It's a breakup tune, with angst, what more can I say?  One influence was The Police - So Lonely, early The Jam, and some Bowie influence as well, and some 80s influences, and some prog rock influences, and... and...  you get the idea.  Making music that is unique is everything. 

YOU'RE GONNA MISS ME
(c) JunkHeap Oct 01 2021 / Remix Sep 2023

It's such a nightmare being dumped, 
breakups are never easy. 
Insecurity feeds.
I know who I am,
I didn't deserve it,  
what you did to me.

The pain it turns, 
it's like a dagger twisted.
Til my heart bleeds.
I see your toxic,
convoluted optics.
So glad I'm free.

You're Gonna Miss Me.

Stone cold, not sure if you're alive.
Well, you made up your mind,
and it's goodbye.
I need to leave you in the past,
I must have been blind.
My soul gives me a high-five.

You're Gonna Miss Me.

You're Gonna Miss Me

Moment

Tantrum EP

Gorim

Written and performed by Sara Wolff
Produced by Sara Wolff and Adam Rothschild
Engineered by Adam Rothschild
Mixed by Adam Rothschild
Mastered by Jim Spencer

Out now on Small Matter Records

Don't Feed The Birds

no surprises (cover)

a voice memo from tonight (march 23, 2023 12:14am)

like & share if you’re feeling it! >>

L Y R I C S:
I have such a pretty smile
It’s gonna suck to loose my teeth
I haven’t got cavities
I never had discrepancies

[THIS IS THE FIRST LINE I WROTE FOR “VINES” — ALL OF WHICH WAS DONE WELL UNDER AN HOUR. FOR ME, THE TEETH VERSE IS ABOUT THINGS YOU THINK ARE PERMANENT WILL INEVITABLY ROT. THE THINGS YOU TAKE FOR GRANTED, THE THINGS YOU THINK YOU WILL ALWAYS HAVE BETWEEN YOUR TEETH, ARE HELD IN PLACE NO BETTER THAN A ROPE SWING]

Questions rise, answers change
Love means more when feeling fades
It’s not a different door, just change of paint
The same ole tune with a different name

Be my wife, live a lie
Fill your need to please
Beginning things is scary enough
But ending us will break me

[THIS SONG WAS WRITTEN USING A “STREAM OF CONSCIOUSNESS” METHOD, SIMILAR TO ONE OF MY FIRST SONGS “TAKE CONTROL”. I FEEL LIKE I WAS GETTING MY FEARS OF AN AGING LOVE OFF MY CHEST. LOVE IS NOT A FEELING. LOVE IS DAYS, MONTHS, AND YEARS OF CHOICES.]

I’ll wait for you, so I’ll say
My legs they hurt and my hands feel strange
I’m growing up and so are you
But what if we grow apart?

[A REALIZATION I’VE HAD IS THAT BEING IN MY EARLY TWENTIES, LIKE MOST, THIS IS THE PEAK OF OUR HEALTH. I HAVE A PARANOIA OF DEVELOPING DIABETES OR CANCER. IF WE WAIT FOR US, WHAT IF DEATH DO US PART? MORE OFTEN THEN NOT, I FIND HUMOR IN ULTIMATUMS LIKE THIS — BUT THIS TIME IT REPRESENTED AN HONEST IRRATIONALITY I HOLD.]

Her favorite plant is a vine
She likes how they just intertwine
Choke like weeds just to drain the garden
A reason to start again

Give me hope and lend your perspective
Advise me how to lead
To lead this life, such an empty one
A tree without its leaves

When Winters gone, Spring is done
The Summer you’ll come back to me
The vines they kill, Her vines they kill
Your vines are killing me

[YOUR HEART, YOUR THOUGHTS.. IT’S ALL A GARDEN. YOU CAN’T CONTROL WHAT COMES IN. SOMETIMES WHAT COMES IN WILL BURN THE FOREST DOWN. IT’S A HORRIBLY REAL CYCLE.]

When Winters gone, Spring is done
The Summer you’ll come back to me

[THIS LAST LINE WAS ABOUT MY GIRLFRIEND’S SECOND SEMESTER. ONCE IT’S PAST, THIS COULD BE A PROMISE THEY’D COME BACK AND FIGURE OUT HOW TO FALL IN LOVE AGAIN, OR MAYBE IT’S A PLEA.]

The Summer you’ll come back
The Summer you’ll come back
The Summer you’ll come back to me

Vines (voice memo)

Done around 1980, recorded in the front room, the music all recorded to two tracks on a Fostex 4 track cassette deck, which I still have. The drums were in the downstairs bathroom, behind the front room, surrounded by microphones. The vocals were added later but are only rough. Never got round to recording them properly; when I find the original music I will record them properly. The tape this recording is taken from is damaged, so it is cutting out, but I do still have the original Fostex recording.
>
The band was called TALKING ABOUT LIFE, Mark Harrington and I shared lead vocals, and I played keyboard; if we had been based in Manchester rather than a nothing town like Crewe, it would have been a different story, we might well have broken through, instead, the band disintegrated, although Mark, myself and Steve Lomas continued to do stuff together. 
>
Steve wanted me in a later band of his called Sensibility, because he wanted to bring in more variation, but the lead in the band didn't--that band didn't last long either--a pity, it had real potential, but stuck the same style, which wasn't at all good for Steve, a brilliant guitarist playing in a limited style that, in truth, wasn't him, was beneath him, tantamount to putting handcuffs on him.
>
Tragic that Steve died at such a young age, and I was told Mark committed suicide, but I still haven't been able to confirm that--I continue to pray the information was wrong, but have a feeling it was true. If Steve was still living today that's who I would be in a band with. And what a pity the drummer quit drumming, which is the main reason why the band came to an end!

AT THE NECROPOLIS (Swing Shift City Of The Dead) inst

Non Secreter

insky

in the case

A couple of tunes recorded of late. Rights to cover material not sought, but I wish to do so, I just don't know how. 

All material recorded at home by Jethro del Cielo.

Minor Key Blues

Proleća

since 2018.

Stay a while

feel free to msg me!

Vines (voice memo)

davidfromnashville

Recent comments

urlocalgothy

Ro Redfern

Samuel Raymond Lee

Jules

Related tracks