SWAROBSKI - DAMAGE 2 (DJ MELL G REMIX)

At the vanguard of an amorphous but undeniably impactful global scene where techno propulsion and soundsystem pressure collide with rhythmic intrigue and flamboyant sound design, Timedance toasts 10 years with a compilation that continues to spill into intriguing new zones courtesy of a heavyweight gathering of non-conformist producers. 

To open proceedings, Timedance unveils "Zoomies", Pearson Sound's first ever entry in the label's catalogue.

Zoomies

SWAROBSKI - FUTURE SOUND (PRIVACY REMIX)

11Schnull feat. Newinfluenzer - Ich und meine Ubahn
Stream & Buy - https://turborec.lnk.to/IchundmeineUbahn

When you love a record too damn much, you will soon discover whether you "got what it takes” to make it yours. Such is the case withTurbo label head Tiga, who has played 11Schnull & Newinfluenzer’s 2023 underground hit “Ich und meine Ubahn” in each and every one of his DJ sets since its non-Turbo release. But unbridled track-passion is not always enough, and sometimes one must take a step back and recognize that the music business is also a business. So our in-house Corporate Development team, which has of late been entirely focused* on figuring out how best to monetize Tintin entering the public domain, set to work, successfully licensing the original while also creating the fun and potentially life-saving opportunity to visualize just how amicable the licensing process was.

All of which brings us to the remix pack at hand. The essentially perfect electro programming and vocal performance of the 2023 original leaves virtually no angle for improvement, save for the fact that the 4:20 runtime not enough for the median touring DJ to satisfy their chatbot mistress before they must begin the exacting work of selecting and mixing the next track. As such, we enlisted producers who could interpret the song from different planes of existence, namely Chilean-German wizard Matias Aguayo, French hardstyle prodigy Krarmpf, German aesthetes Extrawelt, Hamburg electro master DJ MELL G, and Asturian highbrow god Architectural. For reference, the planes conjured by these remixes are as follows: blacked out on Ivermectin; finally beat a pay-to-win mindfulness game; voted the Greatest Living Teen Artist by the readers of US Weekly; transformed into an expressionless little muscleman as if by magic; going viral; and curing jet lag in our lifetime. It is not for us to say which remix corresponds to which realm of human experience, but we do know that it is limited to those options.

Finally, please do not invite a chatbot lover into your marriage. Your spouse cannot hope to compete. And know that this advice comes from our best understanding of current world affairs, and does not represent what a repressed British man would calling “taking the pee.” At their very best, jokes are funny, and the fate of the human bedroom is no laughing matter at all.

*Like a laser!

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Stream & Buy

11Schnull feat. Newinfluenzer - Ich und meine Ubahn (DJ MELL G Remix)

Tarra - Live Or Leave

* Subscribe for more premieres: @BoltingBits
* Read more: https://boltingbits.com/first-epoque-al-tarif-redstone-press
* Listen on Youtube: https://youtu.be/77qK3T-CQ6Y
* Pre-order: https://firstepoque.bandcamp.com/album/the-antonelli-scrolls

Redstone Press uncorks another anomaly with the latest offering from First Epoque – The Antonelli Scrolls; an expansive four-track EP of riddled percussive tension and mythic resonance. A relic from an unknown era, like finding a USB stick inside a fossil. Precision-tooled dread, dubbed through unknowable years.

“To The Sea” opens like an ancient machine rebooting underwater — initiated by tidal sub-pressure and log-drum basslines, while rusted pads coalesce like liquid metal in the water. Each sound feels scrubbed of excess, chiselled to bone. It’s ritualistic techno, stripped back and hollowed out, possessed by half-remembered visions of Atlantis.

“Al-Tarif” follows with sharpened urgency — syncopated low-end funk coiled inside a lattice of unstable percussion. An encrypted script traced in stuttering kicks, cavernous bass drops and vapour-trailed synths; its structure feels less composed than summoned. The rhythm moves like a ritual procession: reverent and deliberate. Each percussive accent lands like a glyph etched into ancient stone.

“WRONGMANOEUVRE” — a misstep in the timeline, or a doorway left ajar. The track opens in disarray: detuned pads flicker like emergency lighting in a decompression chamber, while subaquatic kick-drums stutter and buckle under their own weight. The groove is broken but determined, dragging itself forward with a sense of mechanical dread.

Final transmission “Époque No. 25” hits like a rupture in the temple wall — a burst of high-velocity techno carved from scorched circuitry and panic-coded rhythm. It barrels upwards with relentless thrust. There’s no refuge here — only pursuit, propulsion. An overwhelming sense that something unknowable is closing in.

There’s no overt genre allegiance on The Antonelli Scrolls — just the steady unravelling of linear time. One for the initiates. Not easily explained. Not meant to be.

PREMIERE: First Epoque - Al-Tarif

Tracklist:
YO THIGHS - S333BEL x T.Playboi
SCHEPPAT - DO YOUR THANG
Footclan - Boom
SCANKS - REAL ALIEN LANGUAGE (Bad Girls)
DJ GODFATHER - PLAYER HATERS IN DIS HOUSE (KACPER FLIP)
Poetic Justice (Scanks' Edit) 
Full Motion Disaster x Noizy Wilson - Bounce
Full Motion Disaster x DM 90 - No Respite
Playboi Carti - Long Time (COPA909 EDIT)
707CHILI - Fe!n breaks (Travis Scott Edit)
Veka - Grey Goose
LASERBOY - Cancel Culture (CATA Remix)
phacade - Pick It Up
Kobala-Penguins
Theo Potts - MEMORY
Full Motion Disaster (also known as FMD) is the musical alias of Mumbai based DJ/Producer, Aniket Dabholkar.  He runs @filth-inc-official - a heavy hitting electronic label that has developed a significant presence on SoundCloud, and gained popularity for showcasing quality Ghettotech, Electro, Breakbeat and Rave genres.

FMD is a highly versatile DJ, capable of tailoring his sets to suit the need of the hour, though he has a preference for playing an eclectic blend of Electro, Ghettotech, Ghetto House, Breakbeat and Rave, with his sets usually starting around 130 bpm and concluding at the 160 bpm mark over the course of 1-1.5 hours

We are pleased to have FMD join dbrk in the lab and expand the collective worldwide. Enjoy the next hour with @full-motion-disaster

dbrk_lab 003 Full Motion Disaster

@fleksor
@viefrecords
Bandcamp: https://viefrecords.bandcamp.com/album/arroyo-de-mercurio
Release Date: July 30th, 2025
Info: Having ignited 2025's output with an EP from Philadelphia’s Shai FM, Vief now looks to the east coast for its second stateside import of the year. Seattle-based producer Fleksor serves up four dubstep and techno inspired cuts, guaranteed to bring even most the languid dancefloors to boiling point.

The release contains two mixes of the titular track Arroyo De Mercurio, both clocking in at a healthy 140bpm, and is rounded out by two downtempo additions brimming with acid and percussion.

Bandcamp

*PREMIERE* Fleksor - Voces en Polvo

New York’s @masha-ny returns to @steelcitydancediscs with four impulsive rave workouts

‘Hydrofall’ lands 31st July — have an exclusive first listen to ‘B Effect’ below

More info: https://djmag.com/listen/premiere-ma-sha-b-effect

Premiere: Ma Sha ‘B Effect’

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Percy invites: Phasmid - 03/08/2025

Re-uploading this banger! Remixed Calvin Harris and Clementine Douglas' Blessing In the style of Notion's The Days remix, enjoy the free download!

Free Download

Calvin Harris & Clementine Douglas - Blessings (Doc Frat Bootleg) *FREE DOWNLOAD*

DAYBREAK_LAB
Electronic Collective [Day Party Series] 
BY: @djsasomusic * @gpstony

dbrk_lab 003 Full Motion Disaster

dbrk_lab

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