Carlos Souffront Live at Party Line 10/4/24 ☎️

Infinite Jess @ Double Virgo Radio

@radio-relativa
https://radiorelativa.eu/episode/energia-mutable-18

Joe Armon-Jones feat. Yazmin Lacey - One Way Traffic
Private Joy feat. Meduulla - Pure Love
Collettivo Immaginario - Libra
Del Jones - Dance Of 'De Elder (lildave215 Remix)
Hanna - The Dark
The Rurals - No Way Out (Rhodes Jam)
Zopelar feat. L'Homme Statue & Retromigration - Je t'aime
Yuu Udagawa - Quantum Blue (Patrice Scott Remix)
Erin Buku - Listen! (LDLDN Remix)
Bougie Soliterre - Got The Bug
Kléo - Sand Waves (Dionisos Cosmic Version)

Energía Mutable - 24/07/2025

Making Time ♾️ GEE DEE @ The Lot Radio 08-09-2025

a 'trip hop' mix from 5 years ago

@second_contact, Honey Trap mainstay, mix series pathfinder and metalsmith at @forge-fm is inspired by those who know the rules well enough to break them. Behind the decks, he oscillates between downtempo, dark wave, and progressive trance exploring the idea between restraint and release.

Second Contact at Nowadays for .·:*¨༺ Honey Trap༻¨*:·. 08-14-25

It is our pleasure to share our latest podcast, this time from Full Circle’s Alexis Le-Tan.  The mix is a live recording taken from Bakk Heia at The White Hotel earlier this year. Alexis began playing around 3am, just as the club had reached capacity. Energy that was simmering under the surface began to be released, the initial hustle and bustle was over and people had found their place on the floor. As such, this mix expertly demonstrates Alexis’ ability to hook dancers in, giving them a playful push before engaging them into full mind melt mode. Starting with genre defying mid-tempo dubby sludgery, it moves into angular strains of new beat adjecent trancers before unleashing the Goa dragons on the rapturous mass of entranced bodies.   

Enjoy this trip friends :)

Bakk Heia Podcast 006 - Alexis Le-Tan (Live from Bakk Heia @ The White Hotel)

Two Way Street

Reaching Up DJCK Remix .m4a

I'm Tryin'

This Was Belgium 1987-89 - 2 hours of New Beat favourites

New Beat was born and initially exploded in 1987, went supernova (in Belgium) in 1988 and then the formula morphed a bit and was declared dead in 1989. It was slow and initially all about the atmosphere with industrial strength beats - the main form of rhythmic propulsion being the pounding kick and heavy snare. It was often mainly instrumental and when there was lyrical content it often became more about slogans and giving commands - "Move Your Ass And Feel The Beat!", "Let There Be Brightness!", "Shout Out Loud!". While not really New Beat, it's no surprise Technotronic's "Pump Up Jam" was produced by a crew who had produced a ton of New Beat gems.

In 1989 one of New Beat's founders, Marc Grouls said "New Beat is atmosphere, beats, no lyrics, and sure as hell not commercial!!!!!" But, it was already too late. A zillion bandwagon jumpers had diluted the music and flooded the market with too many sub standard 12" singles. New Beat temple, the legendary Boccaccio nightclub, in Destelbergen, near Ghent, had been closed down and it looked like it was all over, but really, it was just the beginning. New Beat morphed into Hard Beat (many of the tracks on this mix are from the Hard Beat era) which quickly morphed into Belgian Rave, which was huge and hugely influential in the UK and is an often overlooked part of the DNA of UK Hardcore, and all that came after. Then from Ghent, R&S Records established itself as thee European Techno label and a huge wave of incredible Techno records emanated from it and many other mighty Belgian labels, but that is another story. 

New Beat arrived just as I first started DJing and I played a lot of it in my DJ sets and built up connections with several of the leading Belgian labels who would send me 12" singles so I had records nobody else here had any idea even existed. I would compile New Beat charts for the music paper The NME which may have given the impression there was a thriving New Beat scene in Scotland. The reality was very different; people here, many of whom would embrace the rave just a little while later never really took to it in a big way.

This mix is comprised of many of my personal favourites that I have loved since they came out (and two I missed at the time and only heard later). I think the tracks have aged like a fine wine, often sounding as good if not better today as they did then. There is definitely a faint whiff of fromage and a big dollop of stoopid in several of these tracks. Of course, it is not all about the cheese and many of these adhere to the "atmosphere, beats, no lyrics, and sure as hell not commercial" rule mentioned above. Some of the best programmed 303 Acid basslines ever made can be heard here along with transcendental hypno synths and those Belgian beats going on and on....! Slow and low, from under 100bpm up to 116, New Beat doesn't chug, it swings in a very distinct way. If you get to see any videos of Belgian clubs of the era, the way people moved to this music is incredible and so different to any dancing we see today.

Many of these tracks are made by the same people under various aliases, which will perhaps be audibly evident. Most of the names have been forgotten, if they were ever even known outside their native Belgium at all, but all are legends to me. 

This mix isn't any kind of attempt to tell the story of New Beat but rather a mix 33 of my favourite 12" singles from that era showing many of the various strains of the New Beat and Hard Beat sound. A lot of love went into this and I hope someone somewhere discovers this music for the first time and falls in love with it as I did way back when. This was Belgium!

This Was Belgium 1987-89 - 2 hours of New Beat favourites

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Infinite Jess @ Double Virgo Radio

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