Remixes by Frits Wentink & Warren Xclnce feat. Joe Armon-Jones

Support from Gilles Peterson, Detroit Swindle, Bradley Zero, Mr Beatnick, Lefto, IG Culture, EVM128, Neue Grafik, Simbad, Hector Plimmer, Hidden Spheres.

Digi & Wax: jdanvers.bandcamp.com/album/interludes

Interludes EP [WotNot]

All the Feels

https://www.dropbox.com/s/yvuowppsvp90e42/Dillinja%20%26%20Mystery%20-%20Deep%20Love%20%5BPalace%27s%20House%20Interpretation%5D.mp3

Dillinja & Mystery - Deep Love [Palace's House Interpretation]

'2 Far Gone' EP by @si-fi_sound is a four-track release presenting a subtle blend of break beat, 2-step and garage rhythms all deftly interwoven with some seriously clever and sumptuous hooks and melodies.

'Stop At Nothing' is a melancholic 2-step tune which expertly blends numerous dance music tropes – organs, Reese bass, vocal stabs - into one seamless and poignant whole. As ever, @glbdom delivers another stunning release. Get on this!

PREMIÈRE: SI-FI - Stop At Nothing

Edition of 300 blue vinyl:
https://shallnotfade.bandcamp.com/album/moony-ep

Kemt joins the Shall Not Fade family serving up a dreamy cut of lo-fi goodness for their Lost Palms sister label's 60th release. 

Moony EP drops June 16th via Lost Palms.

Moony EP

BUY RELEASE

PALMS060 // Kemt - Moony EP

Flux

Let Yourself Go (2XM Remix)

Pamplem'House - rentrons il commence à pleuvoir.

Don't Want

WHISPER MY RYTHM TRACK.wav

Pearson Sound - Untitled

As a regular on Co-Op's Selectors Assemble, Danvers (@ddanvers) has established himself as a new and original voice on the broken beat scene - Interludes is no exception. Mason kicks things off teaming dreamy Rhodes over a bruk beat before switching to an offbeat & irresistible synth groove. Similarly Aye Ata shows broken beat in a new light, with the pulsing chord that grows out of the beat suddenly turning the track around with a rhythmic twist.
1997 pushes a house touch, where a bouncing kick and booming sub are coupled with hazy Rhodes chords and dreamy spoken word samples. Frits Wentick & Warren Xlnce take on remix duties, the former an otherworldly and enchanting take on 1997, the latter a deeper house cut with a South London jazz tinge, courtesy of Joe Armon-Jones laying keys over the top.

Preorder EP: https://bit.ly/2Eh302Z

Interludes EP

Preorder EP

Exclusive Premiere: Danvers "Mason" (WotNot Music)

* Read More: https://boltingbits.com/danvers-1997-warren-clnce-joe-armon-jones-remix/
* Watch on YouTube: https://www.youtube.com/watch?v=EB0S-R88B0I

WotNot Music is a London-based record label putting out "music for the open minded". With over thirty releases under their belt they have been home to many a producer, with certain names such as Glenn Astro, K15 and Soccer96 being particular standouts. Transcending traditional genre boundaries, their output sees influences from all ends of the sonic spectrum where jazz, broken beat, house and others are equally at home. Release number 32 comes from Danvers (soundcloud), who can now be considered a regular on the label as this is his second EP and third release overall for WotNot.

The "Interludes" EP features three originals and two remixes of the B1 cut. Starting off the EP is Mason, an off-beat heater with delectable jazzy flavours and some easily recognized vocal chops from none other than Puff Daddy. Aye Ata is the big room pick of the bunch, packed full of thumping, broken beat kicks, heavily reverbed percussion and just the right amount of pulsing chord stabs. 1997 perhaps takes a more recognizable approach with a 4x4 rhythm, heavy sub and pulsing chords while Diddy's voice makes another appearance, this time giving an almost eerie feel to the composition. Frits Wentink gives us his take on 1997 with his familiar wonky and lo-fi sound, turning the original into an almost unrecognizable lo-fi groover.

The final remix and our premiere today comes from fellow Londoner Warren Xclnce and features rising musician Joe Armon-Jones on keyboard duties. This cut was a surprise gift rework from Warren to his 38 East studio partner, Danvers. The chords from 1997 are retained but the natural sounding shuffling and pattering percussion give the track a completely different feel. Joe Armon-Jones sprinkles quite a bit of his jazzy magic around them, noodling on the ever familiar yet always pleasing Rhodes piano, which transforms this composition into a deep and mesmerizing gem.

PREMIERE : Danvers - 1997 (Warren Xclnce Remix ft. Joe Armon-Jones)

An original from the Interludes EP, out now on @wotnotmusic

Remixes by @fritswentink & @warren_xclnce feat. @joe-armon-jones

Early support from Gilles Peterson, Detroit Swindle, Bradley Zero, Mr Beatnick, Lefto, IG Culture, EVM128, Neue Grafik, Simbad & Hector Plimmer

Digi & Wax: https://jdanvers.bandcamp.com/album/interludes

Artwork by @rotationrotation & @mjwilkin

Interludes

1997 (Original Mix)

Frits Wentink's remix from the Interludes EP, out now on @wotnotmusic

Also remixed @warren_xclnce feat. @joe-armon-jones

Early support from Gilles Peterson, Detroit Swindle, Bradley Zero, Mr Beatnick, Lefto, IG Culture, EVM128, Neue Grafik, Simbad & Hector Plimmer

Digi & Wax: jdanvers.bandcamp.com/album/interludes

Artwork by @rotationrotation & @mjwilkin

1997 (Frits Wentink Remix)

An original from the Interludes EP, out now on @wotnotmusic

Early support from Gilles Peterson, Detroit Swindle, Bradley Zero, Mr Beatnick, Lefto, IG Culture, EVM128, Neue Grafik, Simbad & Hector Plimmer

Digi & Wax: jdanvers.bandcamp.com/album/interludes

1997 (Frits Wentink Remix)

Danvers

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