21-06-24

The Creep

The Creep (Capri Mix) [feat. Mount Sims]

Kompute Remixes Italy's Alexander Robotnick



Alexander Robotnick - I'm Getting Lost In My Brain (Kompute Mix)

It was only back then when Xenia Beliayeva finally kickstarted her career as a club DJ at the opening night of Karlsruhes Centre For Art and Media Technology (ZKM). Opening a night that featured the french Techno pioneer Laurent Garnier and electronic music legends Kraftwerk live on stage after only a few years being around DJ‘ing at art events and similar occasions.
Many things have happened since these early days, when she was freelancing for labels like Playhouse, Klang Elektronik or Mute Records and working for the highly acclaimed Ladomat for many of years where she took care of various business issues including the A&R department. Not to forget managing her own label Lone Records in conjunction with Formic Distribution and the Ladomat 2000-offspring Danced Records which is another part of Xenia Beliayeva‘s journey.
All these things have taken her from the art / exhibition circuits to clubs, raves and festivals allover the world. Continously evolving to the fully established, highly appreciated and award-winning DJ / vocalist Xenia Beliayeva is now, solo and in several collaborational projects that she‘s taken part in throughout the years. With 12“ releases under her belt put on the circuit via imprints like Datapunk, Different, Systematic Recordings and others plus a fulllength album debut („Ever Since“) on Shitkatapult there‘s no wondering why Xenia Beliayeva has been caught collecting miles and miles, traveling to places like Spain, France, Italy or paving her way to faraway countries like Ukraine, Australia, Russia or Brazil where she built a firm, enthusiastic fan base and, in the Brazilian district of Mato Grosso, won the Factoide Award for the Best Live Performance two times in a row. And live means live as Xenia Beliayeva has more to offer than just playing records. Her performance range has evolved from the regular DJ-set to DJ-/live amalgamations in which the Moscow-born artist is voicing special edits of her own productions and now reached the stage of full on live concerts, fronting the stage with a unique vocalist style and pure presence whilst her long-time partner André Winter is taking care of technical aspects.
This ability as such has once again increased the number of fans and followers attending XenBel shows allover the place and tuning in to her Radio Xenbel show which is broadcasted on several stations and in various cities she‘s playing, giving her an extra slot of air time plus a new and quite innovative way to interact directly with her ever-growing fanbase. And reactions show, that they do feel the meaning of each song even though they might not get the words as hit-singles like „Momentan“ or the more recent „Dumpfe Träume“ are performed and broadcasted worldwide in their orginal form - with lyrics sung in German.
This surely is another important point that singles out Xenia Beliayeva‘s position as „artiste extraordinaire“. She is a multi-lingual butterfly serving special flavours amongst mostly instrumental or at least monolingual competitors. Plus: her devotees are not only hailing from electronic club land but feeling at home in the darker, kind of Goth-flavored areas as well as in Synth- and Non-Mainstream Pop. Areas Xenia Beliayeva is not afraid of to explore as not only her videos but also different remix works, e.g. for the Techno vs. EBM-flavored Nitzer/McCarthy project,
do prove.
These devotees will be pleased for sure by Xenia Beliayeva‘s new album in the making, an electronic journey named „Riss“ after the spontaneous working title of the very first demo track created for the
album. The tracks name was changed to protect the innocent, the German word „Riss“ (engl: fissure, crack, fracture, jag, disruption) was here to stay, ready to break down stylistic borders and artificial walls between naturally connected scenes.

https://soundcloud.com/xenia-beliayeva

Dark Underground Podcast 337 - Xen Bel

Go to Start To Finish Courses: 
https://www.productionmusiclive.com/collections/all/start-to-finish

PML Course - Melodic House Vol.2 - Start To Finish

‘Empty Cascade' is the second single from the EP and acts as an epic mission statement, a perfect combination of rave fundamentals and straight up system blowing sludge that could legitimately only be pulled off by SCALPING. 

The accompanying Jason Baker video is the most immersive and captivating experience of SCALPING’s audio-visual realm to date; plunging right into the heart of the chaos.

YouTube: https://youtu.be/Pef-3XLFfG4


SCALPING have quickly established themselves amongst the UK’s most sensational acts, drip-feeding explosive shots of techno, punk and hardcore into the world and igniting venues and festivals across UK and Europe with a precise, unrelenting energy. 

The ‘FLOOD’ EP is a major milestone for the band and is the first proper holistic realisation of SCALPING’s stylistic breadth and mastery of a unique boundary-blurring approach, along with a developed sense of the total control exerted over their music at all times.  ‘FLOOD’ is undoubtedly the sound of a band seizing and maximising a singular vision.

FLOOD

Empty Cascade

COLOURED VINYL

SCALPING - Empty Cascade

Gravado ao vivo na 343ª edição do 5uinto, realizada dia 24 de abril de 2014, em Brasília.

Xenia Beliayeva @ 5uinto 343

falling up - Mount Sims

Monotonik Records shows the multiplicity of the sound specificity the label follows and presents the next release baring the dark nature of the whole album itself. The label artist Qbeck makes another entrance with his impressive and sombre 'Like A Dream' EP recorded with Xenia Beliayeva - the world recognized techno-diva with rich and diverse discography hailing from such labels as Shitkatapult, Systematic Recordings, Datapunk. The labelhead Mono.S delivers his Dark Edit with arpeggios and cleariness of the original idea and the own flafour at the same time. Gabriel Boni, the label head of Acid Fruits, Inminimax Records goes deeper to modern underground sound, combinig sharp and agressive bassline with original flavor and presenting completely clear vision of the original track, swaying with techno vibes.
Follow the label for the future EPs.

Like A Dream

Beatport

Qbeck, Xenia Beliayeva - Like A Dream

Dirty Criminals - Hurt Yourself Feat Mount Sims

Another collaborative effort w/ Josh Tonnissen of Omniscient.   Mixed by JT.  Mastered by James @ Artspoke.


Stargazer

3D (Future Forward Mix)

PUNCH 031
MT. SIMS
"Revaluation"
12" Ltd. ed.
13,00 €
12" maxi EP (45 rpm)

Mixed colour vinyl - Outfold cover
Limited edition of +/- 300 hand-numbered copies

What happens when Adriano Canzian, Christopher Kah, Crossover,  Equitant and  Magas choose one song each from Mt. Sims's "Happily ever after...again" and have their way with it.
Well prepare yourself... turn all your lights off... turn your speakers up at full volume... and remove any sharp objects from your immediate reach...unless of coarse you like to dance on glass.
"Revaluation" is coming !

RELEASE-DATE: 19 JUNE 2010

Tracklist:

SIDE A:

1 - MT. SIMS "Fragile Breaks Fragile - Original Version"
2 - CHRISTOPHER KAH "Fragile Breaks Fragile - A Passage in Time Remix"
3 - MAGAS "Fall Back - Violent ARP Remix"

SIDE B:

1 - ADRIANO CANZIAN "Unwound - Black Chrysalis Remix"
2 - CROSSOVER "Unwound - Ghost Machine Mix"
3 - EQUITANT "Unwound - Die Geistermaschine Remix"

MOUNT SIMS - "Fragile Breaks Fragile - A Passage in Time Remix  [PUNCH rec.]

A remix for Trans X of Living on Video 1981 Classic fame
http://www.youtube.com/watch?v=b9xBAtCsCTQ


Trans X - Lost In Musik (Kompute Mix)

XENIA BELIAYEVA on:
- Facebook: www.facebook.com/xeniabeliayeva
- SoundCloud: https://soundcloud.com/xenia-beliayeva

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Twitter: www.twitter.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to XENIA BELIAYEVA:

Q: You´ve mixed some really nice tracks here. How did these early tracks have an impact on your later career?

A: Well, first I wanted to do a classical DJ Mix, something danceable from the mid 1990’s to now, but then I switched to the idea of recording an after-hour mix, since the after-hour culture was an important part in the 1990’s and in the beginning of me partying. I still listen to all of these tracks sometimes in compare to old records, which I rarely or never pick out of my shelf. We go through some emotinal waves here. The mix is quite up and down. Coming down to my career, I really have a love going on with the Lady B track. I like the pressure and build up and everything in it, this track remained timeless for me and still fits into my sets, compare to other tracks from that time. I really love dancing to it, play that song and you see me freaking out like a maniac from a forgotten tribe or so. I guess it’s this forward pushing vibe an attitude I’ve picked from "The Groove Is Going" for my career.

Q: You´ve recently released your new album “Riss”. It´s a mix between Synth-Pop, Indie Dance and the typical Beliayeva Techno. How would you describe your musicial development with this LP?

A: Well, some new aspects are added, the songwriting comes more into light. The arragement has changed a bit. All is slightly more advanced, but in the core and that’s the most important part, I could express myself more or way clearer in this record. Probably that’s the trick of growing up. Talking calm, straight and clear, know more and more, what you want, set your goals, know your limits, be more focused, less open for compromises, give a shit, be self confident, don’t go for second best. Well, I’m curious about my development, let’s see where the journey goes. Right now I’m like super inspired, stucked in experiments on various fields, the only thing I can say is: "Der Asphalt bebt!" (laughing)

Q: What´s coming next after the album?

A: First of all there it's still some work on the album, as we drop a few more singles. The next one is Razor, coming up May 28th with your remix (Marc DePulse). Then I have a collaboration, to be released in June with Maksim Dark, called "Less Than Zero" with an André Winter remix. Then another single from the Album, with an unreleased track and a remix by Black Asteroid & The Architect called "Explore The Darkside". This ones are set for now and then we see, but I’m not sleeping. Step by step, uhhh baby!

How I Met The Bass

Xenia Beliayeva - HOW I MET THE BASS #120

Facebook: https://www.facebook.com/alferoxofficial/
Soundcloud: https://soundcloud.com/al-ferox-official
Artwork by Lea Pieper: www.facebook.com/BecauseIamtheWeedfinderGeneral/

#27 Al Ferox official (Kobayashi recordings, Dancefloor Killers, Italy)

Artist: Xenia Beliayeva (Hamburg, Germany)
Name: DHM Podcast #495 (July 2018)
Genre: Electronic / Techno
Release Date: 27.07.2018
Exclusive: Deep House Moscow

Xenia Beliayeva: https://www.facebook.com/xeniabeliayeva
Soundcloud: https://soundcloud.com/xenia-beliayeva

CONTACT (DHM): 
Email — deephousemoscow@hotmail.com

Follow us:
www.facebook.com/deephousemsk/
www.instagram.com/deephousemoscow/
vk.com/deephousemsk
https://deephousemsk.tumblr.com/

https://soundcloud.com/deephousemsk

Xenia Beliayeva — DHM Podcast #495 (July 2018)

Track #1 on the Future Forward Society Album recorded 2005-2007 @ Kompute HQ Chicago.  Features a vocal performance by Matt Sims who now resides in Berlin, Germany.    Originally released on 12" Vinyl in 2005 with a remixes by Alexander Robotnick and Kompute.                   www.kompute.info

Buy it on Beatport

Future Forward & Mount Sims - Time for Livin (Kompute Mix)

ARTIST OF THE WEEK: XENIA BELIAYEVA

It was only back then when Xenia Beliayeva finally kickstarted her career as a club DJ at the opening night of Karlsruhes Centre For Art and Media Technology (ZKM). Opening a night that featured the french Techno pioneer Laurent Garnier and electronic music legends Kraftwerk live on stage after only a few years being around DJ'ing at art events and similar occasions.

Many things have happened since these early days, when she was freelancing for labels like Playhouse, Klang Elektronik or Mute Records and working for the highly acclaimed Ladomat for many of years where she took care of various business issues including the A&R department. Not to forget managing her own label Lone Records in conjunction with Formic Distribution and the Ladomat 2000-offspring Danced Records which is another part of Xenia Beliayeva's journey.

All these things have taken her from the art / exhibition circuits to clubs, raves and festivals allover the world. Continously evolving to the fully established, highly appreciated and award-winning DJ / vocalist Xenia Beliayeva is now, solo and in several collaborational projects that she's taken part in throughout the years.

With 12“ releases under her belt put on the circuit via imprints like Datapunk, Different, Systematic Recordings and others plus a full-length album debut („Ever Since“) on Shitkatapult there's no wondering why Xenia Beliayeva has been caught collecting miles and miles, traveling to places like Spain, France, Italy or paving her way to faraway countries like Ukraine, Australia, Russia or Brazil where she built a firm, enthusiastic fan base and, in the Brazilian district of Mato Grosso, won the Factoide Award for the Best Live Performance two times in a row.

And live means live as Xenia Beliayeva has more to offer than just playing records. Her performance range has evolved from the regular DJ-set to DJ-/live amalgamations in which the Moscow-born artist is voicing special edits of her own productions and now reached the stage of full on live concerts, fronting the stage with a unique vocalist style and pure presence whilst her long-time partner André Winter is taking care of technical aspects.

This ability as such has once again increased the number of fans and followers attending XenBel shows allover the place and tuning in to her Radio Xenbel show which is broadcasted on several stations and in various cities she's playing, giving her an extra slot of air time plus a new and quite innovative way to interact directly with her ever-growing fanbase. And reactions show, that they do feel the meaning of each song even though they might not get the words as hit-singles like „Momentan“ or the more recent „Dumpfe Träume“ are performed and broadcasted worldwide in their orginal form - with lyrics sung in German.

Track List:
01. Marcos In Dub - Felony 
02. Carsten Halm - Traumtänzer - Monkey League
03. Javier Ho - New Era (Paolo Solo Remix) - Someday Lab
04. Beatamines - Spark (Christian Nielsen Remix) - Lauter Unfug
05. L.O.W.E.R - Solar Flare - Pressology Publishing
06. Tycho - Epoch (Luttrelll Remix) - Ghostly International
07. Publicist feat. Mixhell - Time Is Up - Delayed Records
08. Hutenberger - Time And Space 
09. Boho & Xenia Beliayeva - Violet - coming soon

Follow Xenia:
https://soundcloud.com/xenia-beliayeva
https://www.instagram.com/xenbel/
https://www.facebook.com/xeniabeliayeva

Xenia Beliayeva - JMA Radio show # 15

NO END  A Remix for my Amazing Chilean Friend..

from the full length album Jesus was a Nerd by GARBO on Pinball Recordings 


No End (featuring Garbo)

Radio Xenbel 81

01. Evitceles & Spite Cathedral - Restless Head - Sores
02. KNTRL - I Miss Myself - Beachcoma
03. Beatamines - The Island - Kompass
04. Dean Fuel - Running In Circles - Smaak
05. Deniz Kabu - No One Else - Heinz Musik
06. Aaron Suiss / Sergey Muzarks - Sahara - Heinz Musik
07. Sound Nomaden - Lazer Extended - Nu Boheme
08. Djos's Davis - Dance Nocturne -  Exit Audio
09. Weltenstein - Sencha - Studio 141
09. Levantine - Kлуб - Silhouette Music
10.  Dorothys Fortress  - Enter Castillo

21-06-24

davidreynaud