DD Reggae/Funk/Pop/New wave/Jazz/Fusion/Chill ...wizz !

Just played the Bass over it... this nice composition is from DD John ;-)

Collaboration with DDJohn... playin Bass over his "Javelin Spear it" song

An exploration in reggae universe with my old clarinet  ;-)

Clari-Reggae

A celtic ballad on a universal theme ...with special thoughts for BB, 80 years old today...and our very dear Beatles  :-)- Please visite Wullie's page ... amazing Beatles reminiscences with a personal touch (https://soundcloud.com/w-paterson-1-1)
 Lyrics / vocals / lead folk guitar / Bass / tambourine:  Patersongs (https://soundcloud.com/w-paterson-1-1)
With very kind and great inputs from Conover   (https://soundcloud.com/conover)
(very little of the) Lyrics/wind instruments (except bagpipes!)/ additional Folk guitar (open tuning)/final mix : DDJohn
Scotland-USA-France very nice and fun collaborative work (with a really nice contribution also  from Switzerland  ! :)(https://soundcloud.com/alexis-roche-2)

& With the courtesy of freesound
- Bagpipes (https://www.freesound.org/people/Robinhood76/sounds/106570/#)
- Single beat war drum (https://www.freesound.org/people/Matt%20Namer/sounds/93750/)
- Rolling drums (https://www.freesound.org/people/qubodup/sounds/166540/)

Why is this love still haunting me
Reflections that echo through time
The girl I loved from yester-year
I knew she would never be mine

Can see the sunlight in her eyes
The wind it blew through her hair
My mind I see her haunting smile
For me she would never care

I cant let her go 
She seeps through my soul
Like wine spilled on the floor
This ghost from my past
Her spells been cast
Makes me want her more amour

I gave away my love too soon
Nieve I played like a fool
I showed her every card I had 
Instead of playing it cool

Lost Amours - Patersongs/DDJohn collaboration (SCO-FRA)

Riddim: Jon K.T Lindley (soundcloud.com/jon-lindley)
Lyrics, vocals : https://soundcloud.com/arnaud-tranquil
Clarinets : DDJohn (Steph) : https://soundcloud.com/ddjohn

Et Après

Et Après nous, man, que restera-t-il ?
quand nous ne serons plus que des poussières inutiles
bien malgré nous, man, souvenirs futiles
d'une vie souvent rasoir et vécue sur le fil

Deviendrons nous, man, de vieux fossiles ?
quelques mots dans l'histoire oubliée d'une ville
mais ne crois pas , man, que cela est facile, 
quand la vie choisit pour nous des routes si fragiles

Et Après nous, man, que restera-t-il ?

Et Après ....(Arnaud Tranquil) - Riddim from Jon K.T Lindley

Let me present you those awesome musicians who have participated at this Reggae Jam!
Bass: Mirko Borach @soundcloud.com/stringburner
Steel drums: Jamie Rhind @soundcloud.com/jamie-rhind
Clarinet: DD John @soundcloud.com/ddjohn
Djembe: Apha Roots @soundcloud.com/alpha-roots
i played the melodica, the organ solo, rhythm guitar, reggae keyboard bubble and drum programming.

Back To Roots with Mirko Borach, Jamie Rhind, DD John and Alpha Roots

holla if ya hear me #frawstakwapella 110bpm…

Sweet Tara

Recorded at Amplified Studios, Carlsbad CA July 2025
Drums - Marc Polit
Lead solo: Tristan Brooks

LYRIC
It took me half my life 
To finally gain insight
I only saw myself as others did
And I mostly stayed hid

I spent half my life
Upset and uptight
I learned it’s stupid to walk on eggshells
Every egg eventually breaks
And if that takes you half your life
That’s what it takes

Can't say exactly when
I knew what I didn’t then
A dawning realization
An opening of the mind
It only took me half my life for me to find

Time isn’t playing
It’s counting the days
If you don’t know what I’m saying
(Well) you won’t be young always
You sure won’t!

As the years accrue
In the remaining few
I won’t let regret confine me
I’ll amble slowly toward the light
Let the past all fade to black
I can’t go back
I love this last half of my life
So that’s all right


Half My Life

Swell

I have been hearing so much AI music lately on SoundCloud and these  thoughts have been percolating with me for a while and finally they coalesced into a song. (created without the use of AI).
***
Vocals & Back Up Vocals: Joe Stroffolino
Guitar Strumming Track:  Joe Stroffolino Taylor 114CE
Drums: EZ Drummer 3
Bass: PG Music Real track
Piano:  EZ Keys2 
Synth Bass: Logic Pro 
***
You got tired of struggling so hard to write a great original song
And then this amazing newfangled technology came along
Now you’re using AI to create music, and it’s a much easier process
And you’re convinced you found the ticket to achieving great success.
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great
It makes you feel so good but you don’t ever set them straight
Those classic rockers used to write 10 or 12 good songs every couple of years
Now you’re posting two or three songs a day and hoping for a bunch of cheers
You’re rolling the musical dice, hoping you’ll come up with a catchy viral hit 
But there’s so much music flooding the internet that no one gives a shit
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great, it makes you feel so good but you don’t ever set them straight
Some people believe we’re living in simulation and none of this is real
We’re just digital creations in a computer with the ability to feel
But even if that’s not the case, we’re quickly, heading to a place where no one’s going to be able to tell the difference.
You used strum your guitar, trying to capture lightning in a bottle and the songs that emerged came from you.
And now the songs you write with AI, what they’re saying, you don’t have a clue.
Music used to feel therapeutic, it was a window on your soul that you could share.
But now something feels missing because your songs no longer lay your heart bare.

Prompting Takes A Lot Of Skill

So nice that my longtime collaborator friend @dough-factory has returned to SoundCloud after a break of a couple years! This is our first track working together since then and it came together in a really cool way. I was inspired by Ryan's electronic drums and bass to lay down some rhythm guitar as well as a few synth leads. Then he came up with some awesome lyrics/vocals that I think captures the vibe of this piece quite well.

Keep an eye out for more from us, we are thinking of pulling together a whole album or EP over the coming months.

Dive

The EASTWOOD (from the bandcamp half life series)

Recording sessions from  13/05/2025 - 03/08/2025.
presets, mixing, processing and editing: Pier WILL.

*** ALL TITLES ARE DOWNLOADABLE***
________________________________________________________________________
🛠 - Made with various Modular Synths / Multi-tracks / No I.A.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, Samsung, Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

⚙️ - #Ambient #Movies #Experimental

I'm almost back...
After the death of a loved one, I found myself unable to play music... so I opened a small attic room deep in my unbalanced mind and played other types of instruments... it had to happen...
So here's a track, "ATTIC ROOM" (37 minutes), composed and produced, bringing together 10 very different and surprising tracks... I feel like I was in another dimension for a while, and I hope you enjoy it.
Have a great listen. Thank you.
Pier WILL

Me voici presque de retour...
Après le décès de l'un de mes proches, je me suis retrouvé dans l'incapacité de jouer de la musique... alors j'ai ouvert une petite chambre mansardée tout au fond de mon esprit en déséquilibre et j'ai joué sur d'autres types d'instruments... il fallait que cela se réalise...
Voici donc un titre "ATTIC ROOM" (37minutes) composé et réalisé rassemblant 10 titres tellement différents et surprenants... je pense avoir été dans une autre dimension pendant un certain temps et j'espère que vous allez apprécier.
Très bonne écoute à vous. Merci
Pier WILL

Attic Room

Cast of characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, composition

J.J. Terrell– @j-j-terrell – organ and synth

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken — drums and percussion

Mistermark-- @user-432503709 -- Mark –- clavinet, VST saxophone solo, VST horns, effects, production editing

TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering

Llanpsych -- @llanpsych -- Tez – Fender Telecaster HHS electric guitar

The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song began back at the beginning of the summer, when Josh was messing around on his electric piano and found a structure to which to add his bass. As soon as he opened the project to the rest of Eclectic Collective, JJ jumped right in, adding his thrilling organ and ethereal background synth. Thus, Josh dropped his original e. piano part in favor of JJ's new parts. 

Ken was next up, adding the drums in reverse order from how he and Josh usually do it. Ken is very skilled at being able to add drums to a pre-existing bass line, which he displays in here. He also added the clever auxilary percussion you hear throughout. Mark was next to the trough, adding his funky clavinet, as well as his sax solo you hear lighting it up in there. He also added some well composed horns toward the end, not to be confused with JJ's synth. 

  Then it was time for the guitarists to do their thing. Stephen added the strong, melodic solos in the first two breaks with his guitar and wah pedal. After Tez added his thrilling solos at the end, Stephen went back in and added the funky rhythm guitar part. Tez also added the funky guitar riffs throughout the verses.

  All that was left was to get Carl in on the action, as he is the newest core member of Eclectic Collective. He wrote a poem and sung it in his signature, wild style for us.

  This is Eclectic Collective at its almost full strength, pulling six musicians from two different continents and four different countries together to create a song. We hope you enjoy listening to it as much as we enjoyed creating it.

   On a side note, this will be Eclectic Collective's last song for two weeks. As most of you know, we release a song every Thursday at midnight. Due to vacation and travel at the end of summer, we'll be skipping  next Friday, the 15th, but should be returning the following Friday, the 22nd. We may also put something out this coming Tuesday, the 12th, so please stay tuned. Can't thank enough those of you who tune in regularly and support us every week. 
Original lyrics by The Beautiful Dark:

The Get Down - Lyrics

Hey Human
It's official
The get down on fire funk
Future sizzle
All members agree
Gotta collect that love
Then give it back and well, we see
Fuel for that musical party

Initition ceremony
Transcontinental spanking machine
Uh oh it's a musical tri sexual
Try anything that melody mentioning
Do it for the song
We gonna right some wrong
Rolling rhythm unkown
The human touch
The get down

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got eachother man
Music
Keep that campfire warm
Ooo Ooo

Aw man, I'm feeling back tingle
Lads, go tell Fiona Apple I'm single
Llanspych, nudge PJ Harvey
Jamming that genius soul new wave!

The get down
Friends don't frown
We got each-other man
Music
Keep that campfire warm
Ooo Ooo
The get down
Friends don't frown
We got eachother man
Music
Keep that campfire warm
Ooo Ooo

Thrust that rush
Sine waved funk
Flying musical J's
Aw man it's Mike like dunk
Thrust that rush
Sine waved funk
To musical 24
You get a song
Drained 81 now on this floor

The get down
Friends don't frown
We got each-other man
Music, keep that campfire warm
The get down
Love legends loud
Rest in peace good Kobe one
This one's for you
Good G.O.A.T of stun!

The Eclectic Collective   - The Get Down

Sin Werk

(Written by Terry Reeves)
Recorded and mixed at the TLSS studio, Homerton (May-Oct. 2015
Terry Reeves: Vocals
Steph Laporte: Clarinets
Nik Paravatos: Guitar / Bass / Synths /Effects and Noises
Gary Reeves: Drums

I have always enjoyed being a Dad but things do change so incredibly fast.  One moment you’re getting them ready for school and in seemingly double-quick time, they’re all grown up, with all of the problems the transition into adulthood inevitably entails.  They acquire ‘significant others’, some of whom you like and some you’re pretty sure are never going to make the cut.  From a distance, you look on with increasing interest, watching them struggle with the intricacies of romantic involvement.
This song involves the machinations of my youngest son’s relationship with one particular girlfriend, who seemed to have an issue with any form of commitment.  Sometimes she’d show up out of the blue, wanting to spend every moment with him, then disappear into the ether and not contact him for days.
He and I had quite a few Father to Son conversations about her, primarily because we were both concerned about her mental wellbeing.  He’d try to contact her to check if everything was alright, often without success.  Then, without warning, she’d be back on the scene, the whole merry-go-round starting all over again.  I did my level best to help but she truly was an enigma and I was never really sure if what I had to say was helping the situation.  As with many such tricky equations in life, no obvious solution came to light and things slowly ground to a halt.  To this day, though, he says she was one of the most confusing people he ever met.
As is my habit, I decided to write a song about her, calling it ‘Take’ because it was an anagram of her name (by all means have a guess…), hoping to delineate the complexities of the things she both said and did.  Gal really loved the song and going through a marriage break-up as he was at the time, asked if he could contribute a few lines to the lyrics as a way of describing the bewilderment he was feeling, which proved an interesting window into his thinking.
Our brilliant engineer Nick thought slowing it down would give it a kind of Massive Attack feel, an approach that suited it to a tee.  But we needed something else, something magical in the mix, so Gal suggested asking our good friend Steph Laporte (‘DDJohn’ to his SC friends) to record a lead break along with some additional, extra-slurpy licks on his clarinet.  Steph is a wonderful player and as I’m sure you’ll agree, his contribution proved exactly what was needed.  It’s a real favourite of mine - so different from anything we’ve done before.  By the way, anyone worked out that anagram yet?  (Terry Reeves)

Would like to thank Gordon (https://soundcloud.com/gordon_m) for his invaluable help.  I sent him a copy of the penultimate mix and he was good enough to return a detailed list of possible adjustments, all of which were entirely spot-on and made the job of getting the final mix completed in the allotted hour very achievable, something in some doubt but for his assistance. 
(Gary Reeves)

You can say what you like but don’t say what you want to
You can think what you like but don’t think like you need to
You want to like how you look but don’t look how you like to
You never see in the dark ‘cause the darkness is inside you

Guarded observations unexplained
Is there any need?

You like to hide from the truth but the truth always finds you
You want to stay out of sight when you’re always in full-view
How can you look to the past when there’s so much behind you?
How can you be brand new with those voices to remind you?

Redundant complications unexplained
Is there any need?

You never sing out of key when the music suits you
How can the melody change when the words serve to mute you?
You laugh so loud when your good friends entertain you
You don’t understand that the real joke is about you

Another conversation unexplained

TAKE (Cripple Club collab with DDJohn) *download

Involved in different local music associations with my clarinet  (in classic and jazzy mode) ,  I also  love to play the guitar, I love to try to create and produce music with Cubase and different other instruments at home. I love all forms of music. 
Thank you reading these lines, for your kind words , listens and all forms of appreciation and support, I'm always happy to explore,  discover new sounds  and collaborate on this unique platform with wonderful musicians  !!

2022 Collabs, Jams and Chansons :
https://on.soundcloud.com/pkz71
Proud to be inducted  in 2022 as an Official Lunatics after this:
https://soundcloud.com/cosmic-ratzzz/lunatics71-skyline-cosmic-ratzzz-ddjohn?si=aa7c346eca754497a8e4168605590197&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Still so happy to listen to this one with my french SC buddies in the memory of Georges Brassens on this one :
https://soundcloud.com/ddjohn/les-copains-dabord-george-brassens-with-le-hot-club-de-soundcloud-quebec-usa-fra?si=ec03fb2f0b8b42b1b57522bf07221d14&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
...and loving to play with friends in the marvelous style of Django Reinhardt
https://soundcloud.com/ddjohn/sets/collabs-with-lami-bjp

Album/EP featurings @ the clarinet :

https://soundcloud.com/mountain-songs/take-cripple-club-collab-with-ddjohn-download?in=ddjohn/sets/2015-1/

https://open.spotify.com/album/2XfVKVx3ZE1qUBwoUojmfW
.... and @ the guitar :
https://chrispendergraft.bandcamp.com/track/aint-seen-the-worst-of-it-yet-tribute-to-jimmy-page

Lost Amours - Patersongs/DDJohn collaboration (SCO-FRA)

DDJohn

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