Buy / Stream: https://fanlink.to/Pillar_To_Post_EP


ABLE continues to make moves with his latest release for the label. 4 tracks of minimal, brooding funk.

ABLE online:
Facebook → https://www.facebook.com/ABLE.dnb/
Twitter → https://twitter.com/ableofficialuk
Soundcloud → https://soundcloud.com/ableofficial_uk
Instagram → https://www.instagram.com/ableofficialuk/
Spotify → https://spoti.fi/3705kLN

Pillar To Post

Closer Then

Buy / Stream

ABLE - Closer Then

Buy - https://fanlink.to/weareincurzion2

Enigma & High Demand join Incurzion Audio for the third volume of their annual 'We Are Incurzion' V.A.

@officialhighdemand
https://facebook.com/official.highdemand
https://instagram.com/official.highdemand

@enigmamcr
https://facebook.com/officialenigmamcr
https://instagram.com/enigmamcr

@incurzionaudio
https://facebook.com/incurzionaudio
https://instagram.com/incurzionaudio

Contact us
‣ studio.drumandbass@gmail.com
‣ https://studiodrumandbass.com
‣ https://twitter.com/Studio_dnb
‣ https://facebook.com/Studiodrumandbass
‣ https://instagram.com/studio_drumandbass

Enigma & High Demand - Gojira [Premiere]

Bring up the bass

We couldn’t have asked for better with the Australian Rregula and its devastating “Gravitron”. A crazy carousel born near Perth: a true giant twister which will make your head spin and lift listeners up into the air at full-speed, sticking them to their seats.
Take a deep breath, fasten your sea-belts and letʼs go for a ride: straight to the dance-floor !

Buy the 12" vinyl

Rregula - Gravitron

No Quarter LP Sampler 1

Psychic

@monyumusic
@novaglitch-music

“Flavours” is a vibrant, energetic Drum & Bass journey that fuses bold rhythmic momentum with intricate texture work. From the opening bars, the track pushes forward with crisp breaks and deep bass weight, while melodic flourishes and rich synth layers weave in and out, offering an evolving emotional palette. The production balances raw drive with refinement — sharp percussive hits, filtered transitions, and atmospheric touches evoke both club-intensity and immersive listening headspace.

This is a track for both the dancefloor and the late-night headphones: it carries weight in its low end, clarity in its highs, and character in its sonic detail. Whether you’re chasing adrenaline or seeking sonic depth, “Flavours” delivers.

Minimal Selections II VA

Monyu & Novaglitch - Flavours

Gordon B - Flow

Brazil's ErBass returns to Codename: RCRDS with another slice of his distinctive deep, techstep sounds for 'Cut Off EP'.

Links
https://codenamercrds.bandcamp.com/album/cut-off-ep
https://cygnusmusic.link/maxpxpo

Buy Now

ErBass - Moments

Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Nickbee: 
https://soundcloud.com/nickbee
https://www.facebook.com/nickbeeaudio/
https://www.instagram.com/nickbeeaudio/
https://twitter.com/NickBeeAudio


Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

Odyssey

Buy & Stream

The Clamps & NickBee - Addicted [Kosenprod] OUT ON SEPT 24

Dolexil - Chemical [OUT NOW]

DCXV

Tardigrade (feat. Smooth)

Drum & Bass duo DC Breaks have made their way onto the widest range of playlists. Their hardcore club cuts have been rewound by the likes of DJ Friction and Andy C. On the other hand, the songwriting ability displayed on the single ‘Faithless’, featuring Bianca, has plastered them all over the radio. That’s just the tip of a very large iceberg. DC Breaks have earned their stripes in the underground but, with an album due in the Autumn and a packed festival season ahead, they’re about to explode onto the international stage in a spectacular fashion.

Since signing to Andy C’s Ram Records they’ve carved a reputation for delivering world class remixes for some of the biggest names in pop. Their work on singles by Paloma Faith, Lady Gaga, Lana del Rey, Tinie Tempah and others, and production for Example (a cut on the ‘Playing in the Shadows’ album) woke the pair up to the possibilities offered by vocalists. It was the start of the journey that led to the forthcoming album, packed with crossover cuts such as the piano-led ‘Breathe’ featuring Dave Gibson, with its contagious, urgent chorus. Or the soulful explosion of ‘No One Like You’ sung with passion by Niara Scarlett. Or the epic blast of ‘Salvation’ wherein DC Breaks take heavy duty bass sounds and tie them to uplifting, irresistible vocal hooks.

Once they graduated to Ram itself, with monster cuts such as ‘Shaman’ and last year’s battering ‘Lock-In’, they hit the drum & bass A-league. Before long it wasn’t just the drum & bass scene paying attention. DC Breaks tunes made it onto BBC Radio via Zane Lowe, Mistajam and Annie Mac.

“Chase and Status opened the door to drum & bass being accepted in the mainstream,” says Dan, “and through that door went DJ Fresh, Wilkinson, and now us.”

It certainly looks that way with appearances at multiple 2015 festivals, including UKF, NASS, SW4 and Glastonbury.

“I love the wildness of festivals,” says Dan, “Like we played on Arcadia’s outdoor stage last New Year’s Eve, in this big tower with fire blasting out of it. I was literally three or four feet directly underneath the flame-thrower in a really small box. If something goes wrong we were literally toast!”

If DC Breaks can avoid being fried by flame-throwers, the summer will be theirs. By the end of 2015, with their debut album blowing up everywhere, the year might well be too.

Tardigrade (feat. Smooth)

DC Breaks

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