Deadbeats Radio - Part 1

sardaukar

New tune I've been working on for the past while, enjoy!

See You

DEAD

Played by Annie Mac 15th January 2016

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DJ Limited-Your Love (Played By Annie Mac BBC Radio 1) [Life Rec] - Out Now

iTunes: http://maddecent.fm/WawaIT
Apple Music: http://maddecent.fm/WawaAM
Spotify: http://maddecent.fm/WawaSP
Google Play: http://maddecent.fm/WawaGP

Back with his first original release since dropping the 2016 #2 iTunes Dance charting ‘Party & Destroy’ EP, Party Favor presents new single, “WAWA.” The producer’s familiar mix of festival trap and bass is evident throughout the track's explosive roars and wobbles, giving you three minutes of non-stop energy.

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WAWA

Northern Lights

Lights Out (Delta Heavy Remix) [feat. Atlas]

Stream//Buy: https://Technique.lnk.to/WardanceLPSo

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When artists with the pedigree of Drumsound & Bassline Smith drop an album, it’s big news. With roots stretching back to the absolute foundations of rave music, this production team has legendary status. While keeping their underground credentials intact, they’ve been able to achieve mainstream chart success, perform on some of the biggest stages this music has to offer, and bring through many other monumental artists in their role as bosses of Technique Recordings. So this brand new collection of material is, no doubt about it, going to create waves.

With the first assured, slick bass tones and the eponymous vocal in the intro of Come With Me, we’re delivered straight into the big room sound that has set parties alight across the world. As the tune builds and drops, though, it becomes something diferent. There’s a dirty, grinding mid-range bass to get that screwface going. There are sonic references to other Drumsound & Bassline Smith tunes for the real fans to spot. As soul, filth, and production flourishes combine, we’re being shown the blueprint for the rest of the album.

You see, there are hints at a junglist past in tunes like Warrier and Ouija, but combined with the huge sound that the DBS studio is capable of creating. That collision of old and new comes to a head most clearly in the Brinsley Forde-laced Beautiful Danger, as gorgeous reggae vocals blend into a tear-out bassline-led rave-wrecker.

And then there are the nods to Drumsound & Bassline Smith’s history in the recon gured versions of Odyssey and Outlaw Renegade. These tunes, originally released a decade apart, both share the distinction of crossing sub-genre boundaries, and are as likely to be heard in a jump-up party as on a festival main stage. The inclusion of them here provides a marker of just how representative of the whole DnB scene these producers really are.

Of course, this overview barely scratches the surface. There’s the cinematic majesty of the collaboration with Prolix, Welcome to the Machine. There’s the gangsta funk of Roadblock, and the skank-out call-and-response of Technique Badboy. There’s the skippy syncopation of Control. There are subtleties and gems to be discovered throughout the whole album, as much a treat for the listener as for the raver.

So, this, their third LP, is like a gallery exhibit of the many facets of Drumsound & Bassline Smith. Their past, their present, and maybe their future, is laid out in intricate detail and with the sheen of sheer production class which marks them out from the crowd. Every tune on this album tells a chapter of their story while simultaneously being a straight-up banger. There aren’t many producers who could pull that off , but this is Drumsound & Bassline Smith were talking about here. So, of course they can.

Tracklisting:
1. Come With Me
2. Warrier
3. Technique Badboy 
4. Control
5 .Wardance
6. Ouija
7. Odyssey VIP
8. Beautiful Danger feat. Brinsley Forde 
9. Roadblock
10 . Outlaw Renegade VIP 
11. Welcome to the Machine Vs Prolix

For interview requests and further information, contact:
info@techniquerecordings.co.uk

DRUMSOUND & BASSLINE SMITH VS PROLIX - WELCOME TO THE MACHINE

Never Stop / Hustle

Hustle (Synergy Remix)

Outer Edges Remixes

Get Deaded (Moody Good Remix)

Buy/stream: https://fanlink.to/VPR164

After signing exclusively to Viper in 2016, nothing but success has followed Dossa & Locuzzed. The duo from Austria have seen support from some of the biggest names in drum & bass with singles like ‘Hollow’, ‘Stoned Love’, and ‘Electric Boogie’ being picked up by Sub Focus, Culture Shock, DJ Marky, and MistaJam among others. Following the release of their highly sought-after remix of Camo & Krooked’s ‘Honesty’, their VIP edit of the iconic ‘Shag’, and recent singles ‘Fuse/Shake’, the duo are once again setting their sights on success with their latest label release. 
Brand new from the duo is the appropriately named ‘C’Mon Feet’. A glittering introduction immediately draws the listener in, a velvet smooth enclosure that radiates charisma and charm. Easily some of their best work to date, ‘C’Mon Feet’ is a strong indication of the duo’s strengths and shows them broadening their horizons, trying something new and totally smashing it. Infused with their signature funk but with a previously unheard filthy side, Dossa & Locuzzed certainly show no signs of slowing down. 
On the flip side is a brand new VIP of what is perhaps one of their most iconic tunes, ‘Love Blind’ featuring fellow Viper family BMotion, known for its warm acoustic vibes and infectious vocals. Now, kicking things up yet another notch, Dossa & Locuzzed manage to pack even more funk and energy into the VIP – this one is set to be a favourite for DJs and fans alike the world over. Keeping the charm of the original vocals but adding a darkness to the drop, ‘Love Blind VIP’ is funk fresh with a warped twist. 
True pioneers of the genre who are constantly pushing the boundaries of bass music, it’s no surprise Dossa & Locuzzed have met with such success since their signing to Viper, and this latest release proves that the duo have a lot more in store – definitely keep an eye on these two.

Love Blind VIP

Dossa & Locuzzed - Love Blind VIP feat. BMotion

Shades

Chiron

Bassrush Spotify: https://bssrush.co/playlist
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Dank warehouse vibes reign supreme on this filthy stepper from D*Minds that Bassrush is proud to premiere above. Due out on August 16 via RUN DNB so lock in your preorder!

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@dminds

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Kaos Reigns (BACKDROP PROMO)

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D*Minds - Kaos Reigns [Bassrush Premiere]

Started May 21, 2018. This just started as wanting to make something super funky. Guess that's why I used the good 'ol Funky Drummer break. I wanted something simple, energetic, and groovy. Somewhat jungly but fresh, which is why it's mostly the break and the bass that drives it forward. The melodic bits help had a bit of color and more of that funk seasoning™ too. Strings, crunchy Rhodes, deep 808ish bass, classic drums, and groove - I don't know if I could get any funkier (I'm trying to trust me).
 
I was in a good place too. Getting things ready to move across the state with my then s/o and pup, and about to start a new chapter called "Graduate School". I was excited, anxious, and ready to start something new. Well, not THAT new since I was moving back to the same place I went for my undergrad. The situation was different though. I wasn't alone and that felt great. Becoming more "mature" as my Mom would say. She also pronounces it like "Muh-Tour"…idk. Anyway, things were looking up. At least that's what I was hoping/working towards.

MP3s available to Patreon members. Thanks for your support as always ♥:
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Available to stream or purchase just about anywhere!
linktr.ee/winslowxyz

Blasé Funk EP

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Switchback Funk

Drum & Bass duo DC Breaks have made their way onto the widest range of playlists. Their hardcore club cuts have been rewound by the likes of DJ Friction and Andy C. On the other hand, the songwriting ability displayed on the single ‘Faithless’, featuring Bianca, has plastered them all over the radio. That’s just the tip of a very large iceberg. DC Breaks have earned their stripes in the underground but, with an album due in the Autumn and a packed festival season ahead, they’re about to explode onto the international stage in a spectacular fashion.

Since signing to Andy C’s Ram Records they’ve carved a reputation for delivering world class remixes for some of the biggest names in pop. Their work on singles by Paloma Faith, Lady Gaga, Lana del Rey, Tinie Tempah and others, and production for Example (a cut on the ‘Playing in the Shadows’ album) woke the pair up to the possibilities offered by vocalists. It was the start of the journey that led to the forthcoming album, packed with crossover cuts such as the piano-led ‘Breathe’ featuring Dave Gibson, with its contagious, urgent chorus. Or the soulful explosion of ‘No One Like You’ sung with passion by Niara Scarlett. Or the epic blast of ‘Salvation’ wherein DC Breaks take heavy duty bass sounds and tie them to uplifting, irresistible vocal hooks.

Once they graduated to Ram itself, with monster cuts such as ‘Shaman’ and last year’s battering ‘Lock-In’, they hit the drum & bass A-league. Before long it wasn’t just the drum & bass scene paying attention. DC Breaks tunes made it onto BBC Radio via Zane Lowe, Mistajam and Annie Mac.

“Chase and Status opened the door to drum & bass being accepted in the mainstream,” says Dan, “and through that door went DJ Fresh, Wilkinson, and now us.”

It certainly looks that way with appearances at multiple 2015 festivals, including UKF, NASS, SW4 and Glastonbury.

“I love the wildness of festivals,” says Dan, “Like we played on Arcadia’s outdoor stage last New Year’s Eve, in this big tower with fire blasting out of it. I was literally three or four feet directly underneath the flame-thrower in a really small box. If something goes wrong we were literally toast!”

If DC Breaks can avoid being fried by flame-throwers, the summer will be theirs. By the end of 2015, with their debut album blowing up everywhere, the year might well be too.

Hustle (Synergy Remix)

DC Breaks

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