These are my biggest works in multiple movements, such as my sonatas, my cantata and my string quartet. It also includes some of my song cycles (most notably my Op. 7 song cycle "I drömmarnas spår" is missing since there is no complete recording of it, as of yet). 

Works in multiple movements

Recital

Piano Sonata

Eine Kleine Nachtmusik? 
The inimitable Anna Sutyagina performs my Nocturne in Fm, a melancholic affair much influenced by the nocturnes of Chopin, but with a modern twist.

Artwork: "Blackjack at Night" by Joelle Voogt

Nocturne No. 1 In Fm (performed by Anna Sutyagina)

Piano Sonata in G Minor (Op. 7) performed by John Zeff

III. Rondo (presto)

full movement for symphony orchestra (orchestration is still incomplete)

Symphony_no._2_in_F_sharp._1._Allegro_Moderato

ur verket "Jag är här"
Text: Ylva Eggehorn
Musik: Katarina Rudérus

Jag är Hanna - en av oss (ur "Jag är här")

Soprano Hayley Boggs, tenor Jonathan Matthews, and pianist Maryna Buksha perform "Show Me Thy Feet," the second of THREE HERRICK SONGS by Gary Lloyd Noland, Op. 97, No. 2 (2010). Poem by Robert Herrick. For more information on the composer, please visit his website at: garynolandcomposer.com

SHOW ME THY FEET for soprano, tenor & piano, Op. 97, No. 2; poem by Robert Herrick

Detta är i orignalversionen en sång för unison damkör och fiol, som har fått ett orgelarrangemang. Musik: Katarina Rudérus.

Bereden väg för Herran - version för orgel

Sonata for Flute and Piano (Op. 7 — 2008)

Nadia Kyne, flute
Jonathan Ware, piano

Evan's Master's Recital - a

Flute Sonata

Cello Sonata

Song cycle composed in 2013 to texts by Hoffmann von Fallersleben. 

1. Frühlingsgruss
2. Schmetterling
3. Hinaus ins Freie!
4. Die Waise
5. Frühlings Ankunft

David Unger, baritone
Natalja Shakova, piano

Recorded live in Ceciliakapellet, Oskarshamns Folkhögskola October 1 2019.

The Frühlingslieder were written almost by accident while I was working on my op. 7 song cycle "I drömmarnas spår".
As I was searching for a way to tie that song cycle up I felt I needed a relief and started singing songs from Robert Schumann's Liederalbum fur die Jugend at the piano. All of these texts are also set to music in that very album. 
I found the rather small songs so delightful and fun to sing that I decided to write my own little collection in the same style.
Whether or not I managed? You tell me!
But after composing the first song of this cycle I finally found the inspiration to compose the fifth song of I drömmarnas spår as well, and so I ended up with two song cycles instead of one(!).

Fünf Frühlingslieder Op. 8, (live performance)

This is a short prelude and fugue written for a collegue at work, back in 2019 (this is the revised version from 2023).
The two movements are connected by the theme of the prelude which comes back as countersubject in the fugue. 

Since I work in educating church cantors I have long wanted to write an organ fugue.
But since I do not play the organ myself, it didn't come naturally, until I listened to Bach's prelude and fugue in D Major, and found that an organ fugue can actually be humourous as well as well constructed by all the rules that comes with the genre.
I hope that my piece conveys some of that sense of humour as well as being contrapuntally sound, albeit being a much smaller and, if I dare say so, less pretentious work.

Prelude and fugue in C Major Op. 20, for organ (midi recording)

This is my first complete sonata, originally composed as a three movement work (without the Adagio) in 2016 for students at the school where I work and dedicated to my late father. It was later revised with the addition of the slow movement in March 2021. It is in four movements:

1. Moderato (Sonata-allegro form)
2. Adagio "In memoriam" (Slow movement sonata form) 
3. Tempo di minuetto (Minuet and Trio) 
4. Allegro vivace "Hunt" (Sonata-allegro form)

The "Hunting sonata" (Jaktsonaten in its original Swedish title) began as a one movement work for unaccompanied viola called "Jakt" (Hunt or Chase in English) due to its never ending streak of sixteenth notes, and plans to make it into a larger work came only after a lecture in composition for which I prepared an example, which was to become the third movement. As I had already composed Jakt and didn't really know what to do with it I revised it and added the piano part of what was to become the fourth movement. 
Having composed two movements, of which one was originally called Hunt I thought I'd compose an opening movement as well. And when composing an opening movement  to complement a movement called Hunt it came natural that it should be based upon a hunting call.
Hence the original three movement sonata was complete.
But as it fell, at the time of putting the work together my father fell ill and was hospitalised. So I decided that I would finish it as a positive work to celebrate his homecoming. Unfortunately he passed away while in hospital and never came home and I stopped working on the piece in early 2017.
It was only on my late father's birthday in 2021 that I brought it up once again and composed the second movement, with it's own subtitle "In memoriam".
And so the four movement sonata was finally complete. 
A work that started almost by accident, but in time became my longest work to date.
I hope you enjoy it and that it sounds coherent, despite being composed in the way it was.

Sonata No. 1 "Hunting sonata" in G Major Op. 13, for violin and piano (midi recording))

This is my string quartet in d minor.
The name Ave Maria comes from a short quotation of my song Ave Maria in the middle of the second movement.
It consists of three movements:

1. Allegro poco drammatico
2. Allegretto - Andante - Allegretto
3. Allegro molto agitato - Tempo di marcia - Allegro molto agitato

The score has been published by Gusthold Music Publisher and can be found here:

www.gustholdmusic.com

The String quartet in d minor started as an example on the white board during a lecture on part writing for strings. The white board example can still be heard unchanged as the first eight bars of the second movement.
The eight bars then turned into a full movement as I was teaching contrasts and how to possibly build upon a first material.
To that movement I later added the first and third movements to create a complete work for the school's string quartet.
Since the students were all rather early in their development all parts are written completely in first position on all instruments.
In May 2020 the work was published by Gusthold Music Publisher in USA. 

String quartet No. 1 in d minor "Ave Maria" Op. 12 (complete)

"Av hjärtat, sjung!" (From the heart, sing!) is a Cantata comissioned for the opening concert of the 18th century festival "L'Esprit - Upplev 1700-talet" (L'Esprit - Experience the 18th century) ment to take place in Mönsterås, Sweden July 7th to July 11th 2020. However the entire festival was cancelled due to the Covid pandemic.
It is written for STB soloists, SATB and treble choir with string orchestra and piano. It can also be performed by a quartet of SATB soloists where the alto then sings the part of the treble choir. 

In lack of a real recording of the work, you are here presented with the midi from my MuseScore program. 

The cantata consists of five movements:

1. Ouverture 
2. Recitative (Tenor solo)
3. Tempo di minuetto (SATB choir with bass solo and treble choir) 
4. Aria (Soprano solo)
5. Choir (SATB) 

The Ouverture is a theme and variations piece with a hint of a Baroque overture, due to the fast and contrapuntal third variation. 

The Recitative, in short, greets the audience and asks the question what music would be without a listening audience. 

The Tempo di minuetto and the aria that follows is the very heart of this work. 
In the third movement the bass soloist sings about his sorrows of having to sing his melodies all on his own and how it makes them all turn into small elegies. 
The SATB choir joins him in his complaints but the treble choir tries to give a different perspective saying that nothing should ever stop you from singing and that there is value in singing even if noone ever hears your song.

In the Aria the soprano explains how she always lets her emotions out through song whether they are good or bad and that singing takes away all her doubts.

Finally the cantata ends by encouraging the audience to follow the sopranos example and to sing from the heart even if you sing out of tune. 
It all ends with a fortissimo cry-out of the works title "From the heart, sing!"

Av hjärtat, sjung! in Bb Major Op. 22 for soloist, SATB, descant choir, string quartet and piano

This is my second piano sonata "Joie de vivre" in C Major.
It consists of four movements in the following sequence:

1. Allegro molto (Sonata-allegro form) 
2. Scherzo (Scherzo and Trio) 
3. Andante semplice (ABA form) 
4. Allegro giocoso (Seven part Rondo form)

This is my second "Grand Sonata", following my Violin sonata No. 1, including both a dance movement and a slow movement, in this case the second movement is a Scherzo.

The first movement starts with a scalar motif inspired by Maria Hester Park's C Major sonata op. 7, but whereas she uses the scalar figure to develop a very fluent lyrical theme in the style Mozart I am more influenced by Ludwig van Beethoven and Joseph Haydn in the exposition, with its short contrasting phrases and sudden shifts in dynamics. The development following is however in pure Mozart in style starting in the tonic minor and moving through g minor and D Major before cadencing in A Major and then moving back through a dramatic passage over the circle of fifths. 

The second movement is an a minor Scherzo which owes its opening figure to the piano concerto of Robert Schumann, but what follows is a typically classical Scherzo, with a C Major Trio section with much reminicense of the style of Haydn's Minuets. 

The third movement, in F major, is written in a mostly two voice texture influenced by the figured bass style of the Baroque (some have told me they get a "feeling" if not a direct influence of Domenico Scarlatti). 

The last movement is in a Haydnesque contrapuntal style with formal influences from the seven part rondos of Sofia Dussek. Influences of Muzio Clementi are also strong in this movement which rounds off the sonata by stating its three themes in the same key order as the previous movements (A is in C Major as the first movement, B in A minor as the second and C in F major as the third movement was).

The work is dedicated to my wife Desiree with much love. 

Piano Sonata No. 2 "Joie de vivre" in C major Op. 23 (midi recording)

J Blue - Lokes On

I am a music teacher at Oskarshams Folkhögskola, where I teach classical singing, composition, music theory and chamber music. 
I am also a singer with primarily art songs on my repertoire, a hobby composer and poet and a founding member of the Mönsterås Jazz and Chamber Music Society.
I studied composition at Ingesund College of Music and Baroque counterpoint at Uppsala University and mostly write vocal music for song and piano, and/or choir but eventually compose for other instruments and ensembles as well.
I have been called "a radiant talent in finding the essentials in different musical styles" (Arvika Nyheter, December 4, 2006) and regional news paper Barometern wrote that my music shows "good insight in choice of melody and harmonic part writing" (September 25, 2012).
My music has been performed in Austria, Canada, England, Germany, Sweden and USA.

Notable works are:

"Three nocturnal Songs Op. 11", song cycle of three songs for soprano and piano. Premiered by Cecilia Alrikson and Natalja Shakova in Oskarshamn, Sweden in 2018.

"Night songs Op. 6", song cycle of five songs for baritone and piano. Premiered by Anthony Schneider and Rosemary Barnes in Vienna, Austria in 2013.

"Ave Maria - String quartet in d minor Op. 12", string quartet in three movements. Published by Gusthold Music, USA in 2020.

"Av hjärtat, sjung! Op. 22", cantata in five movements for STB soloists, SATB and childrens choir, string quartet and piano. Comissioned for the opening concert of the four day festival "L'Esprit - upplev 1700-talet" (L'Esprit - Experience the 18th century) in 2020.

"Joie de vivre - Piano sonata No. 2" Op. 23, sonata in four movements for solo piano. Composed in 2020.

"Jaktsonaten - Violin sonata No. 1 Op. 13", sonata in four movements for violin and piano. Composed in 2016.
 
I have been published by:

Gusthold Music Publisher (www.gustholdmusic.com) 
- String quartet in D minor "Ave Maria Op. 12" (May 2020)

Flauto d'Amore Editions
(www.flautodamoreproject.com)
- Danza, for Flauto d'Amore or C-flute (June 2020)

Psalmportalen (www.psalmportalen.se)
- Three congregational hymns (Herre Gud, vi lovar dig, När det känns som att allt ljus försvinner and Ett litet barn, Marias son) (Summer 2017)

I hope you will find something here to listen to that you will enjoy!

Photography for my profile image: Anna Broette

Av hjärtat, sjung! in Bb Major Op. 22 for soloist, SATB, descant choir, string quartet and piano

David Unger | Composer

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