techno techno take 2

Jeff mills - the bells

house plants

great (dark)techno track of an ever greater song. 

Faithless - We Come 1 [Dave Clarke Remix]

Frazier - Blindspot out now on Pan Pot's imprint Second State Audio.

Frazi.er - Blindspot (Original Mix) [SNDST]

Thankyou @NinaKraviz for dropping this tune at #saveourculture

Cherry Moon Trax & Nina Kraviz - The House of House [BlacKarma's Edit]

A1. Regal - Action

Slam (@paragraph) | Soma Track Series Vol. 5  
[SOMA482D] 

1.	Slam – Vapour

The Soma Track Series project hits Volume 5 with Slam continuing their prolific run of form, dropping the old-school tipped Vapour. 

Mastered by Conor Dalton @ http://glowcast.co.uk

Soma Track Series Vol 5

Vapour

Slam - Vapour (Soma Track Series Vol 5)

My new EP is out now!
https://www.beatport.com/release/opus/1983197

Jay Lumen - Opus (Original Mix) Low Quality Preview

The End (Figure 77)

The End

Bandcamp

Len Faki x Regal - Abroad

Dj Randy - Deception

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Amelie Lens - In Silence - Drumcode - DC178

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 3. Frankie Bones - Call It Techno - Raito Remix

Burrows is back! Following last year's hit "All Your Dreams", Gary returns to Respekt with a worthy successor in "Burning". Fusing his trademark rave influences with uncompromising drums and a DnB-inspired break, Burning is pure fire.
The remix comes from Dave Sinner, who dials back the tempo and cranks up the groove for a wicked, percussive re-think.
As if those two weren't enough, Gary also provides the relentless "Reaper One" and the shuffling acid of "Can't Hold Back" to complete the package.

Gary Burrows - Burning (Original Mix)

Patrick Mason and Rekids boss Matt Edwards return for their second appearance as SRVD with two cuts entitled ‘RAW FILES’.

Not confined to a single art form, Patrick Mason is a young creative at the forefront of Berlin’s art, fashion, dance music and LGBT scene; an influential club kid who developed a friendship with Matt Edwards after a chance meeting in Panorama Bar, resulting in numerous studio sessions and improvised live sets. Joining forces in 2018, the pair adopted their SRVD moniker – an alias inspired by New York’s vogue scene – before dropping their debut release on Rekids, playing at various clubs (notably Panorama Bar), not to mention an unforgettable performance at Boiler Room x Pornceptual.

‘The Yard Man’ presents rattling drums, piercing vocal chants and a tormenting melody that SRVD has been destroying dancefloors with over the last year. On the flip, ‘Brotha’ presents a compelling groove as a shuffling rhythm joins abrasive synths and Mason’s penetrating voice.

SRVD - The Yard Man

ENVOY | DARK MANOEUVRES (Slam Remix)
[Soma 360D]

 
1.	Envoy – Dark Manoeuvres (Slam Remix)
2.	Envoy – Dark Manoeuvres (Original Mix)


Slam get to grips with Envoy’s 1996 classic, ‘Dark Manoeuvres’ in this latest EP release. Soma have been bringing some of Envoy’s classic releases up to date with Slam following Ricardo Villalobos in reinterpreting the earlier work, all of which leads to May’s release on Soma of new material by Envoy. 

Dark Manoeuvres is a track which lives up to its name, the original expressing pumping, dark and crunchy sounds interspersed with string arrangements and overdubs which move the track in various different directions. The 1996 original is a great example of some production techniques of the time and is of interest in identifying the direction of the Techno sound in that era, as well as being eminently listenable. 

Slam were very much involved in the progression of Techno at the same time as Envoy was creating tracks such as Dark Manoeuvres and as such they have a real handle on how things have evolved, enabling them to bring a classic release such as this bang up to date. 

The distinctive hook, attention-grabbing melody and strings which are distinctive elements of the original are all incorporated in a full and fresh dynamic which sees some of these elements regrouped in individual sections such as the strings or moulded with deeper, darker resonance into a new expression. The hi-hat and kick drum interplay still drives the rhythm keeping that element as a prominent part of the track, setting a strong foundation that was integral to the original. Some of the more idiosyncratic elements of the original such as the aquatic overdubs, highlighting production, are reconstructed with use of modern technology to provide waves of highly imposing, building sound at crucial points in the track.

This is a great remix by Slam elevating the original track and elements within it to provide a new and totally engaging release which still expresses all the great qualities of the original. This will be a firm favourite with old and new fans of both Envoy and Slam.  

    


Dj Randy - Deception

RULAK

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