https://soundcloud.com/aristophanesjean


verse1
在空空的小房間裡 手足無措
她剛哭過 糊掉的眼線摩挲臉頰
抬起下巴 就像你從前摸她一樣
房門上了鎖 我握有鑰匙
就在手掌心 不安的汗水濡濕吊飾
我挖了個洞 偷窺她
等她為了見你塗上的香水都揮發
日光燈光束躁鬱地包圍她
髮絲反著光 割開眼角到嘴巴
從洞裡偷窺 她的側面正對我
被我鎖住的她 眼裡噴出思念兩點鬼火
她背貼著牆 重心持續墜落
像錨落入深海裡 向下落到地獄裡
她這麼抑鬱以及年輕而嬌美
像花朵剛開還不知道凋萎
我為了她轉過身去 把所有關於你的資料銷毀

verse2
我知道所有你和她之間的事
你大概不肯說 我也不要她提
那些擁抱和親吻 大概還在某一角扎你
過期的情慾 
因為長出尷尬而發黴而腐敗
不愛了 相處在變質  從不太自在塗改成了古怪
覆蓋 你不在了的事實
情話虛偽地像一切典禮長官致詞
但事實是什麼早就不重要了 我得保護她
我向她說你的壞話
真的或捏造 憤怒往上衝 讓我噎到
她怎麼會笨到被你遺棄在自己也不認得的街道？

verse3
捧著她的臉 拆下五官 安放在我的臉上
她的頭髮非常柔軟地落在我的肩膀
用力擁抱她 直到我們心臟相遇 同步跳動著
直到合而為一
直到我感受到她滿臉的淚水
直到我也哭出聲音來
承認我就是她

verse4
面對末路的大哭 承認其實怕輸
用力自輕自賤 幾近自虐 
製造新的傷口 覆蓋因你而生的
推開所有東西 都不要靠近我
閉上眼睛 我被體內無限擴張的黑暗吞沒
那裡有什麼？我不知道
讓視野扭曲 驕傲碎裂 最悲哀的風暴
你不足以造成它
是我累積誤解默許自己瘋掉
已經與你無關了
是我一個人的戰爭
猶如創世紀 得給所有未誕生的事物一個泛稱
光是好的 於是創造光
加壓加熱 由鐵煉到鋼
淚水可以冷卻 就不怕被燒傷
為了再看見自己 而將它拋光
在監牢裡製造星系
壯麗到讓宇宙心悸
我張開眼 便灰飛煙滅
還是被困在空空的小房間裡

Free Download

"The Arrested"  ft. Aristophanes 貍貓

Love Across the Sea

Dead403假正經

習近平是小熊維尼

probably the fxxking hardest work I've ever made.....

aonami - quiacoo(Sonic Deadhorse 8bitMania Remix)

Meta, Construct within’ Spaces

On Acid?

Non-Confined Space---Symbolic Dimension 符號次元

Non-Confined Space--- La Société Du Spectacle 景觀社會

fuck KMT

08. Call Us By Our Names (a Sequel To 請問芳名 Should You Ask My Name) - Feat. 林理惠 & LEO37

I.C.E.心流攻性防壁

八仙

Listen

三牲獻藝(Sam-seng-hiàn-gē)--仙跡岩

Non-Confined Space --- Complex Person 複雜的人

09. Ewige Wederkunft 永恆回歸的少數

the poem was written by Aristophanes  
 
verse1
在水裡的鏡子 映出 藏在嘴裡的心事
能觸動 你 那唯一的名字
再也見不到正面 （你累積著影子） 
口紅 畫出月牙 為你的領子
真與假的對峙 安靜的停止
人的瞳孔 都是碎掉的鏡子
在街上 遇見我的千百個倒影
有的和我想像的很靠近
有的則不是 有的很溫柔 有的帶著毒刺
如果蒐集每個印象 拼起來 是不是
我 我也不確定
形象 無法 列印
hmm
鏡花 水月
開闔的花瓣 吐出又熄滅的問題
轉瞬即逝


verse2
一切關鍵在水在鏡子
在水裡我們清澈 在鏡子裡我們冰冷
這裡的向日葵不追逐太陽
只追逐反光
這裡的年輕人追逐塵土
鏡子的材質適合實驗破碎
如果要看全貌 必須後退
只有後退  才能找到萬物源起的地方
就算到達也必須背對那裡
不可以直視 正如不可以述說
四季嚴寒 胎兒們裹著外衣不脫
材質的交界就是世界的交界
空氣 水 鏡子
什麼表情 折射後都成為反向的笑靨

靠近 眨眨眼

"鏡花水月"  ft.Aristophanes 貍貓

Sounds of the Otherworld: Tag Team to The Other Side is an exhibition/performance project co-created by electronic music producer, Sonic Deadhorse, and visual artist, CHIU Chih-Chun. The long-term collaborators depart from the two electronic music groups that they are a part of, Sam-Seng-Hiàn-Gē and Non-Confined Space, integrating the symbolic local sounds found in the creative context of Sam-Seng-Hiàn-Gē and Non-Confined Space’s highly liberated improvisational and experimental music. The two groups’ distinctively different creative methodologies are applied and combined into a real-time interactive installation, with abstracted sounds transformed into a spatial expression and then visualized. The result is an immersive audio-visual exhibition/performance that brings together traditional symbols and a contemporary improvisational flow of energy.
Their long-term collaborator, the Taiwan-based video game production team behind the game, PAGUI, provided the 3D modeling for the project, which the artists then adapted and transformed for the project. The hope is for people to reconnect with their feelings of nostalgia and childhood memories inside this digital cyber temple, while also instilling associations of rituals and party vibes from different space-times into this place. Over in this world, geometric distance does not exist between people, but what exists is a length that validates each person’s presence. Referring to Martin Heidegger’s discussions on "Entfernen" (abolishing a distance), it can be applied in this world as an unreserved expansion of one’s body; this infinitely expanding metropolis of consumption codes is the cabin in the Black Forest, where the audience can roam in a narrative of materialism and transcend beyond practical inertia. In this world, energy and matter are each other’s gauges, and time and space also measure one another. As members of the audience improvise and interact with the sounds, collective movements and consciousnesses then merge at the same time, and self-awareness is lost. Consequently, the music/sound is the manifestation of intent. Like a visit to the underworld to communicate with the spirits, one can enter into different dimensions and embark on a collective virtual creative endeavor.

殘骸奇聲 Sounds of the Otherworld

有那麼多矛盾
和一些壓抑
彼此錯綜複雜　藏在心裡

火熱熱的鮮血
與白色的精液
這些所有一切
都沾滿了他的屍體

無法回心轉意
此生一意孤行
無論是在監牢還是在 頒獎場域
還是身在 不相信的宗教裡

無論在哪
就算面臨審判
如果是地獄 沒有在害怕 因為有你 和他在一起
如果是天堂 也不太在意 因為有你 和他在一起

生來是希望生命可以延續
生來是希望可以死去
希望身上有白色和紅色
究竟是謊言還是壓抑

只想看著你美麗的小臉
當然還有小小陰莖
以及所有全部一切
他就是這麼的喜歡你

天搖地動 天旋地轉 
嚴重的疼痛 橫紋肌溶解
下體腫脹 睪丸噴血
腦內啡與催產素出現

現在他只想抱著你
只想與你一起跳舞
你是他最熟悉的不熟悉
疼痛 狂戀 愛你

鬼畜少女組  Kichiku Girls--帕索里尼與小正太

事先修剪手指甲 指甲修得乾乾又淨淨
放輕鬆 別忘了還要深呼吸
最重要是 有個好心情

戴起 橡膠手套
打開 吹一口　呼～

再塗 一點潤滑劑
灌注 我的愛情
拿起 你的刮刀
肛毛不要出現在屁屁 

手指頭要伸進去
找到栗子大小的突起
按下門鈴 叮咚! 咚叮!
聞到栗子花朵的香氣

肌肉顫抖　快感升天
托起淡淡 提升噴射力
　
沒有禁忌就沒有禮儀
沒有禮儀就沒有色情
 
(你不高潮 我就殺掉你
你不高潮 殺殺殺

你敢死掉 我就吃了你
你敢死掉 eat, eat, eat! )  x2

鬼畜少女組  Kichiku Girls---獵殺前列腺高潮

「各位旅客﹔本列車即將抵達索多瑪站。索多瑪是聖經中提到的地名，我們一起來聽聽它的故事。」

(雞姦 下地獄 玩屁屁 下地獄
姦情 下地獄 外遇 下地獄
貪婪 下地獄 多P 下地獄
血腥 沒關係？ 暴力 沒有關係？) x2  

就在那年夏天 天使進他房間
外面人潮洶湧 他們想走後面
逼他交出天使 天使是美男子
他說不給天使  不然給我女兒

(他們說 不要不要 這麼可愛 一定要男孩) x10

天空剛好有小行星爆炸
開趴體開一半 天有火球降
100倍的核子彈威力
開了一朵一朵的蘑菇雲
高溫汽化海水 土壤鹽化人變成鹽柱哪
以為是毀滅 結果卻生存
我就在這裡 與你們在一起
燦爛的彩虹一樣天上掛
到處都還有熱情的奶與蜜 
你的酒是最棒的精華液
誰想上天堂？要去你自己去

(他們說 不要不要 這麼可愛 一定要男孩) x6

鬼畜少女組  Kichiku Girls----戀戀索多瑪

Bent Under Rushes - Yearning Kru(SonicDeadhorse Hyperspeed Remix)

站在那裏 上

I love you not because you love me--SonicDeadhorse

Meuko use Casio SA-1
Deadhorse use Casio DG-20

about Meuko Meuko

https://www.facebook.com/houkaisme?pnref=story
https://soundcloud.com/molly-meuko


Sonic Deadhorse & Meuko Meuko ---Waiting for Ciao

Rebel Against The Youth vol.2--隨風離枝 (instrumental)

RabelAgainstTheYouth  vol.1

this track was taken from 三牲獻藝(Sam-seng-hiàn-gē)'s latest album 《  家將 》Ka-tsiòng 。

about 三牲獻藝(Sam-seng-hiàn-gē)
https://www.facebook.com/sshg2014/

三牲獻藝(Sam-seng-hiàn-gē) ---Ring

this track was taken from 三牲獻藝(Sam-seng-hiàn-gē)'s latest album 《 家將 》Ka-tsiòng 。

about 三牲獻藝(Sam-seng-hiàn-gē)
www.facebook.com/sshg2014/

三牲獻藝(Sam-seng-hiàn-gē) --- Innocence

Free DL

When I Witness Your Fucking Sorrow

Rebel Against The Youth vol.3 Goodbye South Goodbye

Between the spheres of free improvisation, jazz, trap, and musique concrète, lies Non-Confined Space. The name of this Taipei-based duo – saxophone polyglot Minyen Hsieh and audiovisual electronica experimentalist Ge-Chun Cheng (aka Sonic Deadhorse) – aptly describes their approach to exploring the fertile space they find themselves in. Drawing inspiration from their differing musical approaches and worlds, plus energy from the lively Taiwanese music scene, Non-Confined Space is a bold and future-facing hybrid. Cheng deploys piles of samples alongside Hsieh’s versatile saxophone, resculpting the results into a sublime and boldly experimental debut album of beats and processed improvisations unlike anything you’ve heard before.

Non - Confined Space --Quantum Entanglement

正 ㄍㄧㄥ 限 時 批

Fuck KMT ，Fuck China，Fuck CCP，Fuck 國安法，HK lives Matter!!!

中華民國搖 (brutal breakcore edition )

票房毒藥--Bathroom Holiday(unknown Japanese Band cover) feat 阿彭(Meuko)

https://www.facebook.com/pages/Sonic-Deadhorse 

http://www.myspace.com/sonicdeadhorse

This is a one-man band, but which also can be played around by joining many people. Because of being fascinated with “Sonic Youth,” because of having been hooked by “Guns N' Roses,” and the most main reason is because of “Sonic Death Monkey”—the band formed by Barry, the lippy clerk of a record shop in my favorite novel “High Fidelity,” I grudgingly pay a tribute to the inexistent band by having the name Sonic Deadhorse.” 
 
It’s the music for lonely urban women and men, the youths captivated by literature and art, dumb rockers, and the crazy raversIt’s the music embracing indulgency of 70s’, melancholy of 80s’, nihilism of 90s’, and isolation of the new century. It is post rock whimpers affecting 
sorrow violent electro, which is a smart-ass with poor. 

As everything faded away with the booming bass drum of TR808, those belonging to love and ignorance of youth seemed to vanish and be gone with Truffaut’s films. After these indescribable sentiments being extracted, I finally decided to play this band sincerely.

Have a long term cooperative relations with  Burma director Midi Z,and Variety said that  Midi Z's last film Poor Folk “ Have the excellent score by Sonic Deadhorse includes some terrific combinations of electronics and acoustic guitar.” 

Now Sonic Deadhorse is a  solo audio/visual controllerism artist  since 2011

Sonic Deadhorse

Pinned to spotlight

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