Bis Dato (Intro) - KevBeats X KsBeats RMX

My take on the amazing Jaymes Young's One Last Time. Please promote if you would like :)

@jaymes-young

Promotors/bloggers you can get in touch with me for download links via my FB or SC. I would rather you don't rip it so you post the quality of work I have intended to be heard. Thanks. 

Edit: Can't believe the crazy support this has received. Makes me so happy!

Free Download

Jaymes Young - One Last Time (Michael St Laurent Remix)

Short Info:

Acclaimed musicians Nitai Hershkovits and Daniel Dor will release their highly anticipated album, “The Garden Suite”, on Circus Company. Following their previous collaboration on Daniel Dor’s debut album, “Four Petals”, this new project sees the duo exploring uncharted musical territory with an innovative, Moog-based sound.

Inspired by the groundbreaking work of synth pioneer Malcolm Cecil, “The Garden Suite” marries electronic textures with the richness of orchestral sound. Drawing from a vast range of influences, including the works of Benjamin Britten and Fredrick Delius, Hershkovits and Dor meticulously composed each track, layering Moog synthesizer melodies to emulate various instruments from the orchestra - from French horn to percussion, guitar, brass, and woodwinds. The result is a sound that is lush yet light, deeply textured yet not dense.

“The Garden Suite” marks a significant evolution in the partnership between Hershkovits and Dor, with their new compositions shifting from the rhythmic focus of “Four Petals” to a more texture-driven approach. The album showcases their ability to create genre-defying soundscapes, blending Daniel’s rhythmic system, “The Flower,” with lush, ambient layers of sound created on the Moog.

Nitai Hershkovits, known for his extensive work in jazz and classical music, began his musical journey as a clarinetist before transitioning to piano at the age of 15. His early passion for improvisation and jazz earned him several jazz competition awards in Tel Aviv. Nitai’s career highlights include his five- year tenure with the Avishai Cohen Trio, and his numerous projects as a solo artist, including work with ECM and his band Apifera.

Daniel Dor, a drummer and multi-instrumentalist, was born into a family of musicians in Tel Aviv. He began exploring rhythm at the age of 10, building his first drum set out of household objects. His innovative rhythmic method, “The Flower”, gained attention with his debut solo piano album, “Four Petals”, which led to his collaboration with Hershkovits. Daniel has performed with notable artists such as NOA, Avishai Cohen, and Chano Dominguez, and regularly lectures on rhythmic symmetry and music.

With “The Garden Suite”, Hershkovits and Dor offer a unique listening experience that challenges traditional genre boundaries. Their seamless fusion of rhythm, melody, and texture creates a soundscape that is as experimental as it is captivating.

Nitai Hershkovits & Daniel Dor - Waltz of the Clocks

Nitai Hershkovits & Daniel Dor - Hidden Glow

With Le Tact, Joseph Schiano di Lombo delivers a work of rare finesse, conceived as a posthumous conversation with photographer Henri Cartier-Bresson. Through seven meditative pieces - whose evocative titles echo the photographer's words when describing the art of creating an image - this album explores the instinctive and delicate relationship that connects music and photography to our everyday lives.

Presented for the first time on stage during the 20th anniversary of the Henri Cartier-Bresson Foundation, Le Tact draws its inspiration from the photographer’s art: a sensitive and respectful approach, capturing the essence of things without altering them. This spirit of discretion and precision is distilled by Joseph into his music, blending composition and improvisation with intuitive elegance.

While Joseph composed and performed the piano, organ, synthesizer, clarinet, and guitar himself, he opened his arrangements for the first time to other musicians. Agnes Wasniewska (oboe), Barbara Misiewicz (cello), and Tomasz Baye Zietek (trumpet) bring their sonic textures, enriching this work, which is both intimate and collaborative. The album was recorded between Paris and Sopot (Poland) during a residency organized by the CNM.

The album’s title perfectly encapsulates its essence: Le Tact. This simple word, evoking both the sense of touch and artistic intuition, reflects the way Joseph composes—with respect, humility, and attention to detail. Each note seems to float lightly, as if to preserve the serenity of the moment.

Le Tact transcends genre boundaries. Between ambient music and contemporary art, this album invites listeners to slow down and truly listen. It is a tribute to the beauty of the world, captured with the subtlety of a photographer and the sensitivity of a musician. 

Le tact

Joseph Schiano di Lombo - Ne rien « préparer », ne rien « arranger »

Cat #: CCS136
Release : 07/03//2025
Genre: Electronic, Ambient, Neoclassical 
Tracklist LP: 
1. Pas de bruit 2. Être invisible 3. Ne rien « préparer », ne rien « arranger »
4. Simplement être là 5. Arriver tout doucement 6. À pas de loup 7. Afin de ne pas troubler l’eau 

Short Info: 

With Le Tact, Joseph Schiano di Lombo delivers a work of rare finesse, conceived as a posthumous conversation with photographer Henri Cartier-Bresson. Through seven meditative pieces - whose evocative titles echo the photographer's words when describing the art of creating an image - this album explores the instinctive and delicate relationship that connects music and photography to our everyday lives. 

Presented for the first time on stage during the 20th anniversary of the Henri Cartier-Bresson Foundation, Le Tact draws its inspiration from the photographer’s art: a sensitive and respectful approach, capturing the essence of things without altering them. This spirit of discretion and precision is distilled by Joseph into his music, blending composition and improvisation with intuitive elegance. 
While Joseph composed and performed the piano, organ, synthesizer, clarinet, and guitar himself, he opened his arrangements for the first time to other musicians. Agnes Wasniewska (oboe), Barbara Misiewicz (cello), and Tomasz Baye Zietek (trumpet) bring their sonic textures, enriching this work, which is both intimate and collaborative. The album was recorded between Paris and Sopot (Poland) during a residency organized by the CNM. 

The album’s title perfectly encapsulates its essence: Le Tact. This simple word, evoking both the sense of touch and artistic intuition, reflects the way Joseph composes—with respect, humility, and attention to detail. Each note seems to float lightly, as if to preserve the serenity of the moment. 

Le Tact transcends genre boundaries. Between ambient music and contemporary art, this album invites listeners to slow down and truly listen. It is a tribute to the beauty of the world, captured with the subtlety of a photographer and the sensitivity of a musician. 


Joseph Schiano di Lombo - Pas de bruit

Bonnie Banane and Joseph Schiano di Lombo present L’Orguasme, an album of bawdy and devotional songs accompanied by the organ of the Cité de la Musique / Philharmonie de Paris. Literally composed and written for pleasure, this work (of the flesh, naturally) pays tribute to the most spectacular expression of ecstasy — a paradise so near and yet so misunderstood. From the most restrained sighs to the most dazzling vocal outbursts, from the foreplay to the eruption, not to mention the bliss that follows the incandescence, Bonnie and Joseph sing about the art of genuflection, of climbing the walls, and of the "little death," without shying away from the darker areas: those of guilty, forbidden, feigned, or selfish pleasures, for instance.

By turns light, explosive, mystical, burlesque, and poetic, this music diverts the organ from its centuries-old habits, achieving a union of the profane and the sacred, the crass and the beautiful, the body and the spirit, early music and pop — reminding us of the essential truth: it’s better to come than to cry.

While the minimalism of the arrangements initially strikes the ear — no instruments other than the organ accompany these musical escapades — the album is infused with numerous unexpected influences: R&B (La petite mort), swing (Le cri), gospel (Simulation blues), jazz (Le calme après l’œuvrette), medieval ballads (Ronde génitale, Au plaisir), and even a famous 16th- century folk dance called the branle (Branle [Censored]).

A sexy, lush, stripped-down, and unabashed opus, glorifying what remains glorious: love, music, and the boundless joy of creation. 

Bonnie Banane & Joseph Schiano di Lombo - Grand frisson

A quarterly collection of Ta-ku Trash. Volume 1. 

02 - My First Love

Montreal duo Flabbergast—aka Guillaume Coutu Dumont and Vincent Lemieux—return to Circus Company, the label where it all began with their debut EP in 2015. Now seasoned veterans of leftfield club experimentation, they deliver Weirdo Active, a two-track vinyl release that distills their signature blend of groove, absurdity, and refined weirdness.

On the A-side, “Timecrowave” is a swung, syncopated burner built around fragmented drum programming, warbled synth textures, and subtly detuned atmospheres. It's a tool that thrives in the in-between moments of a set—unpredictable yet fluid.

On the B-side “Serpentoute,” a slinky groove laced with dubwise processing and modular squelch, maintaining tension through micro-edits and playful FX. Perfect for after-hours transitions or more open-minded floors.

Digital-only tracks “Meat on Bone” and “Tiou de Checheu” push things further into abstract, bumpy terrain—ideal for DJs seeking left-of-center material with character. Following standout releases on Yoyaku, Copier/Coller, and Chapelle XVI, Flabbergast continue to offer up dance music that’s deeply heady, subtly unhinged, and always full of intent.

Following standout releases on Yoyaku, Copier/Coller, and Chapelle XVI, Flabbergast continue to offer up dance music that’s deeply heady, subtly unhinged, and always full of intent. A finely sculpted dose of dancefloor surrealism—just the way Flabbergast likes it.

Flabbergast - Tiou de Checheu

Als Geschenk zum dritten Advent und als Dankeschön an die Fans für all den Support im Jahre 2011 haben wir uns entschieden, die leider Gottes zu spät fertiggestellte Akustikversion von “Nie wieder” in weihnachtlicher Vorfreude zu verschenken!

Tausend Dank für die treue all die Jahre, wir hoffen es gefällt Euch!

Pi &amp; Cas

Prinz Pi feat. Casper - Nie wieder ( Akustik Version)

wir sind nun 300.000 auf der facebookseite und verkünden hiermit feierlichst: im märz geht die "der druck steigt" tour weiter! alles ausverkauft, alles geil und nun freue ich mich bekannt geben zu dürfen, wer diesmal vorgruppe ist! nach den grossartigen kraftklub, den atemberaubenden vierkanttretlager und dem abrisskumpel rockstah......nun......trommelwirbel......CRO! und weil wir uns so arg drauf freuen, gibts ein tourlied! zur tour! ein tourlied zur tour!

Bis Dato (Intro) - KevBeats X KsBeats RMX

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