past it, papering over those aspects of history we find uncomfortable.” This way the tense, physical, and oxidized “Infant Sight” lands like a blow to the gut: “Can I forget all these burns? Oh to see again with infant eyes, to revel in such virgin sights/ I am too tired to start looking again.” Fritch has gradually made a name for himself through his peerless ability to build strange, looming musical architecture, seemingly the Babel project of a dozen artists and processes, but indeed nothing more than the sound of one expert journeyman and his live acoustic instrumentation. His kaleidoscopic array of layered sound is still foremost, but now more than ever his savant’s orchestration serves the song structure, not the reverse.

Accompanying 'Revisionist' are two contrasting EPs that serve as illuminating appendices to its aural aesthetic. 'Heavy' and 'Empty' are raw and unfiltered explorations of the distinct contrasting elements at play in the LP. 'Heavy' showcases a dense and propulsive maximalism that marked so many of Fritch’s early recordings as Vieo Abiungo, but realized with the evocative production and ruddy, unkempt western sound pallet of his most recent work. While 'Empty' is a work of patience and restraint, a look forward in many ways to the expressive and dynamic power uncovered by simplifying and paring down his ambitious, large scale works. Together these recordings are a formidable display of craft and skill from a composer no longer stymied by his expansive range, but empowered by it.

Buy 

William Ryan Fritch - Heavy (from Revisionist)

01. Chasing Sheep Is Best Left To Shepherds - from the movie "The Draughtsman's Contract"
02. The Heart Asks Pleasure First - from the movie "The Piano"
03. The End of the Affair - from the movie "The End of the Affair"


Michael Nyman

Le Monde de Contre Jour

Étude de Contre Jour

promo song for the film 'Afterlov' from director Stergios Paschos

Lyrics and music written by Melentini
Performed, produced  and mixed by Melentini
©2016

Στον Πλανήτη Αφτερλωβ/Planet Afterlov

Artist: Grails
Title: Deep Snow II 
Album: Chalice Hymnal
Release Date: February 17, 2017

Pre-Order: store.temporaryresidence.com/products/trr279

When Grails dropped their fifth studio album, Deep Politics in 2011, it was instantly hailed as a cult classic and became the moment when Grails truly cultivated a sound all their own. Six years later, they advance that sound with their most lush, expansive album of their inspired career, Chalice Hymnal.

Rather than pick up where they left off, Grails take the sky-high riff-based heaviness of their earlier albums and distill it into a nuanced, widescreen opus. The perennial influences of mid-20th century Western film scores, obscure library music, and psychedelic krautrock are indelibly imprinted, but Chalice Hymnal exudes an eerie patience in unfurling the many layers of its subtle details.

Produced by the band over the past five years, Chalice Hymnal bears some of the European psych and experimental hip-hop production techniques of founding members Alex Hall and Emil Amos' other group, Lilacs & Champagne. Amos' meditative metal band, Om, and longtime singer-songwriter project, Holy Sons, also naturally find their way into the Chalice cauldron. Rounding out their leaner line-up, cofounder Zak Riles (also of experimental kraut-psych trio, Watter) layers synths and programming into an electronic-prog hybrid that pushes Grails further into the deep end, displaying a profound resonance, both musically and emotionally. No one else sounds like Grails, and on Chalice Hymnal they sound more like themselves than ever before.

Chalice Hymnal

Grails - Deep Snow II

Music-track from a game entitled Contre Jour. Instumental, relaxing songs played.

Contre Jour

Contre Jour 2

Contre Jour 3

Jozef Van Wissem & Jim Jarmusch - Etimasia

The new single! 
Digital downloads and exclusive 7" vinyl edition.

Tourdates:
27.03.2013 Hamburg Knust
30.03.2013 Meidelstetten Adler
02.04.2013 Köln Studio 672
03.04.2013 Frankfurt Das Bett
04.04.2013 München Milla Club
05.04.2013 Berlin Frannz
09.04.2013 Bonn Pantheon
10.04.2013 Nürnberg Künstlerhaus
12.04.2013 Stuttgart Laboratorium
17.04.2013 Leipzig Moritzbastei
18.04.2013 Hannover Lux
www.andreaschroeder.com

'Helden' - Lyrics and music by Bowie, David / Eno, Brian
Vocals and Harmonium: Andrea Schroeder
Violin: Catherine Graindorge
Guitars: Jesper Lehmkuhl
Bass: Dave Allen
Drums: Chris Hughes
Produced by Chris Eckman
Engineered by David Hefti
Recorded Nov 2012 at Hansa Studios, Berlin
Mixing: Chris Eckman at Studio Zuma
Mastering: Milan Cimfe at Sono Recording Studios

Étude de Contre Jour

David Ari Leon

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