e.ssa

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Aavey Aavey Ahmed Shaawin  REFLECTION

Aumeh Neh Wujoodhakah Performed By E.Sa.                                                                                                        
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I Did Some Enhancing, Hopefully The Sound Quality Will Be Better. Enjoy. 

Special Request By https://soundcloud.com/shaeemusthafa :)

Lyrics:

Ihugaa Ulhunin, Heelaa Hedhi Than Balan,
Iru Ossumun, Dhekunun Ae Manaazirun,
Dhookoh Dhiyain, A'umennei Wujoodhakah, 
Iruosfuhun, Gaemey Genuwee Hithi Kameh. 

Thiya Hadhaan Hithugaa, Gosgen Thaa Ekugaa, 
Libunu Haa Kekulhun Dhurunume Wey Amudhun. 
Thiya Hadhaan Hithugaa, Gosgen Thaa Ekugaa, 
Libunu Haa Kekulhun Dhurunume Wey Amudhun. 
Aadhey Dhaan. 

Dhuniye Umurah Thiya Hadhaan Filumei Nethey, 
Unikameh Nayakas Thibaa Libumei Nethey, Mithuraa.
Dhuniye Umurah Thiya Hadhaan Filumei Nethey, 
Unikameh Nayakas Thibaa Libumei Nethey. 
Huri Hisaabun Foarumei Nei, 
Gulhi Hedheyney Waa Gothei Nei, 
Hurigothah Kuri Inthizaareggaa Mi Wee. 

Thiya Hadhaan Hithugaa, Gosgen Thaa Ekugaa, 
Libunu Haa Kekulhun Dhurunume Wey Amudhun. 
Aadheeyy Dhaan, Aadheeyy Dhaaaaan, 
Aadhey Dhaan.

E.Sa - Aumeh Neh Wujoodhakah

E - SA - Filaavalhu - Sounds Of Maldives-Steve Yern

Aaumey Ney Vujuudhakah- Easa Steve yern

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RedBull X 3ON3 By AlinMarshall X One Shot Entertainment

Thiyareethi Moonu Loabin - Ibrahim Saeed, Shifaana

“They said the blues were six feet under. We’re still dancin’ on the dirt.”

Six Feet Above the Blues is a 15-track resurrection of grit, ghosts, and grit-your-teeth redemption. Born from rusted strings, roadside sermons, and moonshine confessions, this debut album blends Southern Gothic storytelling with boot-stomping energy and the haunted soul of outlaw folk.

Through swamp fog and shotgun sermons, you’ll meet:

A hollow-eyed preacher who barters salvation in shadows

A hellhound more loyal than any man

A banjo cursed with blood

And a narrator who swears “God Don’t Ride Shotgun”

Whether it’s the eerie waltz of “Rattlesnake Waltz,” the foot-stomping fury of “Train Don’t Stop for Sinners,” or the rowdy last call in “Ashes in the Ale,” this record walks the line between sin and salvation — and leans hard toward the former.

Fueled by banjo, bowed bass, gang vocals, and enough smoke to choke a saint, this is music for the outlaws, the almost-gone, and the ones who never stayed buried.

🪕 Come raise a glass with the damned — you’re only six feet above the blues, after all.
credits


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