2nd single from Dead Leaf Echo's EP  "Milk.Blue.Kisses.And.Whalebone.Wishes"

Moon Sounds Records 
onewithwavemusic ASCAP 2022

Milk.Blue.Kisses.And.Whalebone.Wishes

And.Projecting.Windows.Of.Ice.And.Misconduct

Artist: Tyburn Saints
Album: With The Night In Our Eyes
Label: Balacava Records
Release date: July 15, 2014

Press contact: michelle (at) noisyghostpr (dot) com
Press kit: http://www.noisyghostpr.com/album/tyburn-saints/

"With The Night In Our Eyes," the new album from New York band, Tyburn Saints was recorded by Ian Love (Rival Schools) in Brooklyn, NY and produced with Grammy award winner Guy Massey (Beatles, Manic Street Preachers, Depeche Mode, Spiritualized and The Chameleons) in London. It will be released by Balaclava Records out of São Paulo, Brazil.

Tyburn Saints fully embrace the sonic landscapes of shoegaze and dream-pop, with blankets of warmth ushered in by Cocteau Twins-esque guitars (similar also to LSD and the Search for God or The Bethany Curve) juxtaposed against the intelligible, meaningful vocals of lead singer Johnny Gimenez. He still has a voice comparable to Nick Cave or Stephen Merritt, though at times it comes through with much more aplomb and command like David Bowie.

The album is best played loud and wouldn’t be out of place on a Greg Araki movie. The stylistic choices made resemble some sort of lost B-side to an obscure new-wave/post-punk band.

Gimenez’s vocals rush by like a drive through the city at night, bottles tossed out the window. And that’s what this album feels like: night tales. These Brooklynites reside in a mecca once known for producing unique musical and avant-garde acts. The original days of no-wave might be over, but Tyburn Saints, along with other acts like Pop.1280 and The Men, are embracing past sounds and the seedy nature accompanied with acts long gone. You get a feel for their home with their music. All those times of hazy appearances, mistakes made, and sleepless nights…

Tyburn Saints - "With The Night In Our Eyes"

❃ Datsik 2016 Spring Loaded Tour ANNOUNCED ❃
Support from Ookay and Drezo
TICKETS: http://www.springloadedtour.com

#D4MN - EP Out Now: http://smarturl.it/D4MN


DATSIK TOUR
I'm really excited to be going back on the road for what is undoubtedly going to be the biggest tour I have ever done. We are gonna be on the road for four months with some insane new talent as well as some names you've grown to love. We will have the infamous PK sound system with us again and the new Vortex 3.0 at most of the shows.

Grab your tickets now and get them at only $20 for a limited time!


Down 4 My Ninjas

No Requests

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Temple (Single Version)

Dead Leaf Echo - Temple (Single Version)

First-wave Slumberland Records band Lorelei are back with their first new album since 1994's "Everyone Must Touch The Stove." In their 90s heyday, the Washington, DC based three-piece (Matt Dingee on guitar, Stephen Gardner on bass and Davis White on drums) earned a well-deserved reputation as one of the most unique bands around, with a very distinctive blend of post-rock dynamics, sneakily melodic song-writing and ear-blasting guitar noise. Finding kinship with bands as disparate as Whorl, The Swirlies, Laika, Bailter Space and Lilys, Lorelei's records are as subtle and multi-layered and their live show is aggressive and memorably powerful.

New album "Enterprising Sidewalks" picks right up where Lorelei left off, serving up ten gorgeously complex exercises in pummeling rhythms and melodic abstraction. Produced by the band with Ben Bailes (Chessie), with additional recording by Archie Moore (Velocity Girl, Black Tambourine) and mixing by Guy Fixsen (My Bloody Valentine, Moose, Laika), "Enterprising Sidewalks" is a deep and intricately-produced listen. Tunes like "Hammer Meets Tongs" and "Sorry For The Patience" are as full rich with rhythmic twists and melodic intrigue as their very best material, and Matt's guitar attack is as varied as ever, ranging from ringing harmonics to shredding feedback and back, often within the same verse.

Lorelei - Sorry For The Patience

Originally released on One Little Indian back in 1986.

A. R. Kane - When You're Sad

Cisterns

Brooklyn's Dead Leaf Echo is a music/art collective that released their debut LP Thought and Language in 2013. That premier album was strongly influenced by many 4AD acts, brought into sharp focus by the mixing of This Mortal Coil’s John Fryer (Lush, NIN, Depeche Mode) and featuring artwork by 4ADs legendary designer, V23's Vaughan Oliver (Pixies, Bauhaus), which further enhanced their strong aesthetic connections to that label. The band maintains a distinctive ethos--embracing their idols, while still forging their own sound.

Their second LP, Beyond Desire, coming October 13th via Papercup Music finds them working with legendary My Bloody Valentine engineer Guy Fixsen (MBV, WIRE) and Jorge Elbreht (Ariel Pink, No Joy, Frankie Rose, Violens, Lansing-Drieden) with artwork from Timothy O’Donnell (another 4AD design alumni) at Mexican Summer's Gary's Electric studio in Greenpoint. 

The new record finds them exploring something much more than bands within their sphere typically strive for - it's introspection leavened with human connectedness and higher arching themes of maturation and growth that transcend the basic needs of lust and want. This record comes far closer to approximating their live show, with a scorching sound that is often volatile, rife with damaged guitar deconstructions and gleaming figures, yet maintains their eminently melodic sensibilities. Beyond Desire, shifts from shimmering to scorching at the drop of a hat held together by rock solid songwriting. By moving between both ends of the spectrum, the ten tracks on Beyond Desire function both as blissed-out, resplendent expository narratives, and also as pure, white-noise nihilism. 

Both their live performances and album, replete with gorgeous packaging and artwork, are crucial entry points to understanding the band. 

Their upcoming tour will take them across the country from New Orleans to California playing in old and new cities alike over the course of three months. DLE has done multiple national tours over the past three years resulting in over 200 shows and taking them to SXSW, CMJ, NXNE, Northside Festival and everywhere in between. Previous tours and SXSW bills included Swervedriver, A Place to Bury Strangers, The Ocean Blue, The Warlocks, Modern English, The Wedding Present & Trail Of the Dead. They're also veterans of the Desert Stars festival, sharing a bill with the Lemonheads and opening for Lou Barlow in the Joshua Tree desert in 2016. They've toured the East with Slumberland bands Weekend and Lorelei, and on the West Coast with Beach Fossils and the Telescopes at The Echo. They played a festival in 2011 with the Psychedelic Furs as well as sold out shows in 2010 opening for the then recently reunited Chapterhouse and Ulrich Schnauss. 

They’ve constantly topped the CMJ Top 20 indie charts, have played twice live on the venerable KEXP's John in the Morning, and were recently featured as song of the day, while simultaniously on regular rotation on KEXP, and have also been featured on Nic Harcourt's KCSN show Morning Becomes Electric.

And.Projecting.Windows.Of.Ice.And.Misconduct

dead leaf echo

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