Me gusta maestro. va por buen camino la canción.

More Deep

Collaboration with trash.man for the WSAP Challenge.

Check him out here 

https://open.spotify.com/artist/51X84EE4BDzHjDUlpuAtVN?si=3dE8bpl5SL6tarq1UDFG6A&dl_branch=1

https://trashman23.bandcamp.com/releases

https://www.instagram.com/trash.m4n/

original art by discord user kuromatic#7380

final cover design by trash.man#6716

kuromatic X trash.man - Icarus

On Oct 6th 2021, about 2 years after my last set in London, I played from open to close (11pm to 5am) at Village Underground in Shoreditch. Here's a recording of the whole night with a bit of the crowd noise. 

Perhaps a full tracklist at some point... some unreleased stuff in here. 

Even though it had been a while, we had all night so no use in rushing things! I came across a lot of lovely music this year, but it mostly lived in my rekordbox or in a radio mix. I actually record a lot of my sets but it always feels like they're in a constant state of iteration, making it hard to pick just one "version" to release. Over the years I feel like this has led me to only very sparingly drop live-recorded sets. A "party" doesn't often lend itself to the archivable realm, maybe the memories are best suited to the ephemeral. 

Anyway, eternal gratitude crystals to those who came and those who danced, and to those listening now.

-av

Avalon Emerson Live in London (6 hour dj set) Oct 2021

Naima (previo)

I'm a mess, mess, mess ,mess, mess, mess, mess, mess...

Mess

Mess (RD-6 TD-3 Trip Mix)

Ólafur Arnalds and Janus Rasmussen finally release their unique Nordic electronic sounds in album size.

'Full of melancholy-frosted electronics and emotive swells of classical piano, the new single from Nordic duo Ólafur Arnalds﻿ and Janus Rasmussen is a delicate, icy slowburn' – NME

Pre-order the CD/2LP/DL: www.erasedtapes.com/store/index/ERATP062
Pre-order the DL via iTunes and receive the album version of 'Thrown' instantly: snip.ftpromo.net/kiasmos

After dropping several tracks and performing at select festivals throughout the years, Ólafur Arnalds and Janus Rasmussen dedicated the year 2014 to explore the area in-between Ólafur’s more acoustic, piano-based solo work and Janus’s synth-heavy electro pop, with their collaborative electronic project Kiasmos.

By focusing solely on their self-titled debut album, Ólafur and Janus have been able to combine and further develop their unique sound aesthetics to complete an album driven by their mutual love for electronic music. Made in Ólafur’s newly build studio in Reykjavík, Iceland, a majority of the album was recorded using acoustic instruments next to a variety of synthesisers, drum machines and tape delays. It features a live drummer, string quartet and Ólafur performing on the grand piano, producing an ambient, textured sound, which makes it a perfect home listen and equally danceable record. If you listen closely, you can spot them record the thumb piano, finger snapping and even the sound of the metal grinder of a lighter slowly to replace the usual electronic hi-hat sounds, giving the album a far more intimate and unique atmosphere.

“We decided to start almost completely over with this record, so most of the material is written this year with the idea of making a record that can stand as one piece rather than a collection of songs. I am very excited to get a proper record out exploring a different territory than I am used to. I touch a lot on electronic genres in my own music but never have the opportunity to go full out electronic like we do here.” – Ólafur Arnalds

“The Kiasmos project has been around since 2009, but because of all our other projects we never really got the time to sit down and write all the tracks we always wanted to. So when we early this year finally found the time to sit down and make a full length album there was so much we wanted to try out. The result surprised us a bit, it's deeper and more emotional than we imagined it to be, but that's the beauty of being able to make an album.” – Janus Rasmussen

Kiasmos – s/t will be released on Double-Vinyl, CD and Download via Erased Tapes on October 27th, 2014.

TRACK LISTING:

1. Lit 2. Held 3. Looped 4. Swayed 5. Thrown 6. Dragged 7. Bent 8. Burnt

LIVE DATES:

29.11.2014 London (UK) – Village Underground
05.12.2014 Berlin (DE) – Watergate
06.12.2014 Istanbul (TR) – Salon
15.01.2015 Groningen (NL) – Eurosonic

OFFICIAL WEBSITES: facebook.com/kiasmos · erasedtapes.com

Kiasmos

Bent

Buy 2xLP/CD/DL

Kiasmos - Bent

Vinyl: https://www.discogs.com/Jamaica-Suk-Art-Vs-War-/release/11463596
Digital: https://jamaicasuk.bandcamp.com/album/gra001-jamaica-suk-art-vs-war-ep
Distribution: http://www.dnp-music.com/?p=27013
----
Format: 12" 
Cat: GRA 001 
Released: 25 January 18'
----
Gradient kicks off with a four-track release from Jamaica Suk and remixer Cassegrain. Beyond Horizon builds into a flurry of whirring metallic noises and mind-massaging squelches, with throbbing bass tones permeating the disorientating wall of sound. Art vs War brings drunken bassline funk, with warped synth growls and dusty percussion punctuating.
Around The Vines is a less thumping affair, but its incessant rapid- fire synth arpeggios are equally hypnotic, paired with ticking percussive rhythms and pulsing sub bass. Cassegrain’s remix of Around The Vines underpins the aforementioned synth refrain with a thundering tribal tom rhythm and builds the intensity further through a metallic military snare roll.
----
ARTIST: JAMAICA SUK
TITLE: ART VS. WAR
DISTRIBUTION: DIAMONDS & PEARLS
MASTERING: CRISTOPH GROTE-BEVERBORG, DUBPLATES & MASTERING
ARTWORK: VICTOR OCARES

A2. Jamaica Suk - Art Vs. War (Preview)

These demos are all made from the patches from the instruments.  No additional samples or drums loops are used.

Naima (previo)

David Pinzón Cadena

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