Her this song playing while at work and I searched the web for days to find out who the artist was. So worth the search. 

all my thoughts are flowing with this beautiful noise

Yasuaki Shimizu - Umi No Ue Kara

The Space Lady - Synthesize Me

valet 'nature'

Rare and great 7" from 1981, produced by The Metronomes' Ash Wednesday.
http://www.discogs.com/Karen-Marks-Co...


Karen Marks - Cold Café (Oz Minimal Synth 1981)

taken from the 1981 album 'Running Out Of Time' to be re-issued on URU/Lucky Number on March 18th, 2016.

Pre-order:
smarturl.it/rexy
www.roughtrade.com/albums/100400
http://www.piccadillyrecords.com/prod/REXY-RunningOutOfTimeBonusDiscEdition-LuckyNumber-107723.html

www.luckynumbermusic.com
www.uru.world

Rexy - Running Out Of Time

Taken from the 'No More Parties in the Attic' 7" out now.

7": http://bit.ly/2188v93
iTunes: https://itunes.apple.com/us/album/no-more-parties-in-attic-single/id1087470829?ls=1
Bandcamp:  http://bit.ly/1QQm6lC


Facebook: https://www.facebook.com/explodedviewband/
Instagram: https://www.instagram.com/explodedviewband/
Twitter: https://twitter.com/ExplodedViewBnd
Tumblr: http://explodedviewband.tumblr.com/

Tour dates: http://bit.ly/1R1m34M

Exploded View

Orlando

Exploded View – No More Parties in the Attic

DANG RELEASE SEPT 23rd 2106:
BUY DANG VINYL NOW: http://bit.ly/2cozu1H

Edwin Mathis White (from the band Tonstartssbandht) creates a capella DIY gospel as Eola using loop stations and vocal processing effects pedals recorded to tape. On stage or on tape, Ed's performance is dang spiritual. Edwin currently lives and grew up in Downtown Orlando, Florida but has spent the past 11 years living mostly in NYC, and sometimes in Montreal & Baltimore. The album Dang drops Sept. 23rd with Leaving Records on Vinyl, Cassette, and Digital. Blessed be.

VINYL

Eola  - B and O Blues

Outtake from the album Blast Off Through the Wicker available July 14, 2017 on Western Vinyl

Pre-Order
Bandcamp https://artfeynman.bandcamp.com/album/blast-off-through-the-wicker
iTunes http://hyperurl.co/a49jo3
WV http://westernvinyl.com/shop/wv162

ART FEYNMAN
Instagram https://www.instagram.com/artfeynman/
Facebook https://www.facebook.com/artfeynman/

Blast Off Through the Wicker documents Art Feynman looking for life in the lifeless, questioning what it means to be living.  There is a calm, disciplined pocket to be felt in everything Feynman does; krautrock slink, staccato bounce, and pentatonic bursts of Nigerian Highlife fuzz pour on the temporal canvas with unquestionable ease, never falling in the wrong place. Even more admirable is, that his “canvas” is a four-track tape recorder, and that Blast Off features no loops or drum machines despite its aesthetically faithful motorik and afrobeat underpinnings.  Nowhere is this fact more surprising than on album standout “Slow Down” which pulses along infectiously with a crunchy backbeat, and deftly arpeggiating bass lines that are so locked-in that it would be hard to fault an unknowing ear for assuming the whole thing is tediously programmed.

There are gentler sides to Blast Off that conjure the spacey tenderness of Arthur Russell inventively and respectfully, without adopting their muse’s palette wholesale. In this regard Blast Off is an endearing collection of songs that capture the ear with warm-yet-clear cassette aesthetics and spot-on musicianship, both of which form an angle that points lovingly to Feynman’s deep and varied influences. Make no mistake-- this one truly is alive.

Blast Off Outtakes

Art Feynman - "The Shape You're In"

'British Warm' is taken from Normil Hawaiians' debut album 'More Wealth Than Money' (1982). Remastered and reissued this December through Upset The Rhythm.

http://www.upsettherhythm.co.uk/
http://normilhawaiians.com/

Normil Hawaiians had a transformative 1982. With two 7” singles and a 12” EP under their belts they suddenly found themselves disillusioned with the increasingly generic sounds surrounding them, so they forced the hand of change and began reaching out with that very hand. The band’s true constant in Guy Smith soon found himself with a new crew of musicians, Simon Marchant, Noel Blanden and Mark Tyler. Normil Hawaiians’ communal take on post punk quickly sprouted leaves from its mouth, and began carving out a new furrow. Greater emphasis was awarded to improvisation within the group and as a result their songs embarked on longer, freer journeys towards the beaten bounds. They wanted these new songs to bear the weight of their new collective spirit so comfort zones had to be left behind. Tape loops, echo boxes, extended percussive sessions and duteous faith in the tones emanating from a particular old wah-wah pedal were all employed by Normil Hawaiians to stretch their sonic fabric into wild and redolent new dimensions.

With Illuminated Records interested in the band’s new visionary approach, Normil Hawaiians relocated from their South London dystopia to a rural idyll in the Welsh hills, determined to develop further this raw language for themselves. They booked into Foel Studios near Llanfair Caereinion for an extended period of time, set the tapes rolling and didn’t look back. They were somewhere they knew they could experiment; at a studio that understood the results would be uncertain. Dave Anderson, who managed and engineered at Foel was exactly the right person to work with them. Anderson had come from an experimental background himself, having played in Hawkwind and Amon Duul II. Normil Hawaiians were encouraged to explore their ideas beyond limitations with Anderson happy to leave the tape recording to capture their embryonic improvisations taking shape. Anderson even joined in on bass for several of those sessions as the ensemble strove to find its authentic voice, supplemented further when their cellist friend Klaus dropped by to spend a spell with them. 

At this very moment Normil Hawaiians existed solely for the music, living together in a small cottage in the studio’s shadow, sharing everything together and working long days to nurture and then burnish the music they had discovered between them. This is how the band’s debut album ‘More Wealth Than Money’ was formed, through trial and close listening, through cultivation and patient growth. Of course there were significant amounts of mushrooms involved too and several UFO sightings, but when the sheep began to march in time to the music Normil Hawaiians knew they were creating something unique.

On December 1st, 35 years since the album first appeared, Upset The Rhythm will be reissuing the newly re-mastered ‘More Wealth Than Money’ album, alongside a further full-length collection of demos and unreleased tracks from the album’s overlooked corners. Both the 2xCD and DLP versions also come with a booklet contextualizing the release, full of anecdotes and photos from all band members. This release follows on from 2015’s ‘Return Of The Ranters’, Normil Hawaiians’ lost final album from 1985, which ultimately saw the light of day in a different age through Upset The Rhythm too.

More Wealth Than Money

Normil Hawaiians - British Warm

Exploded View's 'Summer Came Early' EP isout November 10 on Sacred Bones Records.
12" EP Preorder: https://www.sacredbonesrecords.com/products/sbr180-exploded-view-summer-came-early-ep
Digital Preorder: https://explodedview.bandcamp.com/album/summer-came-early-ep

http://explodedviewband.tumblr.com/
https://explodedview.bandcamp.com/
https://www.facebook.com/explodedviewband/
https://twitter.com/explodedviewbnd

Summer Came Early

"Laura" by David Raskin, performed by Erroll Garner in 1954 who is accompanied tonight by me.

http://www.youtube.com/watch?v=ark6RNlnjns&feature=related

Accompanying Erroll on Youtube

Youth and pop culture provocateurs since 1991. Fearless fashion, music, art, film, politics and ideas from today's bleeding edge. Declare Independence.

The Space Lady - Synthesize Me

Dazed Digital

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