Ryong - Unbreakable Bonds [YGK015]
youtu.be/s8xMpekMLdw

1. Split And Tear
2. Horizon
3. Snow That Shapes A Dream
4. Ever And Ever
5. Isolde

Format: Digital/EP
Release Date: 7 May, 2021
'Snow That Shapes A Dream' featuring Eva Tind
Cover by Isak Tind
Mastered by Soda Plains

Ryong - Isolde [YGK015]

DEAR001 : Deficiency / @gyeongsu
Mixed by Yohann Henry.
Mastered by Lorenzo Targhetta. 
Cover by Tom de Peyret.

Deficiency

Gyeongsu - 1,2,3

Gyeongsu - zig?warning

Gyeongsu - hint

Gyeongsu - 18:50

Gyeongsu - il y a dix ou quinze ans

Gyeongsu - gratitude

Gyeongsu - after diner not yet

Reworks from excerpts from live performance at default#1 in The Hague, 20 11 2022. @d-dh-68309115

Based on June-Alison Gibbons' novel 'The Pepsi Cola Addict' and narrated/sung/uttered by custom programmed physical models.

_______* Kelly-Lochbaum Talker as Preston
_______* Klatt Talker as Ryan
_______* Mrs. Chainsmoker as Peggy
_______* Big Bob as Peggy's father
_______* Lady Bob as Mrs. Rosenberg

→ Buy EP through Bandcamp 
→ Full performance available through Nina. [limited amount available]

Artwork by @hogobogobogo
Mixing and mastering by @drgibby
[IU7]

BUY BC(EP)+ Nina(Live)

Transmission of Youth

Sam Wolk "Trop-plein" excerpt from new cdr on Salon available at http://saloncdr.blogspot.com/

New stereo improvisations by Sam Wolk. Max/MSP, Acoustic objects and feedback, SP-404, Saxophone (Max Lesser), Voice (Charmaine Lee)

The trio of improvisations which follow are variations on a single idea.  Running a Max/MSP patch and interacting with it is a method of transducing energy from one form to another.  Electrical energy drawn from the grid is ultimately transformed into acoustic energy emerging from speakers along with the accompanying, over-flowing waste energy [entropic release].  The ephemeral, unstructured heat released in the process of generating structured acoustic energy [the composition] takes multiple forms: the discarded acoustic energy of computer keys pressed while manipulating the patch, the kinetic energy of hard drives whirring as data is read from disk into the patch, the thermal energy of CPUs radiating out and the acoustic energy of fans loudly attempting to reroute those heat flows.  In this trio of variations the central theme is feedback.  These ephemeral energy fluxes associated with keys, fans, disks, and CPUs are subjected to recycling [feedback] as the energy they produce is transduced by a contact microphone and the computer's internal microphone back into electrical audio flows which serve as the input to the Max patch itself.  As such, manipulating the audio at the human-computer interface generates the very energy flows which are transduced into the audio to be manipulated in the first place... The computer processes its own unstructured flows of waste energy back into structured audio [the output of the patch].  The machine is not treated as an abstract, universal computational device whose digital nature renders its physical existence irrelevant.  Instead, as it harvests its own unstructured heat and processes it into structured audio, its physical identity is embraced for what it is: a concrete, individual, material machine imbricated in a larger system of energy flows. 

Recorded at the Harvard University Studio for Electro-acoustic Composition, 2016. 

Special thanks to Jeff Witscher. 

Play loud.

Sam Wolk "Trop-plein"

City - Skeleton EP

1. Rockeater
2. Brutalist
3. Shame Dagger
4. Unsaid

All music written and recorded by Will Ballantyne 
Mastered by Jesse Osborne-Lanthier 
Cover design by Collin Fletcher

Gyeongsu - after diner not yet

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