SiCK intro&absolutely rrrocking vibez&Bass♥ B-) ;P :D

Our latest single ❤️

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Released by: Viper Recordings

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Connected

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RUNNER

DMV07 - RUNNER

Coming out on Breakbeat Kaos: Junglesound
Preorder the Vinyl Exclusives: https://www.breakbeatkaos.co.uk/vinyl/bbk1015v
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DJ Fresh - Shots ft. JAKES (Flite Remix)

Stream / download: http://po.st/CSGetPhysical

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Sequence Series

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Get Physical

Out Now

Shimmy

This is Killer Hertz' remix of Friction's 'Mad In The Jungle' ft. Doktor, available now for free download via Hypeddit: https://hypeddit.com/track/u0utrm

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Mad In The Jungle (Killer Hertz Remix)

Free Download

Free Download: Friction ft. Doktor - Mad In The Jungle (Killer Hertz Remix)

Spectrum

Don't Breathe In - Flowidus & TREi (Ft Linguistics)

“Reminisce” is the second single from Toronto Is Broken’s forthcoming third album “Clare”, bringing forth a new chapter regarding the sound of Toronto Is Broken. Finally fusing together his two music loves, drum & bass and metal, with such clarity, “Reminisce” sets the benchmark in what to expect from TIB’s new album and music from now on.

Natty Campbell (Chase & Status, Chopstick Dubplate & Dub Pistols) also returns for vocal duties after last year’s collaboration “Set It” (ProgRam), providing a high energy vocal, perfectly complimenting the track’s aggressive low-tuned guitars and driving drums.

The flipside features a remix from up and coming YANA producer Matt Neux, bringing his jungle roots to the forefront; big 808's and hefty foghorns. This one's for the bucket hat crew!

YANA013 has also been released in association with the Beats in Mind: Headsbass mental health project, with all funds raised being donated to various mental health charities. YANA013 drops on 14th August 2020 on all major online stores and streaming platforms.
If you are interested in any press features regarding this single or the release of the album, please contact: yanamusicuk@gmail.com

YANA Music online:
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Soundcloud.com/yanamusicuk

Toronto Is Broken online:
Facebook.com/torontoisbroken
Twitter / Instagram: @torontoisbroken
Soundcloud.com/christian_hoffmann

Natty Campbell online:
Facebook.com/NattyRankin
Instagram: @nattycampbellmc
Twitter: @NattyCampbell1

Reminisce

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Toronto Is Broken - Reminisce (ft. Natty Campbell)

This is Document One & Levela's 'Steppa' which is out now - https://DocOneLevela.lnk.to/HeatBeamsSB


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Heat Beams

Steppa

Document One x Levela - Steppa

Drum & Bass duo DC Breaks have made their way onto the widest range of playlists. Their hardcore club cuts have been rewound by the likes of DJ Friction and Andy C. On the other hand, the songwriting ability displayed on the single ‘Faithless’, featuring Bianca, has plastered them all over the radio. That’s just the tip of a very large iceberg. DC Breaks have earned their stripes in the underground but, with an album due in the Autumn and a packed festival season ahead, they’re about to explode onto the international stage in a spectacular fashion.

Since signing to Andy C’s Ram Records they’ve carved a reputation for delivering world class remixes for some of the biggest names in pop. Their work on singles by Paloma Faith, Lady Gaga, Lana del Rey, Tinie Tempah and others, and production for Example (a cut on the ‘Playing in the Shadows’ album) woke the pair up to the possibilities offered by vocalists. It was the start of the journey that led to the forthcoming album, packed with crossover cuts such as the piano-led ‘Breathe’ featuring Dave Gibson, with its contagious, urgent chorus. Or the soulful explosion of ‘No One Like You’ sung with passion by Niara Scarlett. Or the epic blast of ‘Salvation’ wherein DC Breaks take heavy duty bass sounds and tie them to uplifting, irresistible vocal hooks.

Once they graduated to Ram itself, with monster cuts such as ‘Shaman’ and last year’s battering ‘Lock-In’, they hit the drum & bass A-league. Before long it wasn’t just the drum & bass scene paying attention. DC Breaks tunes made it onto BBC Radio via Zane Lowe, Mistajam and Annie Mac.

“Chase and Status opened the door to drum & bass being accepted in the mainstream,” says Dan, “and through that door went DJ Fresh, Wilkinson, and now us.”

It certainly looks that way with appearances at multiple 2015 festivals, including UKF, NASS, SW4 and Glastonbury.

“I love the wildness of festivals,” says Dan, “Like we played on Arcadia’s outdoor stage last New Year’s Eve, in this big tower with fire blasting out of it. I was literally three or four feet directly underneath the flame-thrower in a really small box. If something goes wrong we were literally toast!”

If DC Breaks can avoid being fried by flame-throwers, the summer will be theirs. By the end of 2015, with their debut album blowing up everywhere, the year might well be too.

Spectrum

DC Breaks

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