Written, performed and produced by Joa Joys (Joaquín Ledesma).
Recorded, mixed in "El círculo de Pasto" studio by Joa Joys.
Cover by Joa Joys.
Buenos Aires, Argentina. 2021.
https://jooa.bandcamp.com/
https://cargocollective.com/joaledesma

Mastered by Lorenzo Targhetta

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Joa Joys - Plen Air

@ivvvs first EP is a melancholic balance between whispers of darkness and glimmers of light, infused with shady melodies and influenced by UK Drill, Grime and Trance.

Based in China, born in Russia, the young producer grew up with a music teacher mom and started his journey to electronic music into the abyss of the internet as a teenager before he eventually mastered the art of djing. During summer 2021 IVVVS and his friends started together to run their own parties - called Liminal - at ALL club in Shanghai.

IVVVS - Endlessness

Deleted

Pied pipers lost in a dream. 
A blackened butterfly on the shoulder of one, 
A bipedal familiar looming in the peripheral of the other.
At their feet, hidden memories unravel under the surface of a cloudy mire. 
They climb up a waterlogged tree and etch a word of advice into the bark:
“Be careful not to lose your mourning cloak - it might come in handy later.”

marigold - mourning cloak

(UNSL022)

music composed and performed by @mareeyegold

artwork by Gia Oms-Rosell

mastered by @spoolsofgossamer

released on unseelie, 2023.

mourning cloak

marigold - stars (maya's theme)

Wake Up, Dawn

taken from "Yairku Part 2"
https://bffmusicbffmusic.bandcamp.com/album/yairku-part-2

。. 。☿ 。. 。

when u enter a crawlspace you feel humidity all around, from the wet walls to the ground. Yairku is a dark, yet textured place . . .

。. 。☿ 。. 。

Razmiel ( my master of a tactile, virtual soundscape ) conceived this dense, atmospheric journey that expands and collapses its sonic space without any warning. through thick, wet kicks and high-pitched textures, I find myself in club areas, spontaneous noise panoramas, or even cathartic guitar riffs 0_o
with all that in mind, the EP stays emotional and poetic, delivering unconventional climaxes, and moments of silence for a deep inhale.

i listened to it for the 1st time, then 2nd, then 3rd, and still was hungry for more. Razmiel always makes me want to stay in their world for way longer than I imagined . . . ♡

。. 。☿ 。. 。

Razmiel
"𝘛𝘩𝘦 𝘢𝘭𝘣𝘶𝘮 𝘪𝘯 𝘵𝘩𝘦 𝘧𝘪𝘳𝘴𝘵 𝘩𝘢𝘭𝘧 𝘸𝘢𝘴 𝘴𝘶𝘱𝘱𝘰𝘴𝘦𝘥 𝘵𝘰 𝘤𝘰𝘯𝘵𝘪𝘯𝘶𝘦 𝘵𝘩𝘦 𝘵𝘩𝘦𝘮𝘦𝘴 𝘰𝘧 𝘱𝘢𝘳𝘵 1 (xxxglamourxxx.bandcamp.com/album/yairku-part-1) 𝘸𝘪𝘵𝘩 𝘢 𝘱𝘴𝘦𝘶𝘥𝘰-𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘧𝘪𝘤 𝘳𝘦𝘴𝘦𝘢𝘳𝘤𝘩 𝘰𝘧 𝘢𝘭𝘪𝘦𝘯 𝘦𝘯𝘷𝘪𝘳𝘰𝘯𝘮𝘦𝘯𝘵𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘴𝘰𝘯𝘪𝘤 𝘧𝘰𝘳𝘮 𝘢𝘯𝘥 𝘢 "𝘤𝘩𝘦𝘢𝘱 𝘕𝘢𝘵𝘪𝘰𝘯𝘢𝘭 𝘎𝘦𝘰𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺" 𝘷𝘪𝘣𝘦 𝘭𝘰𝘭.
𝘉𝘶𝘵 𝘵𝘩𝘦𝘯 𝘵𝘩𝘦 𝘴𝘦𝘤𝘰𝘯𝘥 𝘩𝘢𝘭𝘧 𝘬𝘪𝘯𝘥𝘢 𝘦𝘷𝘰𝘭𝘷𝘦𝘥 𝘪𝘯𝘵𝘰 𝘢 𝘮𝘰𝘳𝘦 𝘧𝘪𝘳𝘴𝘵-𝘱𝘦𝘳𝘴𝘰𝘯 𝘱𝘦𝘳𝘴𝘱𝘦𝘤𝘵𝘪𝘷𝘦 𝘢𝘯𝘥 𝘐 𝘵𝘳𝘪𝘦𝘥 𝘵𝘰 𝘨𝘪𝘷𝘦 𝘪𝘵 𝘢 𝘮𝘰𝘳𝘦 𝘢𝘥𝘷𝘦𝘯𝘵𝘶𝘳𝘦-𝘭𝘪𝘬𝘦 𝘢𝘯𝘨𝘭𝘦. 𝘉𝘢𝘴𝘪𝘤𝘢𝘭𝘭𝘺 𝘢 𝘭𝘰𝘯𝘦 𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘴𝘵 𝘷𝘦𝘯𝘵𝘶𝘳𝘪𝘯𝘨 𝘢𝘸𝘢𝘺 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘨𝘳𝘰𝘶𝘱 𝘵𝘰 𝘦𝘹𝘱𝘭𝘰𝘳𝘦 𝘵𝘩𝘦 𝘥𝘢𝘯𝘨𝘦𝘳𝘰𝘶𝘴 𝘢𝘳𝘦𝘢𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘮𝘺𝘴𝘵𝘦𝘳𝘪𝘦𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘱𝘭𝘢𝘯𝘦𝘵 𝘰𝘯 𝘵𝘩𝘦𝘪𝘳 𝘰𝘸𝘯 𝘪𝘯𝘴𝘵𝘦𝘢𝘥 𝘰𝘧 𝘱𝘢𝘴𝘴𝘪𝘷𝘦𝘭𝘺 𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨 𝘴𝘭𝘪𝘮𝘦 𝘮𝘰𝘯𝘴𝘵𝘦𝘳𝘴 𝘩𝘢𝘩𝘢.
𝘛𝘩𝘢𝘵𝘴 𝘬𝘪𝘯𝘥𝘢 𝘩𝘰𝘸 𝘪 𝘤𝘰𝘮𝘣𝘢𝘵𝘦𝘥 𝘵𝘩𝘦 𝘳𝘦𝘢𝘭𝘭𝘺 𝘭𝘰𝘯𝘨 𝘤𝘳𝘦𝘢𝘵𝘪𝘷𝘦 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘢𝘭𝘣𝘶𝘮 𝘢𝘯𝘥 𝘮𝘦 𝘶𝘭𝘵𝘪𝘮𝘢𝘵𝘦𝘭𝘺 𝘨𝘦𝘵𝘵𝘪𝘯𝘨 𝘣𝘰𝘳𝘦𝘥 𝘰𝘧 𝘵𝘩𝘦 𝘪𝘯𝘪𝘵𝘪𝘢𝘭 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩.
𝘚𝘰𝘯𝘪𝘤𝘢𝘭𝘭𝘺, 𝘪𝘵 𝘦𝘹𝘪𝘴𝘵𝘴 𝘴𝘰𝘮𝘦𝘸𝘩𝘦𝘳𝘦 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘍𝘢𝘭𝘴𝘦 𝘕𝘰𝘪𝘴𝘦'𝘴 𝘍𝘭𝘰𝘳𝘢𝘭 𝘚𝘵𝘳𝘰𝘣𝘦 𝘢𝘯𝘥 𝘊𝘩𝘦𝘮𝘪𝘢 𝘕𝘰𝘸𝘦𝘫 𝘌𝘳𝘺 𝘖𝘚𝘛 (www.youtube.com/watch?v=xqcbxuQz-zQ) 𝘪𝘯 𝘮𝘺 𝘩𝘦𝘢𝘥, 𝘸𝘪𝘵𝘩 𝘴𝘰𝘮𝘦 𝘦𝘱𝘪𝘤/𝘩𝘰𝘳𝘳𝘰𝘳 𝘵𝘳𝘢𝘪𝘭𝘦𝘳 𝘮𝘶𝘴𝘪𝘤 𝘦𝘭𝘦𝘮𝘦𝘯𝘵𝘴 𝘵𝘰𝘰."

mood board:
🧠🦠🎐🦅⚡️🏔🧐 

music by @razmiel
www.instagram.com/razzzmiel/

featuring @flagrastama

artwork by Matěj Boček
www.instagram.com/matej_bocek_/

master by @fausto_mercier
linktr.ee/faustomercier

♫°004

Razmiel - URAI The Final Yairku Expedition

Dawn DX — 'Softie'

A Thousand Sceneries ft. Andy Loebs

Seraph

Simulation

https://elasticstage.com/kappinoffsuckaz/releases/dj187-the-running-man-singleep

DJ187 - Calling my Name

“The Light at the end of The Light”

None of this is real. You know that, right?

Composing for 10,000 years (time dilated) . I am from 1994 .

Wake Up, Dawn

Dawn DX

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