This is my second guitar sonata composed in January 2025, performed live in Vetlanda church March 25th 2025 by guitarrist Eric Lammers.

Sheet music to be published by Bergmann Edition alongside my first Sonata in D Major late 2025 to early 2026.

Guitar sonata No. 2 "The autumn evening" in a minor Op. 33 No. 2 (live performance).

*** For better listening, use headphones ***

I'm Antonio Porrino (Tonino).
Graduated in Physics in March 1979, I was Researcher in Theoretical Nuclear Physics at the "Federico II" University of Naples until November 2019.
I studied music, initially at the Conservatory of San Pietro a Maiella in Naples and then self-taught piano, organ and composition.
I have been married to Anna since July 1982 and we have 5 children, Fabio, Luca, Francesca, Cecilia, Vincenzo and 3 grandchildren, Antonio, Sofia and Vincenzo, Fabio's children, married to Sara.
I founded the polyphonic choir "Vicus Novanensis" in 1992 and in 2019 "I Cantori di Maria", which have collected the legacy of the numerous "long distance adoptions" of the previous choir.
The musical activity takes place mainly at the "Pontifical Minor Basilica of Maria Santissima Assunta" in Santa Maria a Vico (Italy).
I have composed music of various genres.
My music would like to express and transmit feelings of peace, serenity and joy, contrasting those of war, hatred and oppression that seem to prevail on planet Earth, causing the degradation of the natural environment that guards us.

Sono Antonio Porrino, per tutti Tonino.
Laureato in Fisica nel marzo 1979, sono stato Ricercatore di Fisica Nucleare Teorica presso l'Università "Federico II" di Napoli fino a novembre 2019. 
Ho studiato Musica, inizialmente presso il Conservatorio di San Pietro a Maiella di Napoli e poi pianoforte, organo e composizione da autodidatta.
Sono sposato con Anna dal luglio 1982 e abbiamo 5 figli, Fabio, Luca, Francesca, Cecilia, Vincenzo e 3 nipoti, Antonio, Sofia e Vincenzo, figli di Fabio, sposato con Sara. 
Ho fondato nel 1992 il Coro polifonico "Vicus Novanensis" e nell'anno 2019 "I Cantori di Maria", che hanno raccolto l'eredità delle numerose "adozioni a distanza" del precedente coro. 
L'attività musicale si svolge prevalentemente presso la "Basilica Pontificia Minore di Maria Santissima Assunta" di Santa Maria a Vico (Italy). 
Ho composto brani musicali di vario genere. 
La mia musica vorrebbe esprimere e trasmettere sentimenti di pace, di serenità e di gioia, contrastando quelli di guerra, odio e sopraffazione che sembrano prevalere sul pianeta Terra, provocando la degradazione dell'ambiente naturale che ci custodisce.
Alcune delle mie musiche sono anche su youtube (porrinomusic)

I am a music teacher at Oskarshams Folkhögskola, where I teach classical singing, composition, music theory and chamber music. 
I am also a singer with primarily art songs on my repertoire, a hobby composer and poet and a founding member of the Mönsterås Jazz and Chamber Music Society.
I studied composition at Ingesund College of Music and Baroque counterpoint at Uppsala University and mostly write vocal music for song and piano, and/or choir but eventually compose for other instruments and ensembles as well.
I have been called "a radiant talent in finding the essentials in different musical styles" (Arvika Nyheter, December 4, 2006) and regional news paper Barometern wrote that my music shows "good insight in choice of melody and harmonic part writing" (September 25, 2012).
My music has been performed in Austria, Canada, England, Germany, Sweden and USA.

Notable works are:

"Three nocturnal Songs Op. 11", song cycle of three songs for soprano and piano. Premiered by Cecilia Alrikson and Natalja Shakova in Oskarshamn, Sweden in 2018.

"Night songs Op. 6", song cycle of five songs for baritone and piano. Premiered by Anthony Schneider and Rosemary Barnes in Vienna, Austria in 2013.

"Ave Maria - String quartet in d minor Op. 12", string quartet in three movements. Published by Gusthold Music, USA in 2020.

"Av hjärtat, sjung! Op. 22", cantata in five movements for STB soloists, SATB and childrens choir, string quartet and piano. Comissioned for the opening concert of the four day festival "L'Esprit - upplev 1700-talet" (L'Esprit - Experience the 18th century) in 2020.

"Joie de vivre - Piano sonata No. 2" Op. 23, sonata in four movements for solo piano. Composed in 2020.

"Jaktsonaten - Violin sonata No. 1 Op. 13", sonata in four movements for violin and piano. Composed in 2016.
 
I have been published by:

Gusthold Music Publisher (www.gustholdmusic.com) 
- String quartet in D minor "Ave Maria Op. 12" (May 2020)

Flauto d'Amore Editions
(www.flautodamoreproject.com)
- Danza, for Flauto d'Amore or C-flute (June 2020)

Psalmportalen (www.psalmportalen.se)
- Three congregational hymns (Herre Gud, vi lovar dig, När det känns som att allt ljus försvinner and Ett litet barn, Marias son) (Summer 2017)

I hope you will find something here to listen to that you will enjoy!

Photography for my profile image: Anna Broette

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

Guitar sonata No. 2 "The autumn evening" in a minor Op. 33 No. 2 (live performance).

David Unger | Composer