tech-tech

A fresh edit from the Haules Baules chop shop.

TRUTH

The Lord With Practice

iTunes

LuLúxpo - Inside My Head (Dombrance remix)

Download: http://www.xlr8r.com/mp3/2015/02/grey-people-moonstruck/

https://soundcloud.com/grey_people
https://soundcloud.com/c-g-i-records

Download

Grey People - Moonstruck

Boot & Tax - Niente per Niente

❤︎This is an experiment we did with 3 tracks: Brian Eno - Over Fire Island & The Big Ship + Ricardo Villalobos - Dexter!

Brian Lobos - The Big Fire Dexter Island | Underspreche Experiment |

After Sulk Magic’s auspicious debut release, the label returns for its second chapter of left-field cuts. Bird of Paradise curates this one with a similar mind-set to the former; a strong natured collection of tracks which all portray a consciousness of marked ingenuity and a desire to defer from the regular dance-music-model.

Berlin’s Thomas Freudenthal kicks off the record with a portion of hypnotising middle eastern flavoured chug, leading into Kieran Holden’s slow-burning, melodic anthem, ‘3 or 4’.

LINKS:
https://soundcloud.com/freudenthal
https://www.facebook.com/freudenthal/

http://sulkmagic.com/
https://www.facebook.com/Sulkmagic/
https://soundcloud.com/birdofparadisemusic

TRACKLIST:
1. Freudenthal - Rapax Apicem
2. Kieran Holden - 3 Or Four
3. Clandestino - Simpatico
4. In:State - Spacer
5. daWad & Mokic - Furious

Rapax Apicem

Pre-Order!

Freudenthal - Rapax Apicem [Sulk Magic]

Poni Hoax - Budapest (tennis edit)

OUT NOW: https://awal.lnk.to/deewee030asamoto

Hailing from the suburbs of Ghent, Asa Moto are back on DEEWEE with their third EP, this time delivering six radically different pieces of music, providing something for everyone. Dance floor : covered. Kitchen: covered. Hi Fi: check. Car: sorted. EarPods: done. Up to you to find out which one was made for which.

1. Soon Please
2. Kifesh
3. Playtime 
4. Hynek Maneuvre
5. Worrying 
6. Twenty Six

Follow Asa Moto
IN: https://www.instagram.com/asamoto101/?hl=en
FB: https://www.facebook.com/asamoto101/
SC: https://soundcloud.com/asa-moto101
SP: https://open.spotify.com/artist/0zRfSoVzQ7hRt9y3yUFoqw?si=j704X9YGTOekzIgb8zDuSA

Playtime 

Read more here: www.localsuicide.com/lsd-exclusive-mufti-shout-edit/

Lust & Fury Edits -  Shout (Mufti Edit) [Ombra]

Unpopular Music

Buy / stream

LuLúxpo - Je suis à toi (David Shaw and The Beat edit)

Back From The Wave - Les Nuits

out soon on nein
get this track now here
https://neinrecords.bandcamp.com/album/tight-bite-ep

Andreas Rund - Inside

Heimlich Musik’s (@heimlichaufsc)tenth release is a direct output from “@Tulioxi”, which has been mastered over time during his live performances using a broad range of analogue equipment. 

This four-track EP has received special treatment from three dark disco advocates: Local suicide, Undo, and Ombra international label boss Curses(@cursesforever). Each of them integrating their signature sounds to the originals. 

We are happy to premiere “Curses” remix of the original track “The downside of being an asshole” and once again he has shown his love for blending rock & roll with the darker side of disco and turning the vocals into ghostly whispers. 

Release Date: 18/10/2019

Youtube: https://youtu.be/POe2314aqeY
Sinchi Blog:

PREMIERE - Tulioxi - The Downside Of Being An Asshole (Curses Remix) (Heimlich Musik)

Vinyl is coming out 21.07.2014
digital is coming out 04.08.2014

on LOW HANGING FRUIT
www.facebook.com/lowhangingfruitrecords

pre-order

David Hasert - Ratata

Underpinned by an insatiably funky bassline, 'Eyes Wide Strut' announces itself with the unique vocal prowess of WOOZE, which then makes way for Moscoman's meticulous-yet-effortless production – harnessing a retro feel while remaining remarkably fresh-sounding. Taking on this already infectious assembly of sounds, Tunnelvisions – our Dutch buddies that have made a name for themselves with their imaginative melodic themes and entrancing rhythms – harness the original's vocals and propel them onto the dance floor in trademark fashion.

Read more: https://liquidyouth.nl/music/premieres/moscoman-eyes-wide-strut-tunnelvisions-remix-moshi-moshi
Buy: https://moshimoshi.plctrmm.to/EyesWideStrut

https://soundcloud.com/tunnelvisions1
https://soundcloud.com/moscoman

Premiere: Moscoman - Eyes Wide Strut (Tunnelvisions Remix) [Moshi Moshi]

Love Songs With A Kick.
Booking: simon@podium.agency

Past & Present Works/

David Shaw And The Beat
Black Strobe (W/ Ivan Smagghe & Arnaud Rebotini)
Cardini & Shaw (W/ Jennifer Cardini)
DBFC (W/ Dombrance)
Siskid



There is no longer a mythology to invoke, no ghosts of the past to recall, no flames to rekindle. What remains is a solitary duel: that between tepid music and the instinctive, pure kind that emanates from the soul and heals personal chaos.

This latter path is the one taken by David Shaw, an artist for whom there is no plan B or compromise, just the necessity to set his guts on fire with a record production that asserts itself as one of the most personal and incendiary on the current scene. 

Born in Manchester and branded by the counter-cultures that collided during his teenage years (rave, punk, garage), Shaw has taken it upon himself as his only creed to create music outside of conventional formats and beaten paths. 

We have seen him produce electronic music under the alias Siskid, play guitars, bass & keys live and studio, on the album Burn Your Own Church (Beggars, 2007) by Blackstrobe (Ivan Smagghe & Arnaud Rebotini), and collaborate with Jennifer Cardini and Vitalic. 

He went solo under the name David Shaw And The Beat, whose album So It Goes gracefully married techno and new wave, and co-founded the band DBFC (with Dombrance), creators of a gem of synthetic rock with baggy and Madchester echoes. 

A punk at heart and a music club iconoclast, David Shaw has digested his influences, distancing himself from musical cliques and the very notion of crossover. His music resonates like his persona, fueled by self-sacrifice and a fierce refusal of artistic tepidity. His strong and total aesthetic universe also captivates the fashion world, with his tracks regularly accompanying brands and designers such as Ami, Chanel, Gucci, Lanvin, Pressiat, and Solène Lescouët.

Emotional, proud, and cunning, David Shaw’s songwriting took a new turn with the 2020 release of the EP Love Songs with A Kick Vol.1 a collection of refined tracks between post-punk for alley cats, and apocalyptic crooning.

Far from resting on his laurels, the musician has let inspiration flow in the wake of this new creative milestone. Over the past three years, he has composed and recorded about forty tracks, sixteen of which are now divided into two albums: 
Love Songs with a Kick Vol. 2 and 3. 

These projects were born from a feeling of urgency, a desire to counteract the passage of time and elevate even further a double ambition:of songwriting and production. They feature what has shined in his previous works: the balance between guitars and machines, punk vigor, and catchy gimmicks. He seems to deploy even more freely his desire to pervert the pop song, taking it on diverted paths, approaching it in a liberated and almost playful manner.

Love Songs with a Kick Vol.2 initially embodies the colder and more mechanical facet of David Shaw's music. 
The cold and industrial influences stand out like never before, the structures are more direct and leave room for explosive choruses and catchy gimmicks that have become one of the musician's signatures. His voice, with tones of icy glam, plays the dominatrix then distributes caresses, and regularly gives the tracks on this album a classic feel.

Love Songs with a Kick Vol.3 explores new territory in David Shaw’s music.
Characterized by more space, the tracks that compose it play a more narrative, evolving card, sometimes even bordering on cinematography. The writing relies on suspended climates and hallucinogenic ambiences. Punk, kraut, new wave, cosmic pop are catapulted into a hypnotic dream machine. It’s Lou Reed from Transformer sent into Blade Runner, Bowie locked in an industrial club grappling with misanthropic voodoo. 
The blinding white light regularly asserts itself in the interstices of these venomous and hedonistic tracks.

The Lord With Practice

David Shaw And The Beat

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