A melodic mid-tempo track with lots of harmonies.

Dead Loss - Flagellants (Hate the Self)

A rumbling track with a chorus that sounds like mutated Maiden. The end section features an Iommi-influenced double solo.

Dead Loss - The Bloodied Face Of God

A slab of plodding doom and gloom with some harmony solos.

Dead Loss - At The Bottom Of The Pit

A fast and intense song, featuring our new guitar player Israel Real!

The Scythe

A fast and melodic track with some thrash metal elements.

Doubt

An "epic" track with ghostly clean guitars, chugging riffs, eerie harmony vocals, and a fast roaring outro.

Will o' the Wisp (Light of Reason)

A bludgeoning, slowish mid-tempo song, with Sabbath-style riffing, roaring and melodic vocals with some harmony choirs, rumbling bass, and an intricate midsection reminiscent of Pantera and Metallica.

Non-Entity

A short and snappy track, melodic and aggressive, with some Maiden-ish bass work.

Dead Loss - Monsters of Society

A moderately fast, pummeling track with interlocking riffs and kick/snare patterns in the vein of Pantera and Megadeth.

Dead Loss - Devourer of Worlds

A weighty slow/mid-tempo track with expressive vocals and some Metallica-esque harmony soloing.

Dead Loss - Perfection

The music of Dead Loss is a safe haven from the relentless everyday grind...like a padded room...from within which you can gaze with unclouded eyes upon the horror that is Life and see it for what it really is, laugh maniacally in its face, and be afraid of it no longer. It is music that elevates the soul, letting it soar like an eagle...or perhaps like a vulture, who, after rising above it all in majestic splendor will, in the next instant, plunge head first into a putrid pile of rotting meat, feeling no disjunction whatsoever in this behavior.
Dead Loss songs are musically diverse, but with an overarching sense of cohesion in the moods and world views depicted that makes a broad body of work fit naturally under one heading. The songs plough through the darkest recesses of the mind, often touching on some fundamental aspect of human nature through examining the unraveling of an individual. The music is firmly rooted in old-fashioned heavy metal, the writing driven by the needs of the song rather than showcases of flashiness, and the sound driven by the touch of the players rather than technological assistance. There are furious thrash metal riffs and machine gun fire double kicks; sludgy Black Sabbath-like behemoths; melodic guitar/bass interaction reminiscent of Iron Maiden; interlocking riffs and drum patterns in the style of Pantera; song-within-a-song style guitar solos; rumbling, subterranean bass lines; and vocals that range from a chilling drone to a defiant roar to a searing scream without losing sight of melody, the voice a conduit for the bleak world of the songs. Accounts of basic human needs warped into twisted obsessions...tales of rage turned inwards, of panic and emptiness...nihilistic visions of death and destruction. It is a disturbing journey, a cathartic experience from which the listener emerges strangely revitalized but not quite the same as before.