Walking along a mountain path the intoxicating s cent of ripening plums  fills the air and clears the mind.

Plum Mountain ( NaviarHaiku 602)

refraction

Part of: Dark Bouquet. Variations on a theme. soundcloud.com/velvetsomethingsuperdark/sets/dark-bouquet
All material - cut, altered, mixed at will - comes from a nocturnal solo improvisation with fretless acoustic bass guitar with piezo pickup, effect pedals (Carcosa - Dark Star - Obscura), non synchronized loops, three amps. Recorded in the room with Zoom H2n, edited in Audacity. All sounds made with the instrument. All sounds, mixing and production: Velvet Something Superdark.

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Dark Flower

A sonification using soil and rain data from the Arlington Agricultural Research Station in Wisconsin.  Data courtesy of Wisconet (https://wisconet.wisc.edu/)

A Year in Rich Silt Loam

Made for Naviar Records' 609th Haiku Challenge

A torch in the dark [naviar609]

PILZE

Henrik Meierkord : cello and viola
Marco Lucchi : piano and synthesizer

Up the mountain

Far in my eye

This project grew out of quiet routines early walks, empty rooms, places passed through without much notice. The music stays simple on purpose. Piano leads most pieces, with light strings or a single woodwind appearing when the space feels right.

These tracks aren’t meant to tell a story or pull attention. They sit in the background and leave room for focus, reading, or reflection. Each piece is tied loosely to a place or moment a park at dawn, a street after rain, a coastline seen from a distance small scenes that don’t ask for interpretation.

Café Lights at Opening Time

Library Steps, Late Afternoon

A healing ambient track at 85 BPM built on soft piano and airy pads, creating a calm, protected inner space. Crystal chimes and glassy mallet accents shimmer like reflections inside an amethyst cave, while subtle vinyl texture adds warmth. Beneath it all, 1111Hz + 963Hz are woven as a very low, non-harsh sine-like tonal bed, blended into the pads—never piercing—supporting themes of protection, clarity, and quiet manifestation. The arrangement gently rises from misty ambience into a luminous chorus bloom, with a meditative bridge where the frequency “glow” becomes most noticeable, then fades into a spacious cavern reverb outro.

refraction

Dead Lincoln

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