良いね

Taken from 'Kairos' out on Dead Oceans March 9th, 2010.

Order the album here: http://bit.ly/1aaQSyN

Kairos

Moon Jam

White Hinterland - Moon Jam

Five Dice, All Threes

Bells and Whistles

Rainbow Overpass

VOLUME 2

Angels

For Melancholy Brunettes (& sad women)

Orlando in Love

Flowers

Been So Long

Mike Lecomber - Riddel Jingle ("Guess What Time It Is")

Download / stream ‘No Woman’: https://lnk.to/whitneytheband

https://www.facebook.com/whitneychicago
https://twitter.com/whitneytheband
https://www.instagram.com/whitneyband/

No Woman

Whitney - No Woman

"Your Best American Girl" from 'Puberty 2' by Mitski, out on Dead Oceans on June 17th, 2016

Dead Oceans: http://smarturl.it/mitski
iTunes: http://smarturl.it/mitski_it
Amazon: http://smarturl.it/mitski_amz
Support your local independent record store: http://smarturl.it/mitski_ind

Your Best American Girl

Mitski - Your Best American Girl

"Sour Candy" from 'Welcome The Worms' by Bleached, out on Dead Oceans on April 1st, 2016

Dead Oceans: smarturl.it/bleached
iTunes: smarturl.it/bleached_it
Amazon: smarturl.it/bleached_amz
Support your local independent record store: smarturl.it/bleached_ind

Sour Candy

Bleached - Sour Candy

Tracklist + download: blrrm.tv/juliannabarwick

"Being invited to do an Upfront mix that would focus on my own music was both flattering and interesting. Rare unreleased tracks, snippets from my forthcoming album, personal favourites from older releases. There are also some pretty wild collaboration tracks (with Ikue Mori, Helado Negro, Flaming Lips, Korallreven) and a remix I was commissioned to do by Radiohead, that may come as a surprise, even to those that know my work. I hope you enjoy."

- @julianna-barwick

Tracklist + Download

Upfront 058: Julianna Barwick

"The Halfwit In Me" off of 'Golden Sings That Have Been Sung' by Ryley Walker, out August 19th, 2016 on Dead Oceans

Dead Oceans: http://smarturl.it/ryleywalker
Amazon: http://smarturl.it/ryleywalker_amazon
iTunes: http://smarturl.it/ryleywalker_itunes
Indies: http://smarturl.it/ryleywalker_indies

Ryley Walker - The Halfwit In Me

Release Date November 15th 2010:

For those who don't know their D&amp;B history, Black Sun Empire were one of the first acts to break through the barrier put up by UK artists surrounding the genre. Ever since the days of jungle, drum &amp; bass had been considered British property and woe betide any producer from outside who dared to try and muscle in.

However, with determination and an undeniable weight of talent behind them, the Utrecht-based threesome broke through the ranks. Initially getting picked up by DJ Trace for his infamous DSCi4 imprint at the turn of the millennium it wasn't long before Black Sun Empire were rubbing shoulders with the scene's elite who lapped up their uncompromising, techno-influenced sound.

These days of course it's all very normal to have artists from all corners of the globe representing whatever genre they feel like. And anyone who's got a keen eye for detail will have already noticed that Black Sun Empire have travelled a decade's worth of their drum &amp; bass journey, with three incredible studio albums under their belt already.

Those with an even keener eye will know that it's been three years since the release of 'Endangered Species', the last Black Sun Empire album. In that time the trio enlisted Telemetrik to drop an amazing LP (D&amp;B Album of the Month, Mixmag) on their own label while they took some time to flex their musical muscles in the build up to their latest project, 'Lights And Wires'.

Encompassing that unmistakable BSE sound throughout, 'Lights And Wires' is an accomplished piece of work that simultaneously brings together ten years of drum &amp; bass production while exploring new musical ground. Tracks like 'Extraction' and 'Kempi' (ft. Nymfo) are vintage Black Sun Empire. Rough, rugged and raw, fans of intense D&amp;B will not be disappointed. But it's the experiments into other tempos that display a maturity that only gifted artists can achieve.

'The 405' is an intense journey into a techno-edged dubstep nightmare, a horror movie at 140bpm that is both new ground, yet entirely Black Sun Empire. 'Dirty Friday' juxtaposes wide-open synths with cavernous bass to devastating effect, while tracks like 'Black River Bay' slide effortlessly into blissed-out electronica.

'Lights And Wires' will satisfy any fan of Black Sun Empire's previous work, while opening up a path to new sounds and moods without compromising anything along the way. This is without doubt an album packed with integrity.

Jeryl Wilton
Infectious PR

White Hinterland - Moon Jam

Dead Oceans

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