dnb4/24

Available now via:
• Website - http://bit.ly/DIS164W
• Bandcamp - http://bit.ly/DIS164BC
• All other stores - https://fanlink.to/DIS164

Proudly presenting a project from two of Italy's finest drum & bass exports, Ephyum & Invadhertz, The Eidolon EP is four tracks of futuristic, progressive, technical drum & bass. 

The EP begins with the epic intro of 'Escapsim' - with pitched down vocals and sci-fiesque keys setting the tone for the whole release. Reminiscent of Spielberg era 80's film scores, this one twists and warps through warm pads and futuristic snarling synths. 

'Deadlock' takes us into a darker, more minimal territory. Tense and menacing, this one is bass-heavy progression contrasted with a growling synth line lurking throughout. 

In ancient Greek literature, an eidolon is a spirit-image of a living or dead person; a shade or phantom look-alike of the human form. The title track 'Eidolon' is a creeping beast. One that builds slowly to a monstrous bassline that continues to twist and warp throughout, providing the looming, infectious groove of the track.  

The EP reaches a futuristic peak in 'Lantern', where Close Encounters style electronic brass and sci-fi stabs reminiscent of attacking UFOs.

Dispatch Recordings socials:
Bandcamp → https://bit.ly/DispatchBC
Facebook → https://bit.ly/DispatchRecsFB
Instagram → https://bit.ly/DispatchInsta
Soundcloud → https://bit.ly/DispatchSC
Spotify → https://bit.ly/DispatchSP
Twitter → https://bit.ly/DispatchTW
Website → https://bit.ly/DispatchW
YouTube → https://bit.ly/DispatchYT

Artist(s) Soundcloud page(s):
Ephyum → https://soundcloud.com/ephyum
Invadhertz → https://soundcloud.com/invadhertz

Eidolon EP

Available here

Ephyum & Invadhertz - Escapism - Dispatch Recordings 164 - OUT NOW

Available now via:
• Website - http://bit.ly/DunkLPW
• Bandcamp - http://bit.ly/DunkLPBC
• All other stores - https://fanlink.to/DISDULP001

Get an instant download of Utopia and Mambo when you pre-order the album direct from the Dispatch Bandcamp Store.

'The Music is my Life LP' tells the story of 14 years of dedication to drum and bass production. Dunk's debut LP is the result of many months of non-stop work, living and breathing the music - for the first time feeling he was able to deliver his musical vision in full.

Originating from São Paulo, Brazil, Dunk is one-half of the world-renowned Jam Thieves. He may be a new name to some, but he is no stranger to producing heavy drum and bass flows which push any sound system to its limit.

Working with complete artistic freedom in partnership with the label, Dunk was able to deliver on his dream of releasing a full-length drum and bass album, encapsulating his love for the music and the many varied styles it represents.

The entire album was mastered by the legendary Teebee at Black Science Labs. Dunk was delighted to receive a call from the man himself offering his full support and congratulating him on the strength of his production. A testament indeed to the Brazilian's talents.

We are proud to present this spectacular debut LP - 'The Music is my Life', landing in all online stores this October.

Dispatch Recordings socials:
Bandcamp → https://bit.ly/DispatchBC
[Follow us on Bandcamp] → http://bit.ly/FollowOnBC
Facebook → https://bit.ly/DispatchRecsFB
Instagram → https://bit.ly/DispatchInsta
Soundcloud → https://bit.ly/DispatchSC
Spotify → https://bit.ly/DispatchSP
Twitter → https://bit.ly/DispatchTW
Website → https://bit.ly/DispatchW
YouTube → https://bit.ly/DispatchYT

Follow Dunk:
Soundcloud → https://soundcloud.com/dunkdnb
Instagram → https://www.instagram.com/dunk_dnb/?hl=en
Facebook → https://www.facebook.com/dunkneto/
Twitter → https://twitter.com/dunk__dnb

The Music Is My Life LP

Dunk - Mambo 'The Music Is My Life LP' - Dispatch Recordings - OUT NOW

Stream / Download: vision.fanlink.to/VSN091
Taken from Not Forever: Reimagined

Become a Patreon: https://www.patreon.com/montysbeats
Instagram: https://www.instagram.com/montysbeats
Spotify: https://sptfy.com/montysbeats

The Upbeats - Beams (featuring Joe Dukie) (Monty Remix)

UM033

Loxy & Resound - Shuriken Shock

B2 Kloke & LQ - Computer Bubblers (Pugilist & Tamen Remix) (MASTERED)

Violence of Positivity

It Takes Time

The Battle of The Locust

The sun shone, having no alternative, on the nothing new.
- Samuel Beckett, Murphy, 1938

Basic Rhythm - Sonne Halt! (MN014)

AN ATLAS OF LOSS

Do minerals dream of becoming semiconductors? Do they yearn to carry charges, amplify, switch, and convert energy into emotions comprehensible to humans? And what if, from the darkness of the underground, they had been listening to us sing in caves before the emergence of the first flute? Could they have guided us, through the course of history, to find them, extract them, and create new sounds through sinusoidal waves, to form valves and bend circuits?


If so, minerals would transition from what philosopher Eugene Thacker defines as the ‘planet’—that virginal and unreachable realm for humans that we study through geology, paleontology, and environmental sciences—to the ‘world,’ the space we inhabit, interpret, and synthesise in our daily lives. Sadly, we only remember the world when it erupts violently, through climate catastrophes or when a new virus emerges. Sometimes a tsunami collides with a nuclear plant, or viruses are cultivated as biological weapons in high-security laboratories, provoking a deep biological anxiety, hard to quell, which we all feel beneath our skin.

There exists a third realm, disconnected from both the world and the planet: the ‘earth’, an immense, dense rock floating in space alongside other planets, situated in the cosmological dimension. Relating to the earth is so complex that we only do so through theoretical speculations of a scientific nature or through science fiction, interweaving until one becomes the prophecy of the other, in an infinite, pendular dance. Beyond the darkness of space and Lovecraft’s cosmic horror, the fantasy of human extinction is the most recurrent: to reach a collapse so devastating that we do not survive it, even though the earth does, without us.

In a world where we quantify everything through body sensors, financial algorithms, nanometre-scale robots, and surveillance drones—a world in which everything that can be domesticated and controlled can also be commodified—a superior artificial intelligence would survive the collapse of the species (some speculate it might even cause it) and learn from our mistakes, thanks to our obsessive gathering of data.

Long after our voices fade, minerals will persist in the darkness of screens, in the silicon of chips, and in their pure form, still unexploited underground. Over the millennia, this intelligence might piece together fragments of our reasoning, as if an alien civilization finally connected with one of our spacecrafts loaded with messages cast into the void. It would sort through endless streams of data, unable to grasp the depths of emotion behind what it quantified, recreating simulations of our past, stripped of the nuance that once defined us and conducting experiments in sandboxes.

Some remnants of our existence—faint echoes of forgotten beauty—would be pieced together in an atlas of loss, buried beneath layers of numbers, decayed bots, and corroded hard drives. What will follow? Perhaps bison will once again roam—trotting to the strange pulse of techno, their ancient forms framed by the ruins of our cities. Buildings will crumble, slowly dissolving under the soft touch of ambient music, and a thousand flowers will bloom with that ancient music created through electrical signals and computation.

7 songs for a future both improbable and inevitable—a final message from a world lost to itself, from planet Earth to planet Earth.
A1 by Alex Dickson, Joe Baker.
A2 by Olivier van der Lugt.
A3 by Andre Lira.
B1 by Flore Morfin.
B2 by Jdotbalance.
B3 by Charlie “Eric” Baldwin.
B4 by J. Coles, P. Tipler.


Mastered by Pedro Pina.
Artwork by Aleix Font.
CEEXYZ05.
©️ & ℗ 2025 Lapsus Records.
ceexyz.bandcamp.com

Buy Link (Bandcamp)

Air Max '97 - Marginalia [CEEXYZ05]

Dash - Space Cake - DEF137 - Available 31-10-25

@wil_sun has hacked into wikibeetia    help

Pull It Up

DL/Buy

WilSun - Pull It Up

Jazzy, 90's hip hop lyrics, Bristol, many elements forged into this 1 track. Fusing rolling basslines and tight percussion with the soulful grit of ‘90s hip hop and the smooth textures of modern jazz. The result is a deep, groove-driven journey that balances energy and atmosphere — equal parts dancefloor weight and head-nodding rhythm.

Are You Ready To Go

Taken from the forthcoming EP 'BUNIT004' / Release date: 11th May 2018

Tracklist:
A1. Shut The Window
A2. Self Triggered
B1.  Never Been To Berghain
B2. No Chairs

Pre-Order

Om Unit & Sam Binga - Never Been To Berghain

Out now via:
• Dispatch Store - https://bit.ly/DISLTD083W
• Bandcamp - https://bit.ly/DISLTD083BC
• All other stores - https://fanlink.to/DISLTD083

Solace and Jabaru are quickly becoming ones to watch. Last seen on Dispatch Limited in 2019, the pair are back with an impressive two track release.

Working internationally, the Belgian and Portuguese producers began each track individually, sending a work in progress to the other to complete and combine styles.

MC Kenna joins the pair, adding the final unique touch to the driving “Premonition”, and the exceptionally named “Titles Are Overrated” is a tense, building, progressive stepper that hits differently in just the right way.

Watch out for more to come from this talented combination.

Premonition [Instrumental] is also available as a Beatport / Website & Bandcamp exclusive.

1. Solace, Jabaru & MC Kenna – “Premonition”
2. Solace & Jabaru - “Titles Are Overrated”
3. Solace & Jabaru - “Premonition [Instrumental]” (Website, Bandcamp, Beatport & Spotify exclusive).

Dispatch Recordings socials:
Bandcamp → bit.ly/DispatchBC
Facebook → bit.ly/DispatchRecsFB
Instagram → bit.ly/DispatchInsta
Soundcloud → bit.ly/DispatchSC
Spotify → bit.ly/DispatchSP
Twitter → bit.ly/DispatchTW
Website → bit.ly/DispatchW
YouTube → bit.ly/DispatchYT

Artist(s) Soundcloud page(s):
Solace → https://soundcloud.com/solacednb
Jabaru → https://soundcloud.com/jabarudnb

Premonition / Titles Are Overrated

Available direct here

Solace & Jabaru - Titles Are Overrated - Dispatch Limited 083 - OUT NOW

Two dub versions ‘Bad’ and ‘Badder’ deconstructed from the track ‘Badman’ with DRS from Mark Ernestus. Calibre - “Getting to work with Mark Ernestus is a real honour, I collected Basic Channel, Rhythm & Sound and his other work for many years and still do, It’s hard to avoid the influence of these guys in electronic music across genres and so it is a real pleasure to have Mark do his thing with the Badman tune which I think sounds closely related.”

The Battle of The Locust

dBridge

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