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Hidden Deep

Prestige Collection out now! via @fullflexaudio
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Prestige Collection

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Queer Gabbers Love Dubstep (i guess)

Unhinged

Noise Of The Machine

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https://technique.lnk.to/SoundcheckEP

When one of Technique Recordings' new signings drops their first release, there's, understandably, a buzz of anticipation among DnB heads. After all, this is the label of Drumsound & Bassline Smith, Tantrum Desire, Document One, and L Plus, just to name a few. So, the duo formerly known as Glass Cobra, even more formerly known as Dubba Jonny & Russla, now going by the name No Concept, has a lot of heritage to live up to.

Of course, Technique's A&R skills are as sharp as ever. That's clear right from the intro of this EP's first track, “Nowhere to Hide”. As Arte's vocals rise and blaze over atmospheric chords and shifting patterns of arpeggio, we're drawn inexorably into No Concept's sonic world. And, trust, the title means what it says. There's no hiding from the vicious lash of those snares and thorax-shattering kicks and bass when this beast drops. Hazardous material.

But then there's another facet of the No Concept sound displayed in “Fingers”. As the shadowlands of the first few bars unfold before us, there's an unsettling uncertainty about where this track might be taking us. And that pitch-bending build delivers us somewhere just a bit different from the average. There's an stridently insistent riff that draws inspiration from jump-up, but with a serrated-edge low-end power that makes it something else entirely. This is going to earn wheel-ups wherever it's played.

“4 Dayz” is another twist to the tale. A minimally percussive intro, punctuated with dark tinges of vocal, sets the tone. Then there's the heart-stopping drama of that drop-out before the inevitable hammer-blow. This hearkens back to classic techstep, rolling breaks supported by a two-step pattern that punches huge holes through the frequency range. All that, with a high-energy warping and modulating bassline that is going to keep the dancefloor enthralled.

Closing out proceedings, we've got “Waste My Time”. With its ever-rising layers of percussive synths in the intro, those 4/4 claps, and floating vocal samples, this could almost be a reconfiguration of the hardcore formula. The drop is all about the catchiest of bassline hooks drives us onwards, with stabs and a sheen of reverberating atmospherics filling out the soundscape. All of this, supported by the neck-breaking drums that No Concept have already, even within this EP, made a staple of their sound.

So, welcome to No Concept. In this collection of four tracks they've laid out a benchmark. These guys have proven their ability to deliver forward-thinking DnB aimed squarely at the dancefloor. And you know there's going to be a lot more where that came from.

Tracklisting:

1.	No Concept – Nowhere to Hide (feat. Arte)
2.	No Concept – Fingers
3.	No Concept – 4 Dayz
4.	No Concept – Waste My Time

For interview requests and further information, contact:

info@techniquerecordings.co.uk

NO Concept - Nowhere To Hide [Soundcheck EP]

The Prototypes' powerful contribution to Let It Roll's 2018 Opening Ceremony finale is finally here, and it's just as epic as we remember it.
Get the Let It Roll Opening Show 2018 EP here: https://LetItRoll.lnk.to/openingshow18epDn

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Let It Roll Opening Ceremony 2018 EP

The Prototypes - Infinite (Mothership)

Consistency of Error Remixed LP

Bloom (Gydra Remix)

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ENERGY

Premiere: A.M.C 'Nitro' [Titan Records]

Black Sun Empire & State Of Mind - Caterpillar (Drumsound & Bassline Smith Remix)

//artist
@nais
facebook.com/nais.dabro/

// label
facebook.com/Eatbra1n
twitter.com/eatbra1n

Release dates/
Beatport Excl. 07.12.20
& Worldwide - 21.12.20


How long had he been in the waiting room? Time seemed to pass in an orderless fashion within this place, speeding up or slowing down, simply stopping or skipping forwards seemingly in accord with its own whims. Looking up from the television set before him, the man stole a glance at the receptionists at the front desk, who continued working diligently as before with little a thought spared in his direction. Checking his watch next, the man pondered at the time. When had his appointment been? 10 am? The watch read 10:05, and he did hope he might be called back soon. After all it was only a small matter, something wrong with his skin, though exactly what he could not remember. Leaning his head back to peer through the door to the examination rooms, the man noticed handprints adorning the window set within it. How charming that the doctors and nurses had had their children decorate their workplace, he thought with a smile. And such a nice smell the office had too! He hadn’t noticed it at first, but the clinic had a distinct scent of decay, quite alike to smells he had first discovered in the woods behind his grandparents’ house. Yes, that was it, that moist, rotting scent that came to the nose when a curious child first lifted a small log to discover what secrets might lay underneath. The memories flooded back to him. Such pleasant times those were, far removed from the hustle and bustle of modern life. Settling back into his seat, the man smiled, reminiscing in his childhood as another chunk of flesh fell from his cheek.
NAIS returns to EATBRAIN with his latest EP entitled Testing Lab. The followup to his raucous 2019 EP “Selecta” on the label, as well as more recent efforts across labels including Bad Taste, Souped Up, and Neuropunk, Testing Lab brings NAIS’ sound back to the hungry ears of the EATBRAIN horde, re-energizing their auditory receptors with the artist’s boisterous neurofunk sound.

Testing Lab

Testing Lab EP

Nais - Testing Lab (Eatbrain 115)

Drum & Bass duo DC Breaks have made their way onto the widest range of playlists. Their hardcore club cuts have been rewound by the likes of DJ Friction and Andy C. On the other hand, the songwriting ability displayed on the single ‘Faithless’, featuring Bianca, has plastered them all over the radio. That’s just the tip of a very large iceberg. DC Breaks have earned their stripes in the underground but, with an album due in the Autumn and a packed festival season ahead, they’re about to explode onto the international stage in a spectacular fashion.

Since signing to Andy C’s Ram Records they’ve carved a reputation for delivering world class remixes for some of the biggest names in pop. Their work on singles by Paloma Faith, Lady Gaga, Lana del Rey, Tinie Tempah and others, and production for Example (a cut on the ‘Playing in the Shadows’ album) woke the pair up to the possibilities offered by vocalists. It was the start of the journey that led to the forthcoming album, packed with crossover cuts such as the piano-led ‘Breathe’ featuring Dave Gibson, with its contagious, urgent chorus. Or the soulful explosion of ‘No One Like You’ sung with passion by Niara Scarlett. Or the epic blast of ‘Salvation’ wherein DC Breaks take heavy duty bass sounds and tie them to uplifting, irresistible vocal hooks.

Once they graduated to Ram itself, with monster cuts such as ‘Shaman’ and last year’s battering ‘Lock-In’, they hit the drum & bass A-league. Before long it wasn’t just the drum & bass scene paying attention. DC Breaks tunes made it onto BBC Radio via Zane Lowe, Mistajam and Annie Mac.

“Chase and Status opened the door to drum & bass being accepted in the mainstream,” says Dan, “and through that door went DJ Fresh, Wilkinson, and now us.”

It certainly looks that way with appearances at multiple 2015 festivals, including UKF, NASS, SW4 and Glastonbury.

“I love the wildness of festivals,” says Dan, “Like we played on Arcadia’s outdoor stage last New Year’s Eve, in this big tower with fire blasting out of it. I was literally three or four feet directly underneath the flame-thrower in a really small box. If something goes wrong we were literally toast!”

If DC Breaks can avoid being fried by flame-throwers, the summer will be theirs. By the end of 2015, with their debut album blowing up everywhere, the year might well be too.

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DC Breaks

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