Ah yes! I've been looking for this one after hearing it in a mix some time ago. Unique beauty!

TR808, PRO ONE, SH-5, Syncussion recorded to a half working Sherwood tape deck (excuse the drop-outs).

Timothy J. Fairplay - TV Tower (KM-60 CASSETTE VERSION)

Timothy J. Fairplay presents ‘Dungeon Module Volume One’ an eight track compilation of tracks made by occasional visitors, Alias’s, pseudonyms, mystery producers, assumed names and alter egos who make music in Timothy’s Dungeon Module studio. Some of these tracks have appeared in Timothy’s dj sets and radio shows over the last year. 
Theres Timothy himself with ‘88 Manchester swimming pool party jam ‘Soap’. ‘Brain Wave’ by Humberside synth pop/new wave outsider Roland Telescopes. The robotic electro of ‘Northeast Sector’ by Zentraedi and closing side one with some deepspacetechno is MR. R.I.N.G. with ‘Mick’s Broadcast’ - taking its cue from a cut from the Running Man Soundtrack with a similar name.  Side B begins with Main Street Mining and the flanger heavy jackbeat of ‘Main Street’, then we have the long over due return of Antoine Rouge with the stomping euro dance of ‘Street Sucker’. Berlin school from Longo with its disco beat and monotone ‘Dancing Boys’ refrain. Finally the raw electro of Effectron ll ‘One More Day’ made with just an 808 and a Transcendent 2000. 
Available on limited Cassette and digital Download. 

Side A
Timothy J. Fairplay - Soap
Roland Telescopes - Brain Wave
Zentraedi - Northeast Sector
MR. R.I.N.G. - Mick’s Broadcast 

Side B
Main Street Mining - Main Street
Antoine Rouge - Street Sucker
Longo - Dancing Boys
Effectron ll - One More Day

All tracks written and produced by Timothy J. Fairplay.
Mastered by Alden Tyrell.
© Dungeon Module 2022
Published by House Of Klart.

Timothy J. Fairplay Presents Dungeon Module Volume One

Bandcamp

Timothy J. Fairplay - Dungeon Module Volume One CLIPS

𝐎𝐒𝐂𝐈𝐋𝐋𝐀𝐓𝐄

Datashader emerges from the shadows with a striking breaks- and bass-heavy debut release that challenges the fabric of our digital existence. Replete with a Dopplereffekt remix, it nods to the legacy of revered anonymous acts such as Scopex, Drexciya and Underground Resistance, pushing the boundaries of both electronic music exploration and its conceptual underpinnings. As a critique of the erosion of genuine human connection in the digital age, Datashader delivers a barrage of billowing subs, infectious electro, recontextualized jungle, and techno, serving as a poignant counterbalance to current dance floor-centric norms. It’s a contemporary anti-soundtrack that offers a haunting mirror to the societal costs of technological convenience.

In a world engulfed by the digital realm, where social media platforms thrive and dominate every aspect of our lives, the enigmatic project known as Datashader was founded to reflect on the pervasive erosion of authentic human connection through various virtual realities.

Artistically, Datashader seeks to critique the impact of technology on human identity and relationships, breaking with an archetype of digital conformity and expressing a profound disillusionment with the superficiality of online interactions through music. Genuine human connection and art cannot be quantified by likes, comments, or followers but rather thrives in the visceral realm of shared sonic experience and human emotion. This idea is at the core idea of Datashader, whose artistic expression ranges from avant-garde composition and electronic experimentations to art, installation, film and more.

Expressed within the varied contexts of diverse artistic mediums, Datashader explores the concept of “technological gentrification”, which describes the gradual displacement of human interaction by technology. Just as gentrification alters the urban landscape, driving out communities and cultures, digital gentrification transforms the social landscape, replacing genuine connection with curated online personas.

Musically, Datashader’s practice confronts this dystopian reality, highlighting the alarming consequence of people becoming mere nodes in a network, reduced to a collection of data points. This is manifested sonically by a blistering assault of breaks, recontextualized IDM, abstract electronics and otherworldly synthscapes, conceived as the aesthetic counterbalance to much of contemporary electronic music’s dancefloor focus.

Datashader dives deep into genres and influences which stand for a form of sonic resistance: A contemporary anti- soundtrack – a sonic mirror of the price we pay for convenience and instant gratification. A self-image in constant flux. No false technological idols. 

#electronic #premiere #electronicmusic #newmusic #hypnoticgroove  #tresor #dopplereffekt #datashader 

Datashader
Soundcloud: https://soundcloud.com/datashader
Instagram: https://www.instagram.com/datashader/

Dopplereffekt
Soundcloud: https://soundcloud.com/dopplereffektofficial
Instagram: https://www.instagram.com/__dopplereffekt__/

Tresor
Soundcloud: https://soundcloud.com/tresorberlin
Facebook: https://www.facebook.com/tresorberlin
Instagram: https://www.instagram.com/tresorberlin/

PREMIERE: Datashader - Breath Controller (Dopplereffekt Gravitational Remodel) (Tresor)

'Bloodrush' is OUT NOW everywhere:
https://twincomplex.bandcamp.com/album/bloodrush

Written, recorded and produced by Twin Complex.
Mixed by Chris Allen.
Mastered by Beau Thomas at Ten Eight Seven.

Bloodrush

He didnt pay me ( it was shit anyways )

Telegram:
https://t.me/jos_label

Our Spotify Playlist:
https://open.spotify.com/playlist/4Z0dYs38DR9ukS5qltvpCD?si=9b7fd5e404434ae7

Release Link:
https://go.protonradio.com/r/rlK3mPjlibG1w

Release Link

Ana Kosh, GAMAYUNA, Garik Amirkhanyan - Bereginya (Alex Konstantinov Extended Remix) [Journey of the Soul]

Private Persons returns with the second release from the Ukraine-based artist Youngg P. All tracks are written in 2014, during the tragic events in Kiev (Ukraine). Between times, these tracks are the beginning of a creative way for the artist!
Youngg P says: «I and millions of my countrymen had very mixed feelings and everyone was on the verge of a nervous breakdown because of the terrible flow of information. Accordingly, almost all the tracks have minor mood, such as "WAR" track generally resembles a military marching. In general, it is such a small soundtrack about this really dark days in country, which tells about the utter confusion and frustration, fear and hatred.

A2. Mindless Evolving Objects - Lunar Trace

Distorted Sensory Perception

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