@jesusflores-support: Muchas gracias Jesus :) ! Love to listen to your guitar !

Un p'tit bijou d'originalité pour cette reprise ... J'suis sur qu'il aurait apprécié cet hommage notre Gainsbarre national, notre homme à tête de chou :-)

I'm sure Serge would have approved of this. Lovely work DDJohn. Cheers, Mark

real cool song......very trippy......love it :}

DD Reggae/Funk/Pop/New wave/Jazz/Fusion/Chill ...wizz !

A  thoughtful jam (kind of a recreational  re-creation !:)) thinking of Serge, with a mix of recent influences (Grand Tourism ...)



En pensant à Serge ...

Just played the Bass over it... this nice composition is from DD John ;-)

Collaboration with DDJohn... playin Bass over his "Javelin Spear it" song

An exploration in reggae universe with my old clarinet  ;-)

Clari-Reggae

Riddim: Jon K.T Lindley (soundcloud.com/jon-lindley)
Lyrics, vocals : https://soundcloud.com/arnaud-tranquil
Clarinets : DDJohn (Steph) : https://soundcloud.com/ddjohn

Et Après

Et Après nous, man, que restera-t-il ?
quand nous ne serons plus que des poussières inutiles
bien malgré nous, man, souvenirs futiles
d'une vie souvent rasoir et vécue sur le fil

Deviendrons nous, man, de vieux fossiles ?
quelques mots dans l'histoire oubliée d'une ville
mais ne crois pas , man, que cela est facile, 
quand la vie choisit pour nous des routes si fragiles

Et Après nous, man, que restera-t-il ?

Et Après ....(Arnaud Tranquil) - Riddim from Jon K.T Lindley

Let me present you those awesome musicians who have participated at this Reggae Jam!
Bass: Mirko Borach @soundcloud.com/stringburner
Steel drums: Jamie Rhind @soundcloud.com/jamie-rhind
Clarinet: DD John @soundcloud.com/ddjohn
Djembe: Apha Roots @soundcloud.com/alpha-roots
i played the melodica, the organ solo, rhythm guitar, reggae keyboard bubble and drum programming.

Back To Roots with Mirko Borach, Jamie Rhind, DD John and Alpha Roots

Una hermosa canción para dedicar a la persona amada. 

A beautiful song to dedicate to the loved one.

Lyrics

Verse 1

Tonight I dreamed of you. You looked so divine. You gave me your skin, I spoiled you with love. 

Bridge 

Reckless heart, that can't be without you Evoking in my mind And I knew I allowed it. Chorus I like everything you are If I think of you during the day, at night you don't sleep, You are my fantasy, My dream, my glory. A lady who drives me crazy. I just want to tell you: I love you for a thousand hours. 

Verse 2

No one can enchant me, To the level that I like you. No one can compare, With your beauty and plenitude. 

Bridge 

I only wish to give you my love My judgment, my mind, and my heart. And it is that I love you and I love you and I love you.

Chorus

 I like everything you are. If I think of you during the day, at night you don't sleep. You are my fantasy. My dream, my glory. A lady who drives me crazy. 

I just want to tell you: I've loved you for a thousand hours.


Español

Verso 1

Esta noche te soñé
Te veías tan divina.
Me regálabas tu piel,
Con amor te cónsentía.

Puente 

Imprudente corazón,
que no puede estar sin ti 
Evocando en mi razón 
Y yo sé lo permití.

Coro

Me gusta todo lo que tú eres 
Si te pienso dedía, 
de noche no duermes, 
Eres mi fantasía, 
Mi sueño mi gloria. 
Una señorita que a mi me trastorna. 

Sólo quiero decirte: que te amo mil horas. 



Verso 2

Nadie me puede encantar, 
Al nivel que me gustas tú.
Nadie puedo comparar, 
Con tu belleza y plenitud. 

Puente

Sólo deseo entregarte mi amor
Mi juicio, mi mente y mi corazón. 
Y es que te amo y te amo y te amo.

Coro

Me gusta todo lo que tú eres 
Si te pienso de día, 
de noche no duermes, 
Eres mi fantasía 
Mi sueño mi gloria 
Una señorita que a mi me trastorna. 


Sólo quiero decirte: que te amo mil horas.


Letra Miguel Ángel Botello 
©®Todos los derechos reservados D'mendo Boteli ©1994 ©2020 ©2021 ©2022 ©2023 ©2025




Mil horas - D'mendo Boteli.mp3

Video Link: https://www.youtube.com/watch?v=X11vAypstLA

Inner Earth Railway (Remix)

Inner Earth Railway (Remix) & Video Link

Video 1 Link: https://www.youtube.com/watch?v=qSDoKpUx-wE
Video 2 Link: https://www.youtube.com/watch?v=kATnFmBN6pE

Remixes

Glimmer (Psy Trance Dance Remix)

Thirteen Ravens

Neon Dreamscape

What you can do with 16 bars of piano MIDI notes :-)

Fragile

FEARS FOR DREAM

'strike two'

scotty: acoustic pearl export, epiphone casino, fender squire 3/4 bass. Just blowing off some steam, y'all. 

strike two

Song from the rock opera Five Thousand Sasquatch

North American Rocketball

Cast of Characters:
Mistermark-- @user-432503709 -- Mark –- VST Middle Eastern instruments (Duf Drum, Daire drum, Darbuka, Riq, Qanun, Zurna horn, Ney flute, strings), female vocal sample, 'ululation' (high pitch yodel), and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Custom fretless 5-string bass 
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics
J.J. Terrell– @j-j-terrell – saz, shakuhachi, and synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — cymbals and Chinese percussion
Llanpsych - Fluffer for the keyboardist and key grip
TexMex Shaman– @texmex-shaman –Stephen — traditional gourd-body sitar and mastering.

  Josh had the idea for doing a traditional Palestinian song, as he is an avid fan of their music. He wanted to raise awareness of this music and everyone in the band was immediately on board with this idea, and set about to make it happen. 
  Mark, who is an expert percussionist, learned a basic traditional Palestinian drum pattern, in a very authentic fashion. He laid it down, along with an Arabic sounding modal melody line portrayed by the quanun, which is a kind of zither. Josh found this pattern fascinating, and added his five string fretless bass to the it shortly after. Carl jumped in very shortly thereafter, and came up with some really amazing vocal melodies, as well as wonderfully prescient lyrics. He even learned more than several phrases in Arabic, which he sang in there, too. We were all very impressed by this, of course.
  JJ was next up, adding his magical, melodic, and exotic saz, shakuhachi, and synth to the mix. Ken threw in next, adding his perfectly timed brass and Chinese percussion to the mix, too. Last, but certainly not least, Stephen recorded his subtle, exotic, traditional sitar to the piece. 
  Once we had it all recorded, we turned it over to Mark for a mix, as the whole thing is really his baby. Stephen mastered it, though, as he is our resident professional producer.
  Our hope is that this song inspires you to dig into Palestinian music, and through that, you recognize the magic and the humanity of millions of Palestinian people who are suffering unimaginably right now. We hope you enjoy listening to this as much as we enjoyed creating it.

From Carl...
Music is our key to permanant peace on planet Earth in my view. If written thoughfully, it is our unimposing tool where we can share our different cultures like EC have done here to celebrate with our Palestinian friends stylistically the light of their music. I don't speak Arabic so I hope I don't offend anyone but I learned the Arabic as best as I could phonetically. It's done with the best of intentions . The eight Arabic lines are famous proverbs and show us how similarly all of our truths evolve from our hearts and souls

Peace and Love to everyone


Original lyrics by The Beautiful Dark:

Sisters and brothers
Daughters and Sons
We would give you food
But the road is blocked to sun
Proud Palestine
Brave brethren
Our hearts are with you
Our souls are weeping

Inhumane blockade of bread
Pains collective minds 
We want gone this dread
Let's find our kind
Please be strong
As we right this wrong
Hope prays that day will not be long

We pine with your God
To find a normal truth
Where your kids can grow and learn good youth
Sisters and Brothers
Daughters and Sons
We are with you Palestine
Sending love through song

The eye sees but the arm is short ( العين ترى والذراع قصيرة )

We are in the same boat ( نحن في نفس القارب )

Winds do not blow as the ships wish ( لا تهب الرياح كما تشاء السفن )

Being alone is better then being with someone bad (أن تكون وحيدا أفضل من أن تكون مع شخص سيء )

What is hidden is more then what has happened ( ما هو مخفي أكثر مما حدث )

Every problem has a solution ( لكل مشكلة حل )

Good intentions count for as much as good actions ( النوايا الحسنة لها نفس أهمية الأفعال الحسنة )

All is well that ends well ( كل شيء على ما يرام إذا انتهى بشكل جيد )

Oh My Darlin' Palestine (Eclectic Collective)

(Written by Terry Reeves)
Recorded and mixed at the TLSS studio, Homerton (May-Oct. 2015
Terry Reeves: Vocals
Steph Laporte: Clarinets
Nik Paravatos: Guitar / Bass / Synths /Effects and Noises
Gary Reeves: Drums

I have always enjoyed being a Dad but things do change so incredibly fast.  One moment you’re getting them ready for school and in seemingly double-quick time, they’re all grown up, with all of the problems the transition into adulthood inevitably entails.  They acquire ‘significant others’, some of whom you like and some you’re pretty sure are never going to make the cut.  From a distance, you look on with increasing interest, watching them struggle with the intricacies of romantic involvement.
This song involves the machinations of my youngest son’s relationship with one particular girlfriend, who seemed to have an issue with any form of commitment.  Sometimes she’d show up out of the blue, wanting to spend every moment with him, then disappear into the ether and not contact him for days.
He and I had quite a few Father to Son conversations about her, primarily because we were both concerned about her mental wellbeing.  He’d try to contact her to check if everything was alright, often without success.  Then, without warning, she’d be back on the scene, the whole merry-go-round starting all over again.  I did my level best to help but she truly was an enigma and I was never really sure if what I had to say was helping the situation.  As with many such tricky equations in life, no obvious solution came to light and things slowly ground to a halt.  To this day, though, he says she was one of the most confusing people he ever met.
As is my habit, I decided to write a song about her, calling it ‘Take’ because it was an anagram of her name (by all means have a guess…), hoping to delineate the complexities of the things she both said and did.  Gal really loved the song and going through a marriage break-up as he was at the time, asked if he could contribute a few lines to the lyrics as a way of describing the bewilderment he was feeling, which proved an interesting window into his thinking.
Our brilliant engineer Nick thought slowing it down would give it a kind of Massive Attack feel, an approach that suited it to a tee.  But we needed something else, something magical in the mix, so Gal suggested asking our good friend Steph Laporte (‘DDJohn’ to his SC friends) to record a lead break along with some additional, extra-slurpy licks on his clarinet.  Steph is a wonderful player and as I’m sure you’ll agree, his contribution proved exactly what was needed.  It’s a real favourite of mine - so different from anything we’ve done before.  By the way, anyone worked out that anagram yet?  (Terry Reeves)

Would like to thank Gordon (https://soundcloud.com/gordon_m) for his invaluable help.  I sent him a copy of the penultimate mix and he was good enough to return a detailed list of possible adjustments, all of which were entirely spot-on and made the job of getting the final mix completed in the allotted hour very achievable, something in some doubt but for his assistance. 
(Gary Reeves)

You can say what you like but don’t say what you want to
You can think what you like but don’t think like you need to
You want to like how you look but don’t look how you like to
You never see in the dark ‘cause the darkness is inside you

Guarded observations unexplained
Is there any need?

You like to hide from the truth but the truth always finds you
You want to stay out of sight when you’re always in full-view
How can you look to the past when there’s so much behind you?
How can you be brand new with those voices to remind you?

Redundant complications unexplained
Is there any need?

You never sing out of key when the music suits you
How can the melody change when the words serve to mute you?
You laugh so loud when your good friends entertain you
You don’t understand that the real joke is about you

Another conversation unexplained

TAKE (Cripple Club collab with DDJohn) *download

Involved in different local music associations with my clarinet  (in classic and jazzy mode) ,  I also  love to play the guitar, I love to try to create and produce music with Cubase and different other instruments at home. I love all forms of music. 
Thank you reading these lines, for your kind words , listens and all forms of appreciation and support, I'm always happy to explore,  discover new sounds  and collaborate on this unique platform with wonderful musicians  !!

2022 Collabs, Jams and Chansons :
https://on.soundcloud.com/pkz71
Proud to be inducted  in 2022 as an Official Lunatics after this:
https://soundcloud.com/cosmic-ratzzz/lunatics71-skyline-cosmic-ratzzz-ddjohn?si=aa7c346eca754497a8e4168605590197&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Still so happy to listen to this one with my french SC buddies in the memory of Georges Brassens on this one :
https://soundcloud.com/ddjohn/les-copains-dabord-george-brassens-with-le-hot-club-de-soundcloud-quebec-usa-fra?si=ec03fb2f0b8b42b1b57522bf07221d14&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
...and loving to play with friends in the marvelous style of Django Reinhardt
https://soundcloud.com/ddjohn/sets/collabs-with-lami-bjp

Album/EP featurings @ the clarinet :

https://soundcloud.com/mountain-songs/take-cripple-club-collab-with-ddjohn-download?in=ddjohn/sets/2015-1/

https://open.spotify.com/album/2XfVKVx3ZE1qUBwoUojmfW
.... and @ the guitar :
https://chrispendergraft.bandcamp.com/track/aint-seen-the-worst-of-it-yet-tribute-to-jimmy-page

En pensant à Serge ...

DDJohn

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