Name: A Bard's Tear by DAX TUNES
Duration: 1 min 56 s
Description: For me, this is a very special song which I’ve composed in 2016 as a final test in my music classes at the university. Releasing it, brings me back into the good feelings I’ve had back in that time. I want you to feel the same feelings by listening to it.

beautiful work i am speechless wish it never ended [via https://sc.repostexchange.com]

Didn't except this kind of music when I've read the title A Bard's Tear, It has so much story than a single tear could represent. Very interesting overall, well done.

For me, this is a very special song which I’ve composed in 2016 as a final test in my music classes at the university. Releasing it, brings me back into the good feelings I’ve had back in that time. I want you to feel the same feelings by listening to it.

A Bard's Tear

Artist- Brett Anthony
Track- Thinking Of You
Bass, Guitars, and Vocals- Brett Anthony
Recorded at JBS Studios
Mixed and Mastered by Manuel David

Thinking Of You

Lyrics

Make a palace out of this dreary room
Harsh electric lights reveal a hidden allure 
Come, take your glass, let the grimness go
Fragile, unlikely charm at moments so rare
Old coat, a smoke, you say: “Let’s have one more”
“Good night” on the street, I make my way home
Lonely night, your image clear
The fog will lift by morning light

Dreary

A not so direct shot at how it's supposed to be but a great opportunity to try some new availabilities I have acquired. Most will hate it, I think. Rhythms definitely not standard, but the mix within spec. Questions welcome.

The Man Who Didn't Like To Dance

From 8000 Miles’ 2nd album Crystal Confetti comes another tune that gets a bit philosophical. How often does your first response to a situation cause you to feel that your opinion is being challenged? Yeah, it can be often. Everyone has their own take on things and that can cause uncomfortable feelings between people. So, consider in those times, when it might be appropriate to not claim that you are “right”. Let it go. Compromise. Choose peace. After all, being right is usually just an opinion. Yes? Think: I don’t have to be right.

As you may notice, the cover art harkens back to a familiar cover from 1973 and that is intentional, because Andrea and Rebecca are strongly influenced by music from that time period. Many fans of 8000 Miles’ first album, Aggregate, have remarked on that influence. The title Crystal Confetti represents the clarity 8000 Miles is honing in their duo’s style and the contrast of weighted moods and flying inspirations.

The entire album, Crystal Confetti, has been released on Bandcamp. Go to https://8000miles.bandcamp.com to check it out and follow 8000 Miles on Bandcamp to get first notices of new releases.

\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - bass, percussion, synths, production.
Andrea Pierantoni - guitars, production.
Mixing and mastering by Andrea at Never Enough Cowbell Studios.
Cover art by Rebecca
SafeCreative Registration code: 2201300363453
© 2022 8000 Miles All rights reserved.

Crystal Confetti

I Don't Have To Be Right

Buy our Music 🔥

seeing in the dark
i see you but you don't see me
in the shadows i perceive clearly
things that used to be obscure to me

let's go back to that place where we did those things
of the sunset and the stars we'll sing
a little sympathy and peace to bring

once there was a house
then there was a child
then there was a car
and the times got less wild
but when i look at you i'm still beguiled

there's a chemistry
working silently
invisibly
improbably
around you and me

lying in the dark
i know you have your eyes on me
you perceive but you will never see
in the end that what will be will be

these seasons come and go with the ebb and flow
but if you'd only close your eyes you'd know
you can only reap the seeds you sew

once there was a dawn
then there was a day
then there was a dusk
and the moon would come along and say
that there can never be another way

there's a chemistry
working silently
invisibly  
improbably
around you and me

flowers will grow
amid the stones and the snow

there's a chemistry
working silently
invisibly  
improbably
around you and me
x2

Chemistry

Improvisation In The Dark

ALFONSO LLORENTE: LYRICS, VOCALS, ACOUSTIC GUITAR, ELECTRIC GUITARS, CELLO, BASS & DRUMS
TOBÍAS GONZALEZ: PIANO
MRS A.: VOCALS

MUNDO SIN FRONTERAS (Alfonso Llorente & Tobías González)

Over Me

Empeza el amanecer.
Es quemar todo eso.
Morir joven ya no esta en el plan,
tal vez muera en la tercera guerra.
Sabes que no me voy a privar cada noche de las estrella!
y soñar , la revolución pasa por ellas.
Empeza el almanecer.
Es quemar todo esto ,  oh!
Empeza el almanecer
es quemar todo esto,
Morir joven ya no esta en el plan,
sabes que no me voy a privar de mirar.
Morir joven ya no esta en el plan,
sabes que no voy a privar de mirar cada noche las estrellas.

¡Morir joven ya no esta en el plan!
¡Morir joven ya no esta en el plan!
¡Morir joven ya no esta en el plan!

¡Morir joven ya no esta en el plan!

no esta en el plan

No está  en el plan

Directed by Vincenzo Perrone
Performed by Orchestra Sinfonica Metropolitana di Bari

The above piece is titled in a very creative way: Danza Latina n.2.
As the title might suggest to the most attentive, the song has to do with Latin America and its music. We take some distinctive traits of certain Argentine, Brazilian and Spanish music and mix them up with the taste of the typical Italian song.
It is a succession of descriptive moments: it is a short story, a modest piece that wants to talk about human feelings in a simple way.

Artwork is by Mariapia Di Lecce
https://www.behance.net/maridyl

Danze Latine

Danza Latina n.2

Hello, welcome to my SoundCloud page!
I'm a Brazilian Artist and Music Producer focused on instrumentals production. In few words, I love to make beautiful songs with a “fantasy atmosphere”.
If you want to know a little about myself, keep reading this short release.
I have my Italian origins, with relatives born in Tuscany region (Italy). But, I was born and lived until 15 years old in a small city called Tatui, and later I started living around Sao Paulo-Brazil.  I began studying music when I was 8 years old with some teachers from a famous Conservatory in my hometown, where I've done classes about some instruments, such as Flutes, Clarinets and Pianos. 
With 11 years old, I've chosen to become a drummer and percussionist, concentrating all my efforts on the drums. After completing the high school, I've decided to join the "Centro Paula Souza - FATEC" university for the Phonographic Production course in Tatui-SP city (Brazil).
I've played for 10 years with party bands, weddings, rock & metal bands, electronic music and pop music, traveling throughout Brazil and surroundings, playing and promoting art.
Nowadays, I'm working and living in China and still working with music production. 
That's all! 
I hope you can enjoy my songs. Thanks!

A Bard's Tear

DAX TUNES

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