Very beautiful this one. Has kind of an endtime mood but like in 28 Days later. I love this harmonics :)

Hey David, I just came over this track again after a long time. I wonder if there's been a release in the meanwhile? would love to hear the original vers.

spring

from 'Flailing Tomb' [CD|LP|DIGITAL]
Denovali Records · den232
available on all formats at [http://denovali.com/petrels]

Flailing Tomb

Petrels - Orpheus

Rolf Azevedo playing live Loops with guitar for the dance performance Raw Material with Karen Eliza Harvey and guests at Lake studios

The Secret

Irish-born mystic Peter Power finds a suitable home on the record label / psychedelic familia that is Multi Culti.

Mr. Power made a name for himself in Berlin as resident and booker at Kleine Reise and subsequently Loftus Hall. Out of this flowered Kleine Reise Records, the initial portal for his manifestations, and a network of connections that have made him a cult DJs DJ. After a wholesome 5 years in Berlin, and with the jungle in his sights, he continued his journey to Brazil, where he currently drifts within the chaotic harmony of Voodoohop, home to Multi Culti mainstay Thomash, who offers up a fantastic remix here in support. 

Jungles of Ufordia presents a trip into an experimental universe, into the dark realm of sacred light, an esoteric space between familiar realities, the place of paradox and cosmic birth. Put that in your pipe and smoke in it.


Peter Power - Jungle Work (Thomash Remix)

Open Recording Session @ Superbudda, Turin, IT.

Insta: https://www.instagram.com/sebastianplano/

Indie Live in Turin: https://www.youtube.com/watch?v=mKl7OZ1s8ow
Indie Live at Funkhaus, Berlin: https://www.youtube.com/watch?v=fB9zsb2wy9I

New Song - 'Indie' Live in Turin, IT.

cellular

LoveWithItsAttendantEcstasiesItsAttendantLongings

Experimenting with two increments forward and one back, and repeat one forward and two back... #RNDOriginal #rednemesisdog :- ‘Original’ musical evolutions and experiments using a Polyend Tracker and/or Polyend Mini. With samples from: #teenageengineering #polyend #ep1320 #polyendtracker #akaimpkmini #stylophone #hawaiiangosling #polyendmini The Lift Music Series are usually palindromic and can be played forwards or backwards – up or down.

Two Steps Forward And One Step Back

Half Moon Sky

Gifts For The Howling Soul

GATS_B3_Gifts For The Howling Soul_Saturn

Igray, Skripka, Igray

Shika Shika is proud to present “Rwandance” the second album by German multi-instrumentalist Andi Otto. Anyone that has had the opportunity to see Andi’s live performance knows about his talent as cellist and was no doubt blown away by his self-made device, the “Fello” - a sensor-extended cello bow.

“Rwandance” sees And move into new territory - born out of a meeting between And and Rwandan musician and dancer Evariste Karinganire, while collaborating for the music of dance piece Planet Kigali.

“The idea was to first listen to a music archive of songs and instrumental recordings of instruments from Rwanda. Then I tried to transform this material into my own sound. I was mesmerised from the very first moment when I heard this beautiful language: Kinyarwanda alongside these instruments like the Umuduri a percussive bow instrument, and rhythmical structures, like the 5/4 and 3/4 feelings which are the basis of many songs.”

Andi has a talent for using technology in a way that is touching and touchable, enticing out warm and organic tones from his machines. On “Rwandance” this sensibility enters into a perfect dialog and harmony with the traditional Rwandan rhythms. His break away from the traditional 4/4 structures of electronic music is not only refreshing but full of groove.

"Planet Kigali“ was premiered at Kampnagel in Hamburg at the end of 2018:

"Planet Kigali“ is about a bunch of time-travellers who come back from the future to our present year. They remember that there had still been borders and passports in 2019, a fine, utopian plot… and they represent a hypothesis of what aspects of Rwanda’s cultural tradition could look and sound like in 200 years. The time-warp makes it possible to shift the focus away from the topic of the country’s horrible genocide. Instead of investigating a post-traumatic society, the piece tries to jump ahead to the future and to the past simultaneously. Between old memories or recordings and our dreams, fears or expectations of the future.”

Rwandance

Andi Otto - Umuduri

Isaac Soto’s new EP “Marmol” is out in all digital stores!

The EP, consisting of 4 tracks, is a unique mash-up of classical and contemporary compositions, contrasting organic sounds with synthetic textures; employing samples, powerful bass lines, catchy instrumental tunes and laid back vocals.

The first track, Campo Minado is an ever-expanding musical fractal with Isaac’s piano guiding through his maze of layered structures, enhanced with muted guitars. The underlying bass line moves the listener, as they evolve into high pitched sounds creating a sci-fi atmosphere midway through the track while the synth sounds at the end prepare the ground for the next track.

Cristal starts where Campo Minado left off, expanding the soundscape even more with its organ sounds reminiscent of Baroque pieces. The electronic sounds swiftly caress the ears while Sato builds the tension in the track, creating a sense of scale. 

The tension of Cristal comes to a resolution in the last track, Quena. The triangle of flute, vocals, and the gentle tapping sounds create an airy atmosphere, before reaching the climactic bass-heavy part. The gentle taps give way to heavy steps of bass, the spaciousness of the flute morphs into a longing cry and Sato’s ever-present piano shows itself for one last time to close the EP. 

The artwork of the EP, showing a chemical reaction between vitamins, emphasizes the combination of organic and man-made, vivifying Sato’s audial language.

https://kantorecords.bandcamp.com/album/marmol

Marmol

Campo Minado

VAA50

Descarga

jiony - 699

"We eat light, drink it in through our skins. With a little more exposure to light, you feel part of things physically. I like feeling the power of light and space physically because then you can order it materially. Seeing is a very sensuous act-there's a sweet deliciousness to feeling yourself see something." -J.T.

Instagram: @grid_tron

arte: Chema Contreras

Tropical Synth

Rhym

Musician / Producer / Visual Artist

One half of DARKCAR 
Debut single out now!
linktr.ee/darkcarmusic

Rhym

David Terranova

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