I feel like this could have been alternative ending to The Breakfast Club. That's a good thing.

Fifty-three songs occupy the Weekend Showcase 2.47. They come from 12 countries, including: Argentina, Australia, Belgium, Canada, Denmark, England, Germany, Iceland, New Zealand, Norway, Sweden, Wales, and the United States.

Learn more about these artists here:
http://therevue.ca/2016/12/04/weekend-showcase-2-47/

Weekend Showcase 2.47

Taken from "Individ" the new album from The Dodos.
Coming January 30th 2015

Follow The Dodos for updates:
dodosmusic.com
facebook.com/dodosmusic
twitter.com/thedodos
instagram.com/dodosmusic

Morr Music
Follow: twitter.com/morrmusic
Like: facebook.com/morrmusic
Website: morrmusic.com



Buy the vinyl

The Dodos: Retriever

"Judas Said to be a Man" available on iTunes. Full single, including "Endless Shame" out May 27th, 2016 on Jagjaguwar.

Available now on iTunes - http://smarturl.it/TrevorSensor_Judas
trevorsensor.com

Trevor Sensor - Judas Said to be a Man

As heard on BBC Radio and Radio X, BAD THOUGHTS is Monico Blonde's debut single (out 9 December).

"‘Bad Thoughts’ blasts from the speakers with pounding bass lines, screeching riffs and truly infectious melodies" - Gigslutz

"‘Bad Thoughts’ is one smacking big slice of indie pop" - Little Indie Blogs

Follow MB Online:
Facebook: www.facebook.com/MonicoBlonde
Twitter: www.twitter.com/MonicoBlonde
Instagram: www.instagram.com/MonicoBlondeMusic

Bad Thoughts

Spotify: http://spoti.fi/2fvK6uu

She could have been your lover
But she was just your doll
She could have been your best friend
But she was just your dog

People like you can't take it
and so you build a wall 
You built a wall between us
One that will never fall

You could have been the one that they hold on to and remember
You have been the reason they stay warm and waste their time
You could have been that feeling you hold on to in December
Could have been a reason good enough to call you mine

She could have been your housemate
But she was a wall
She could have been your sister 
but you forgot to call yeah you forgot to call

Knife in, knife out
Got me feeling left out

Could have been someone


***************************************************
Follow Estrons Online:
Facebook: www.facebook.com/estrons
Twitter: www.twitter.com/estrons_music
Instagram: www.instagram.com/estronsband

Call You Mine

Ritual - http://awal.lnk.to/RJyKk

https://twitter.com/Slovenlie
https://www.facebook.com/slovenlie/
https://www.instagram.com/slovenlie/

Ritual

"I'm a river like you were,
I'm a runner like you did,
Oh, I'm a kid, I'm a kid,
Just a grownup kid."

Grownup Kid

www.facebook.com/deadnkdhippies

Recorded & Produced By Matt Peel @ The Nave.

Lights Out

“Radio Kids” from ‘Hard Love’ by Strand of Oaks, out February 17th on Dead Oceans 

Available on LP/CD/Tape/Digital: strandofoaks.lnk.to/hardlove

Hard Love

Strand Of Oaks - Radio Kids

Perfect Body formed in Cardiff, early 2017, inspired by the sonic experimentation of bands like My Bloody Valentine, Stereolab, and The Brian Jonestown Massacre. Their earliest performances took place in Cardiff’s underground, often in practice spaces and house parties: So, by the time Perfect Body emerged on the music scene, they had already sculpted a distinctive sonic identity. The attention gained from their first single, ‘Getting Cold’, saw them supporting the likes of Jen Cloher, Slowcoaches, and The Wytches.

Perfect Body’s sound is characterized by it’s noisy, psychedelic guitar playing; icy, ethereal synthesizers; and a muscular, yet dynamic rhythm section. Their three vocalists, each with their own style and identities, ensure that Perfect Body’s performances are varied and engaging. Perfect Body is a wall of noise, hazing over and obscuring what is, at it’s core, pop-oriented songwriting.

Perfect Body - Fields

Stardust

Pristine Christine

Known for their compelling song-writing and excruciatingly long breaks between albums, The Laurels are back with ‘Monkey On My Back’, the first single to be lifted from their forthcoming and highly anticipated third record.

‘Monkey On My Back’ combines raw guitars and layered harmonies that are driven by a soulful rhythm section. The track sees the band regain the energy they captured on Mesozoic, the pop sensibilities displayed on Plains, and the hip-hop production aesthetic developed on Sonicology.

Monkey On My Back by The Laurels

Public Practice is reanimating the spirit of late ‘70s New York with their intoxicating  brand of no wave-tinged dark disco. The band came in hot with their punchy balance of punk, funk, and pop on the critically acclaimed Distance is a Mirror EP in 2018, paving the way for their highly anticipated freshman record. Now, after a year of intimate and experimental songwriting in their home studio, they have fleshed out the energetic, playfully oblique sound captured on their debut full-length Gentle Grip. 

Together, the foursome creates bold, slinky rhythms and groove-filled hooks that get under your skin and into your dancing shoes. The musicians’ unique chemistry and approach to songwriting is part of what makes their world so intriguing. Magnetic singer and lyricist Sam York and guitarist and principal sonic architect Vince McClelland, who were creative music partners for years prior to Public Practice’s formation, come to the table with an anarchic perspective that aims to eradicate creative barriers by challenging the very idea of what a song can be. Paradoxically, Drew Citron, on bass/vocals/synth, and drummer/producer Scott Rosenthal are uncannily adept at working within the framework of classic pop structures. But instead of clashing, these contrasting styles challenge and complement one another, resulting in an album full of spiraling tensions and unexpected turns.

Inspired by influential New York bands like Liquid Liquid and ESG, the foursome has a natural inclination toward music that sounds rough-hewn. “We were thinking about classic New York dance albums, and the thing that stuck out is that many sounded like they were recorded in less-than-ideal situations,” McClelland says. “There was always something about them that felt somewhat home-cooked.” McClelland has spent the past few years constructing a home studio with carefully chosen and occasionally hand-made equipment in an effort to recreate that “cobbled together” sound. As three quarters of Public Practice are engineers as well as instrumentalists, their collection of gear, combined with the recording rig McClelland built, allowed the band to record Gentle Grip largely at their own hybrid practice space/studio in Brooklyn. “Having a space and setup that is unique, you're always going to have more of a signature sound,” McClelland explains. They spent the better part of 2019 playing with sounds, riffing on McClelland’s demos, and recording a number of songs live to tape. Although a handful of sessions occurred in traditional recording studios, the band’s autonomy and ability to record themselves imbues their music with a sense of freedom and gives it a distinct character — a home-cooked sound that is purely Public Practice.

BUY LP/CD

Public Practice - Compromised (From the 'Gentle Grip' album out 5/15)

Download this from http://chaptermusic.bandcamp.com/album/beaches-she-beats

From second album She Beats, out on Chapter Music 3 May 2013.

www.facebook.com/beachesband
www.twitter.com/beachesband
www.chaptermusic.com.au
Itunes Link: https://itunes.apple.com/au/album/distance/id610715433?i=610715933&uo=4

Beaches - Distance

***Winner of The Quietus' Tomorrow's Cult Star Today award at BBC 6 Music Blog Awards***

"Fat White Family are sick. I don't mean this like, they're well sick la, like some scouse teenager would have said eight years ago. I mean, they're seriously not well... they're also slightly brilliant" - The Quietus

"Brilliant macabre lullaby- sung over a shonky casio metronome, full of nasty asides about druggy co-dependence" - Single Of The Week, Drowned In Sound

"We've made no secret of our deep love for the gap toothed hoodlums of Fat White Family" - SupaJam



Fat White Family will be releasing their much anticipated debut album Champagne Holocaust on 1st April through Trashmouth Records. The album will be available on digital download and limited addition vinyl. 

Fat White Family, a band who've crawled out from the crevices of Peckham and Brixton to find  gourmet burger bars, designer prams and soulless gastropubs taking over the town. Faced with the yuppie invasion their sole purpose is to cause havoc and deliver something real...

Despite the inevitable incidents of chaos, blood, nudity and weirdness that seem to have plagued/fuelled this first year of their mission, they are still the band that everyone in London wants  to see. 

For more info, photos or interview requests please contact Danny on 07973665997 or danny@allteeth.co.uk

6. CREAM OF THE YOUNG by FAT WHITE FAMILY

The Sophtware Slump ..... on a wooden piano

Jed's Other Poem (Beautiful Ground) (Piano Version)

Following on from 2016's "Ocean Blue" EP and 2018's "September Love" LP, Stockholm's Stephen's Shore are back with a brand new EP entitled "Brisbane Radio".

The lead single is "Brisbane Radio", ”a streets of Stockholm popsong".

Pre-order the limited 7" EP or digital. Link in Bio.

Stephen's Shore - Brisbane Radio

The real Dead Oceans, an independent record label based in Bloomington, IN.

We are not music snobs. We prefer music connoisseurs.

Strand Of Oaks - Radio Kids

Dead Oceans

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