Techno

type : EP
artist : Alfred Heinrichs
remixer: Díaz & Parrée, Steven Beyer
name : Secret
label : moonplay 
cat.-nr.: 018
release date : 18.11.2013 (vinyl) // 02.12.2013 (digital) 
distribution: vinyl/digital

Alfred Heinrichs Homepage:
booking.supdub.eu/kunstler/alfred-heinrichs

Alfred Heinrichs on Facebook: 
www.facebook.com/alfredheinrichs

Steven Beyer Homepage:
booking.supdub.eu/kunstler/steven-beyer

Steven Beyer on Facebook:
www.facebook.com/Steven.Beyer.eu

Díaz&Parrée Homepage:
booking.supdub.eu/kunstler/diaz-parree

Díaz&Parrée on Facebook:
www.facebook.com/DiazParreeMusic

Moonplay on Facebook: 
www.facebook.com/moonplay.records

www.supdub.eu

Buy on beatport

Alfred Heinrichs - secret (original mix) // moonplay 018

Almost a year after the release of Peter Van Hoesen’s highly acclaimed album 'Perceiver' on his Time to Express imprint, the Belgian producer returns with ‘Life Performance' - a brand new live recording which was captured into a single, long- form listening experience during a specially curated Time to Express label night at Tresor on July 19, 2013.

Coming in October on Berlin's techno institute and record label, Tresor, this new live album represents an important step forward for the producer. Since 2006, Peter has played live in a variety of different settings and situations, from festival circuits and dark, sweaty venues to working with dance and theater companies on stage. Each live performance brought with it a necessary evolution in approach, which led to a varying sense of real ‘live’ interaction. At first, with a setup centered around a laptop, a drum machine was added, then slowly more and more machines entered into proceedings. 

Ultimately though, it was the computer that was to hold central guard in the coordination of each disparate sonic element.

Now, the laptop is being pushed aside, making way for the hardware to be brought fully to the fore, allowing for greater artistic freedom and expression. The focus is to be placed upon live improvisation in the creation of something wholly unique and ever-evolving. Sculpting this sound in real-time, allowing for the exploration of a multitude of possibilities and contorting parameters, in essence, a child-like approach to the idea of ‘playing’, of not being limited by the world around, is what drove this project forward. As Peter explains,

“Making the tracks with the setup in mind as opposed to transposing tracks made in the studio into a live setting is much easier, and much more fun. You can improvise with it freely - and for me that [improvisation] was most important - then decide, in that specific moment, about its tonality and its synthesis. I’m a big fan of synthesis. I don’t work with samples often. If you use samples, there’s no way to really sculpt them - not just from a technical perspective, but also from an artist viewpoint. There’s a freshness and directness you get from being able to interact with the music and audience on a much deeper level than normal.”

Over the course of sixty minutes, the listener is exposed to a broad palette of sounds and patterns. Textural shifts, gentle rhythmic blends, dynamic synths, hooks and arpeggios coagulate into an exceptional aural experience, exemplifying an approach to music production in a live context that is both personal and unique.

8. Peter Van Hoesen - Deceive Perform

Curtis Gabriel - What Do I Do 

(In Memory of Anthony Moriah)

(If you enjoy the music, please hit 'Like' & 'Follow' I Can't tell you how much this helps !!! Thank you x)

Curtis Gabriel - What Do I Do

Darpa - Fear Is Coming (Torsten Kanzler  Remix)preview

Tom Cohen - H Bowl (Lukas Freudenberger Remix) [Bass Assault Records]

Dustin Zahn makes his album debut in March 2014 with the release of Monoliths on Adam Beyer's Drumcode label. Gestating over a period of a four years during break from releasing original solo material, Monoliths sees the Minneapolis native capturing the full breadth of his production style in the long-player format for the first time. Having become a mainstay of the Drumcode line-ups for their Berghain residency and beyond, the challenge was set for the Berlin-based Zahn to build upon the reputation he has established in the past decade-and-a-half since he first arrived on the scene, during which time he has also given a platform to artists such as DVS1, Minilogue, Psyk and Truncate via his Enemy Records imprint. 
"Adam Beyer has supported me since day one and almost all of my output has found its' way into his sets since the beginning. Aside from being a champion of my music, he has also become a good friend and has been a big help to me when times were tough. Drumcode was a major influence on me when I first started getting into techno. Getting the opportunity to do an album for an inspirational label with a massive following made choosing them an easy decision." 
The bracing retro-futurist synths of 1984 tease what's to follow: epic, ambitious, raw real techno - as imperious as the album title implies and impeccably designed for the tallest speaker stacks. When the record is at its most dancefloor-focused each cut is an amalgamation of classic techno elements that encapsulate the genre at its most uncompromising, though Zahn's skill as a producer shines through in his ability to demonstrate the range contained within this aesthetic. Whilst embodying the genre's purity of purpose, Monoliths is still able to find and explore different sonic palettes. 
"The overall tone is noticeably a bit more industrial and colder since it was written over a brutal winter in Berlin. It also marks my return to a heavy emphasis on hardware for a more raw sound. A lot of producers try to show their range on albums by writing music that isn't necessarily their strong point. In result, you get a lot of albums with mediocre 'listening' tracks and a couple of token 'club bangers' that should have just been destined for an EP anyway. I decided that I was going to focus on my strengths and write a full-on techno album that sums up my career so far."

07. Dustin Zahn - Deus Ex Machina - Drumcode

06. Dustin Zahn - Miss You - Drumcode

04. Dustin Zahn - Jumping Off - Drumcode

Timmo’s debut Drumcode release ‘We Beat On’ carries a flow through out that gives Timmo his own unique sound that has captured the ears of many highly revered techno DJ’s around the world. Timmo uses hypnotic sounds and phrases whilst he always maintains a thumping techno beat that underlies all the tracks within this EP to maximum effect. Furthermore, there is a ghostly feel amongst Timmo’s tracks that really provide him with his acquired sound, the pads in ‘Canvas’ are a beautiful reminder of this. Timmo also uses strong synth stabs to full effect that juxtapose against the drums to help create the tension and aggression that is present within techno.

Timmo - Metropolis- Drumcode - DC125

Timmo - Bloom - Drumcode - DC125

Lukas Freudenberger - ParaLift - Off (BOOTLEG)

Ø [Phase] - Burden Of Proof [TOKEN42]

After the success of the first A-sides compilation in 2012, Adam Beyer has decided its time to release another. With Adam's stature steadily growing as one of the leading talents in the Techno scene and the rise of Drumcode, the standard of demo's that have been sent to Adam have been top notch. Adam has now decided to release two compilations with 10 tracks on each, both consisting of tracks that Adam has tried and tested. There are also new artists that have been invited to release on Drumcode for this compilation and others who are a staple in Drumcode's core family. Combining both old and new talents Drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

Roberto Capuano - The Space - Drumcode - DC129

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Rave - Drumcode - DCCD10

Sam Paganini - Another Chance - Drumcode - DCCD10

Alan Fitzpatrick is back with a three-track EP that encapsulates what Alan’s Drumcode sound is all about. Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2014.

Alan Fitzpatrick
Turn Down The Lights
Drumcode
Released: 27.10.14

(contains a sample from "The Revolution" by Superchumbo, courtesy of TWISTED Records Inc. (www.twistedrecords.com)

Alan Fitzpatrick - Organic - Drumcode - DC134

Alan Fitzpatrick - Turn Down The Lights - Drumcode - DC134

On the album Enimals, out now, here :
andrewpeatnuck.bandcamp.com/album/enimals


03 - Andrew Peatnuck - Oscillations [FREE/DONATION ALBUM]

Luigi Madonna returns to Drumcode a year after his superb single ‘Primo’ using familiar hooks, huge stabs and monstrous drums that storm across the dance floor which, are common with Mr Madonna. The hard hitting raw vibe of this EP gives Luigi an edge, with fluttering high’s and saturated lows, Luigi’s tracks are a mainstay in all DJ sets. The EP encompasses different emotions throughout that can be felt within the track ‘Singer One’, offering a more mellow side to Luigi’s already expansive catalogue.

Luigi Madonna - Back To School - Drumcode - DC135

Hope you'll enjoy it :) 
TECHNO FOR EVER !
Original Track : https://soundcloud.com/lewisfautzi/lewis-fautzi-diagonal-figure

Lewis Fautzi - Diagonal ( Xun Remix )

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Techno

NEWVILLAIN