The BUMPS celebrate their first release on DEATH POP RECORDS. A vinyl E.P. with 2 sides! Limited 500 juke box copies!
Bump-Start E.P.
A  “I’m A Creepy Guy” (2:37)
     “Love You Until You Are Dead” (2:21)
AA “Heroin Girl” (1:30)
      “Don’t Get Ahead Of Yourself” (2:11)

Recorded in STREATHAM LONDON at The Psychedelic Concentration Camp 
Produced/engineered by THE BUMPS 2010

Like Dr. Frankengoof, The Scummy Mummy or even the mysterious finger probing around inside your sister’s doll’s house - The Bumps are both an enigma and an unstoppable force of creepiness.
The bubblegum flavour of their music only serves to confuse the senses and mask the ridiculous truth about their world. Theirs is a world of girl group ritual, crazy golf delirium and midnight mind games. Generously, DEATH POP RECORDS have been granted brief access to this world via Wonka-like circumstances and allowed inside the jewelled inner chamber of The Bumps’ pop pyramid.
This important new release from DEATH POP RECORDS offers you the chance to sample just a handful of these riches. Cherish them while you can...


The Bumps - Heroin Girl

The Teeth use samplers, synthesizers, squelchy bass, space noises, electric guitars, robot voices & matinee idol good looks to create the second most exciting pop music of the 21st century.

The Teeth believe POP is not a four letter word.

Find us at www.myspace.com/wearetheteeth


The Teeth, who perform a mixture of surf music, techno and pop, shuffle on stage at the Hoxton Bar & Grill wearing caveman rags, exotic necklaces (made of teeth, naturally) and carrying bamboo harpoons. They look like Amazonian cavemen - and there's five of the bastards. Are The Teeth actually perverts or do they just pretend to be?” Artrocker

The Teeth play sleazy electro-dub. Think Lee ‘Scratch’ Perry meets Bonde do Role whilst Serge Gainsbourg watches from the corner...I Know you’re going to like this”
Huw Stephens (BBC Radio 1)

"Unusual & exciting...very fine indeed. The Teeth are a hot, cool & tasty combo who we loved on first hearing. Check out their insolent, sneering hits in waiting”"
Tom Robinson (BBC Radio 6)


The Teeth - High Hair

The Teeth - God Of Sex [full length]

Recorded in STREATHAM LONDON at The Psychedelic Concentration Camp 
Produced/engineered by THE BUMPS 2010 

THE BUMPS
Like Dr. Frankengoof, The Scummy Mummy or even the mysterious finger probing around inside your sister’s doll’s house - The Bumps are both an enigma and an unstoppable force of creepiness. The bubblegum flavour of their music only serves to confuse the senses and mask the ridiculous truth about their world. Theirs is a world of girl group ritual, crazy golf delirium and midnight mind games.
Generously, DEATH POP RECORDS have been granted brief access to this world via Wonka-like circumstances and allowed inside the jewelled inner chamber of The Bumps’ pop pyramid.
This important new release from DEATH POP RECORDS offers you the chance to sample just a handful of these riches. Cherish them while you can...

The Bumps E.P. "Bumps Start" 7'' vinyl release on Death Pop Records is limited to just 500 juke box copies and includes the original tracks:
'I'm A Creepy Guy'
'Love You Until You Are Dead'
'Heroin Girl'
'Don't Get Ahead Of Yourself'


So far it has received a 5 star review in Artrocker Magazine

"There is a curious space in B-movie culture that The Bumps inhabit, and loosely speaking it's in the same territory as Quentin Tarantino's "Death Proof". This EP springs a million bubblegum pop culture references to mind, from Scooby Doo to the Texas Chainsaw Massacre - all compressed into a slab of plastic vinyl boogie. Not many bands could write songs like "Heroin Girl" ("I don't wanna live with a heroin girl") while provoking both smirks of amusement and foot tappings. Meanwhile, "I'm A Creepy Guy" is the Ed Wood of pop songs, mixing up surf pop, crap UFO noises and T.Rex guitar solos. Groovesome."
Ric Rawlins - ARTROCKER
*****
THE BUMPS BIOGRAPHY
Summer 1966: Bubblegum duo Den Zonen and Jim Sox of THE BUMPS are pronounced dead following a horrific beach buggy accident in Malibu. Officials, however deem it appropriate to preserve their mangled bodies  in ice. 
Winter 2009: Carol Vorderman of Channel 4’s Countdown fame starts a nationwide campaign to regenerate the group’s legend and the boys are thawed out in time for the Christmas No.1 market. Never a group to play by the rules - the boys ignore this challenge and choose to record a tribute to the lovely Carol in the form of ‘Do The Math’, three minutes of pop perfection (with calculators). Due to an ecstatic response, they then follow this with their chewy pop smasher masterpeice of a debut single: ‘‘I’m A Creepy Guy’, ‘Love You Until You Are Dead’, ‘Heroin Girl’, ‘Don’t Get Ahead Of Yourself’!

Spring 2010: So as THE BUMPS debut single proper nears it’s completion, we visit the band at their Tiki-styled studio, ranch & crazy golf complex in South London to ask about the future, “All this means nothing” offers Keys/Bass/Electronics supremo Jim Sox, “we haven’t even started warming up yet!”

THE BUMPS REVIEWS

Some tasty nods in the general direction of Ambulance LTD, The Eskimos and The Flamin’ Groovies weld the mix onto a lazy eyed bubblegum pub rock chassis and voila, a bit of a babe in the making.
ARTROCKER

Toe tapping jewel crusted candy pop tastiness that to these ears appear to have been swiped straight from the arse pockets of The Raspberries. A darker half variation of The Everly Brothers yet struck with the kind of naïve kookiness that was once the hallmark of The Shaggs.
LOSING TODAY

The weirdly eerie sassily saccharine 60s soft top psychedelicised pop of ’I’m A Creepy Guy’ with its wired fuzzy jangles ’Twilight Zone’ codas and shoe-shuffling strums had us recalling the more withdrawn & tender pop moments of Johnny Thunders pairing with Patti Palladin shortly before ‘Hi’.
LOSING TODAY 

Heroin Girl’ in particular is a nuzzling treat threaded with wonky keys, Dylan-esque breezy harmonicas and an off kilter and inebriated hillbilly campfire warmth.
LOSING TODAY

The Bumps come highly recommended in the latest Alfonzo Demo Kitchen column. Rated ‘LCD laced sugar cubes’ by the moustachioed culinary one... Sound like slinky farfisa garage pop to me.
ARTROCKER

Their psychedelic sound perfectly compliments their often off-beat, verging on the darker side of life lyrics. The Bumps deliver a sunny uplifting set of tracks which will make you want to move your feet. Their short songs are light hearted, party music that you can clap along to.
NEON BUZZ

The Bumps are a UK based bubblegum/electro pop duo. Their sound is a melee of 60s psychedelia and garage rock hooks. Tracks like ‘Magick Eye’ inspire a dreamy surreal feeling which brings Captain Beefheart to mind. Whilst ‘Don’t Get Ahead Of Yourself’ falls more along the lines of The K.
NEON BUZZ


THE BUMPS influences are:
Bubblegum Songs, 70's Powerpop, 60s Garage/Psych and Indie Pop by the likes of Denim and Spacemen 3.

www.myspace.com/bumpsbump
www.deathpoprecords.com
This important new release from DEATH POP RECORDS offers you the chance to sample just a handful of these riches. Cherish them while you can...


The Bumps - Ain't Too Big For The Bumps

THE BUMPS
Like Dr. Frankengoof, The Scummy Mummy or even the mysterious finger probing around inside your sister’s doll’s house - The Bumps are both an enigma and an unstoppable force of creepiness. The bubblegum flavour of their music only serves to confuse the senses and mask the ridiculous truth about their world. Theirs is a world of girl group ritual, crazy golf delirium and midnight mind games.
Generously, DEATH POP RECORDS have been granted brief access to this world via Wonka-like circumstances and allowed inside the jewelled inner chamber of The Bumps’ pop pyramid.
This important new release from DEATH POP RECORDS offers you the chance to sample just a handful of these riches. Cherish them while you can...

The Bumps E.P. "Bumps Start" 7'' vinyl release on Death Pop Records is limited to just 500 juke box copies and includes the original tracks:
'I'm A Creepy Guy'
'Love You Until You Are Dead'
'Heroin Girl'
'Don't Get Ahead Of Yourself'


So far it has received a 5 star review in Artrocker Magazine

"There is a curious space in B-movie culture that The Bumps inhabit, and loosely speaking it's in the same territory as Quentin Tarantino's "Death Proof". This EP springs a million bubblegum pop culture references to mind, from Scooby Doo to the Texas Chainsaw Massacre - all compressed into a slab of plastic vinyl boogie. Not many bands could write songs like "Heroin Girl" ("I don't wanna live with a heroin girl") while provoking both smirks of amusement and foot tappings. Meanwhile, "I'm A Creepy Guy" is the Ed Wood of pop songs, mixing up surf pop, crap UFO noises and T.Rex guitar solos. Groovesome."
Ric Rawlins - ARTROCKER
*****
THE BUMPS BIOGRAPHY
Summer 1966: Bubblegum duo Den Zonen and Jim Sox of THE BUMPS are pronounced dead following a horrific beach buggy accident in Malibu. Officials, however deem it appropriate to preserve their mangled bodies  in ice. 
Winter 2009: Carol Vorderman of Channel 4’s Countdown fame starts a nationwide campaign to regenerate the group’s legend and the boys are thawed out in time for the Christmas No.1 market. Never a group to play by the rules - the boys ignore this challenge and choose to record a tribute to the lovely Carol in the form of ‘Do The Math’, three minutes of pop perfection (with calculators). Due to an ecstatic response, they then follow this with their chewy pop smasher masterpeice of a debut single: ‘‘I’m A Creepy Guy’, ‘Love You Until You Are Dead’, ‘Heroin Girl’, ‘Don’t Get Ahead Of Yourself’!

Spring 2010: So as THE BUMPS debut single proper nears it’s completion, we visit the band at their Tiki-styled studio, ranch & crazy golf complex in South London to ask about the future, “All this means nothing” offers Keys/Bass/Electronics supremo Jim Sox, “we haven’t even started warming up yet!”

THE BUMPS REVIEWS

Some tasty nods in the general direction of Ambulance LTD, The Eskimos and The Flamin’ Groovies weld the mix onto a lazy eyed bubblegum pub rock chassis and voila, a bit of a babe in the making.
ARTROCKER

Toe tapping jewel crusted candy pop tastiness that to these ears appear to have been swiped straight from the arse pockets of The Raspberries. A darker half variation of The Everly Brothers yet struck with the kind of naïve kookiness that was once the hallmark of The Shaggs.
LOSING TODAY

The weirdly eerie sassily saccharine 60s soft top psychedelicised pop of ’I’m A Creepy Guy’ with its wired fuzzy jangles ’Twilight Zone’ codas and shoe-shuffling strums had us recalling the more withdrawn & tender pop moments of Johnny Thunders pairing with Patti Palladin shortly before ‘Hi’.
LOSING TODAY 

Heroin Girl’ in particular is a nuzzling treat threaded with wonky keys, Dylan-esque breezy harmonicas and an off kilter and inebriated hillbilly campfire warmth.
LOSING TODAY

The Bumps come highly recommended in the latest Alfonzo Demo Kitchen column. Rated ‘LCD laced sugar cubes’ by the moustachioed culinary one... Sound like slinky farfisa garage pop to me.
ARTROCKER

Their psychedelic sound perfectly compliments their often off-beat, verging on the darker side of life lyrics. The Bumps deliver a sunny uplifting set of tracks which will make you want to move your feet. Their short songs are light hearted, party music that you can clap along to.
NEON BUZZ

The Bumps are a UK based bubblegum/electro pop duo. Their sound is a melee of 60s psychedelia and garage rock hooks. Tracks like ‘Magick Eye’ inspire a dreamy surreal feeling which brings Captain Beefheart to mind. Whilst ‘Don’t Get Ahead Of Yourself’ falls more along the lines of The K.
NEON BUZZ


THE BUMPS influences are:
Bubblegum Songs, 70's Powerpop, 60s Garage/Psych and Indie Pop by the likes of Denim and Spacemen 3.

www.myspace.com/bumpsbump
www.deathpoprecords.com

The Bumps - Love You Until You Are Dead

THE VINYL STITCHES E.P.  A   “Beautiful Mistake / Panther Sex” 
AA “I Said Alright / Runaway Baby”
DEATH POP RECORDS DP662
RELEASED 2009
Recorded in THE PSYCHEDELIC  CONCENTRATION CAMP
Produced/engineered INNES CROOK

THE VINYL STITCHES hail from a subterranean swamp deep in the heart of London. These guys don’t have Dads, instead they have been raised, informed and drawn together by a shared love of trash culture, B-movies, vintage pedals, 50’s rock’n’roll and 60’s garage beat. They play scuffed-up and lo-fi bone rattlers, raw ‘n’ razor sharp, decadently damaged three chord spiked blues riffola 
Their Limited edition EP, which is their first and only release to date, has already sold 500 copies! Selling as far a field as Australia and Japan. It has been described as “A howling slab of serious smoked and wasted Link Wray styled shade-adorned primal prowl, so dirty it literally slides and slithers from the grooves and so salaciously sassy that you have the unerring urge to do bad things. Essential!”

Raw, rough, psychedelic and infinitely catchy!
RIPPLE EFFECT

A primitive rock band that you simply can’t ignore. THE VINYL STITCHES. This gang has fun on their minds, fuzz in their lustful hearts. The Stitches recreate that time when young Americans came out of their sleepy towns, high on illicit substances, and set about changing the world with the 4/4 beat. Employing a heady mix of The Stooges,13th Floor Elevators, and The Velvet Underground they create an orgy of foot-stomping noise to soundtrack an imaginary psych-ploitation film!! 
SHINDIG! Magazine
 
The Vinyl Stitches make an almighty garage psych racket that I can only describe as being like the best of the Stooges and Sonics. Fuzzy guitars, ear piercing vocals, stomping drums and more energy than an extremely hyperactive child.
DONE FOR THE DAY
TVS’s whiskey-drenched, bluesy  rock ‘n’ roll.
Time Out

With the sound and look of tripped-out beatniks, the two-guy one-girl trio bring  to mind Velvet Underground, Iggy Pop  and early Stones.Their gigs are an interesting time-travelling romp underpinned by scuffed-up, raw, low-fi bone rattling, conjuring up an age when winklepickers, pudding-bowl haircuts, polo necks and oversized sunglasses ruled. 
The Cornwall HErald Express

Effortlessly cool garage rockers The Vinyl Stitches are not only the best looking  band in London, with a sound that is like The Standells reborn as avenging  demons, they are also the most dangerous. 
Entertainment 24.com

Vous ne le savez pas encore mais le meilleur groupe garage du moment
s’appelle les Vinyl Stitches. Certes, ces Londoniens ne proposent rien de
très nouveau, mais la classe qu’ils affichent sur scène et sur disque
suffit à les sortir du lot.
Infrasons

THE VINYL STITCHES
FILE UNDER: GARAGE BLUES RnR

INFLUENCES: Velvet Underground, Link Wray, The Doors, The Stooges, The Gun Club, Love, Bo Diddley, Back From The Grave, Slade,Thirteenth Floor Elevators, Rolling Stones, Sex, The Seeds, Question Mark and The Mysterians, BRMC, The Black Angels, The Gruesomes, The Cramps, Dick Dale, Johnny Cash JAMC, The Mummies, Howling Wolf & The Yardbirds

To check out the myspace page, please visit www.myspace.com/ thevinylstitches

2006: The Vinyl Stitches are formed.  2009: Debut release on Death Pop Records - The Vinyl Stitches E.P.  2010: Tour of Europe Poland, France, Germany and Switzerland.

The Vinyl Stitches have supported The Downliners Sect, The Revelions, The Staggers, Soft Explosion, Rodeo Massacre, Bo Ningen, The Priscillas, Speak and The Spells, Suicide Party, The Rent Boys, The Kits, The Hollywood Sinners, David Peter and The Wilde Sect and many more...

“The Vinyl Stitches coming over like 
a teenage ‘’Back From The Grave’’  band playing songs by the Stooges!”  P.J. Dirty Water

The Vinyl Stitches - Beautiful Mistake

The Vinyl Stitches - Panther Sex

The Vinyl Stitches - Runaway Baby

Conway Hall - Erosion
(Crook, Fetherstone, Sykes)
DP-661

Add to that enviable list if you will trio CONWAY HALL whose rather spanking head-urning turntable twin-set may just have a fair few of you panting and straining at the leash for more in the near future. Taking a sizeable leaf from THE TEETH, CONWAY HALL’s ‘Pull Of Love’ has to be up there as one of the slinkiest things we’ve heard in a fair old while. A pulsing purring slice of uber-cooled and off-centred lights-dimmed and smoked floor mooching funkiness that manages to cut a delicious dash between being subtly-skewed and wanton for a spot of discordance, horny and just a tad bit decadent in a right side of the sleazy marker. By far the best thing we’ve heard around these parts since THE WEREWOLVESs and GOLD CASH GOLD, these crafty chaps blend the boundaries between THE MODERN LOVERS, JAD FAIR and mid 70’s STONES with just a dash of PAVEMENT for seasoning - well chilled. Flip the disc for the ear candy effervescence of the rather slinky ‘Erosion’ - a kind of time warped west coast bad trip that really ought to come with its own 60’s beat grooved teen flick and trendy boutique and which frankly is the kind of fried power pop sound you’d imagine rumbling through the monitors had THE FALL or more appropriately THE MONKS, the occasion to shimmy up alongside THE RASPBERRIES. Limited to just 500 copies and by rights selling by the shed load - if not questions replete with menacing long face will be asked.

Recorded by Ed Deegan
Produced by Owen Thomas with Conway Hall

(P) 2009 The copyright in these sound recordings is owned by Conway Hall. (C) 2009 Conway Hall. All rights of the producer and owner of the work reproduced reserved. Unauthorised copying, renting, public performance and broadcasting of this performance prohibited. Made in England.


Conway Hall - Erosion

Pull of love
(Crook, Fetherstone, Sykes)

CONWAY HALL
DP-661

More perfectly-honed spiky-pop-platter-fodder from the much loved DEATH POP imprint whose previously outings courtesy of wax turn-ons from the likes of THE TEETH, THE SWANKERS, ATOMIC SUPLEX, THE VINYL STITCHES et al have all been lapped up in the this here ‘Singled Out’ shed of sound. 

Add to that enviable list if you will trio CONWAY HALL whose rather spanking head-urning turntable twin-set may just have a fair few of you panting and straining at the leash for more in the near future. Taking a sizeable leaf from THE TEETH, CONWAY HALL’s ‘Pull Of Love’ has to be up there as one of the slinkiest things we’ve heard in a fair old while. A pulsing purring slice of uber-cooled and off-centred lights-dimmed and smoked floor mooching funkiness that manages to cut a delicious dash between being subtly-skewed and wanton for a spot of discordance, horny and just a tad bit decadent in a right side of the sleazy marker. By far the best thing we’ve heard around these parts since THE WEREWOLVESs and GOLD CASH GOLD, these crafty chaps blend the boundaries between THE MODERN LOVERS, JAD FAIR and mid 70’s STONES with just a dash of PAVEMENT for seasoning - well chilled. Flip the disc for the ear candy effervescence of the rather slinky ‘Erosion’ - a kind of time warped west coast bad trip that really ought to come with its own 60’s beat grooved teen flick and trendy boutique and which frankly is the kind of fried power pop sound you’d imagine rumbling through the monitors had THE FALL or more appropriately THE MONKS, the occasion to shimmy up alongside THE RASPBERRIES. Limited to just 500 copies and by rights selling by the shed load - if not questions replete with menacing long face will be asked.

Recorded by Ed Deegan
Produced by Owen Thomas with Conway Hall

(P) 2009 The copyright in these sound recordings is owned by Conway Hall. (C) 2009 Conway Hall. All rights of the producer and owner of the work reproduced reserved. Unauthorised copying, renting, public performance and broadcasting of this performance prohibited. Made in England.

Conway Hall - Pull Of Love

Like Dr. Frankengoof, The Scummy Mummy or even the mysterious finger probing around inside your sister’s doll’s house The Bumps are both an enigma and an unstoppable force of creepiness.
The bubblegum flavour of their music only serves to confuse the senses and mask the ridiculous truth about their world. Theirs is a world of girl group ritual, crazy golf delirium and midnight mind games. Generously, DEATH POP RECORDS have been granted brief access to this world via Wonka like circumstances and allowed inside the jewelled inner chamber of The Bumps’ pop pyramid. This important new release from DEATH POP RECORDS offers you the chance to sample just a handful of these riches. Cherish them while you can...

Bump History
Summer 1966: Bubblegum duo Den Zonen and Jim Sox of THE BUMPS are pronounced dead following a horrific beach buggy accident in Malibu. Officials, however deem it appropriate to preserve their mangled bodies in ice. Winter 2009: Carol Vorderman of Channel 4’s Countdown fame starts a nationwide campaign to regenerate the group’s legend and the boys are thawed out in time for the Christmas No.1 market. Never a group to play by the rules - the boys ignore this challenge and choose to record a tribute to the lovely Carol in the form of ‘Do The Math’, three minutes of pop perfection (with calculators). Due to an ecstatic response, they then follow this with their chewy pop smasher masterpeice of a debut single: ‘‘I’m A Creepy Guy’, ‘Love You Until You Are Dead’, ‘Heroin Girl’, ‘Don’t Get Ahead Of Yourself’!
Spring 2010: So as THE BUMPS debut single proper nears it’s completion, we visit the band at their Tiki-styled studio, ranch & crazy golf complex in South London to ask about the future, “All this means nothing” offers Keys/Bass/Electronics supremo Jim Sox, “we haven’t even started warming up yet!”

REVIEWS
Some tasty nods in the general direction of Ambulance LTD, The Eskimos and The Flamin’ Groovies weld the mix onto a lazy eyed bubblegum pub rock chassis and voila, a bit of a babe in the making.
ARTROCKER

Toe tapping jewel crusted candy pop tastiness that to these ears appear to have been swiped straight from the arse pockets of The Raspberries. A darker half variation of The Everly Brothers yet struck with the kind of naïve kookiness that was once the hallmark of The Shaggs.
LOSING TODAY

The weirdly eerie sassily saccharine 60s soft top psychedelicised pop of ’I’m A Creepy Guy’ with its wired fuzzy jangles ’Twilight Zone’ codas and shoe-shuffling strums had us recalling the more withdrawn & tender pop moments of Johnny Thunders pairing with Patti Palladin shortly before ‘Hi’.
LOSING TODAY 

Another band in the ‘Death Pop’ phenomenem that is taking over London, THE BUMPS may or may not be ‘real’, but either way make genius pop tunes that recall 1960s sex movies, Dastardly and Mutley, and Jim Morrison’s love poems. They even have a song called ‘Death Moth’ that is played entirely in reverse!
RATING: LCD TAINTED SUGAR CUBES
ARTROCK ALFONSO DEMO KITCHEN’s

Heroin Girl’ in particular is a nuzzling treat threaded with wonky keys, Dylan-esque breezy harmonicas and an off kilter and inebriated hillbilly campfire warmth.
LOSING TODAY

The Bumps come highly recommended in the latest Alfonzo Demo Kitchen column. Rated ‘LCD laced sugar cubes’ by the moustachioed culinary one... Sound like slinky farfisa garage pop to me.
ARTROCKER


Their psychedelic sound perfectly compliments their often off-beat, verging on the darker side of life lyrics. The Bumps deliver a sunny uplifting set of tracks which will make you want to move your feet. Their short songs are light hearted, party music that you can clap along to.
NEON BUZZ

The Bumps are a UK based bubblegum/electro pop duo. Their sound is a melee of 60s psychedelia and garage rock hooks. Tracks like ‘Magick Eye’ inspire a dreamy surreal feeling which brings Captain Beefheart to mind. Whilst ‘Don’t Get Ahead Of Yourself’ falls more along the lines of The K.
NEON BUZZ


The Bumps - How I Satisfy You

Like Dr. Frankengoof, The Scummy Mummy or even the mysterious finger probing around inside your sister’s doll’s house - The Bumps are both an enigma and an unstoppable force of creepiness.
The bubblegum flavour of their music only serves to confuse the senses and mask the ridiculous truth about their world. Theirs is a world of girl group ritual, crazy golf delirium and midnight mind games.
Generously, DEATH POP RECORDS have been granted brief access to this world via Wonka-like circumstances and allowed inside the jewelled inner chamber of The Bumps’ pop pyramid.
This important new release from DEATH POP RECORDS offers you the chance to sample just a handful of these riches. Cherish them while you can...

Bump history
Summer 1966: Bubblegum duo Den Zonen and Jim Sox of THE BUMPS are pronounced dead following a horrific beach buggy accident in Malibu. Officials, however deem it appropriate to preserve their mangled bodies in ice. Winter 2009: Carol Vorderman of Channel 4’s Countdown fame starts a nationwide campaign to regenerate the group’s legend and the boys are thawed out in time for the Christmas No.1 market. Never a group to play by the rules - the boys ignore this challenge and choose to record a tribute to the lovely Carol in the form of ‘Do The Math’, three minutes of pop perfection (with calculators). Due to an ecstatic response, they then follow this with their chewy pop smasher masterpeice of a debut single: ‘‘I’m A Creepy Guy’, ‘Love You Until You Are Dead’, ‘Heroin Girl’, ‘Don’t Get Ahead Of Yourself’!
Spring 2010: So as THE BUMPS debut single proper nears it’s completion, we visit the band at their Tiki-styled studio, ranch & crazy golf complex in South London to ask about the future, “All this means nothing” offers Keys/Bass/Electronics supremo Jim Sox, “we haven’t even started warming up yet!”


Some tasty nods in the general direction of Ambulance LTD, The Eskimos and The Flamin’ Groovies weld the mix onto a lazy eyed bubblegum pub rock chassis and voila, a bit of a babe in the making.
ARTROCKER

Toe tapping jewel crusted candy pop tastiness that to these ears appear to have been swiped straight from the arse pockets of The Raspberries. A darker half variation of The Everly Brothers yet struck with the kind of naïve kookiness that was once the hallmark of The Shaggs.
LOSING TODAY

The weirdly eerie sassily saccharine 60s soft top psychedelicised pop of ’I’m A Creepy Guy’ with its wired fuzzy jangles ’Twilight Zone’ codas and shoe-shuffling strums had us recalling the more withdrawn & tender pop moments of Johnny Thunders pairing with Patti Palladin shortly before ‘Hi’.
LOSING TODAY 

Another band in the ‘Death Pop’ phenomenem that is taking over London, THE BUMPS may or may not be ‘real’, but either way make genius pop tunes that recall 1960s sex movies, Dastardly and Mutley, and Jim Morrison’s love poems. They even have a song called ‘Death Moth’ that is played entirely in reverse!
RATING: LCD TAINTED SUGAR CUBES
ARTROCK ALFONSO DEMO KITCHEN’s

Heroin Girl’ in particular is a nuzzling treat threaded with wonky keys, Dylan-esque breezy harmonicas and an off kilter and inebriated hillbilly campfire warmth.
LOSING TODAY

The Bumps come highly recommended in the latest Alfonzo Demo Kitchen column. Rated ‘LCD laced sugar cubes’ by the moustachioed culinary one... Sound like slinky farfisa garage pop to me.
ARTROCKER


Their psychedelic sound perfectly compliments their often off-beat, verging on the darker side of life lyrics. The Bumps deliver a sunny uplifting set of tracks which will make you want to move your feet. Their short songs are light hearted, party music that you can clap along to.
NEON BUZZ

The Bumps are a UK based bubblegum/electro pop duo. Their sound is a melee of 60s psychedelia and garage rock hooks. Tracks like ‘Magick Eye’ inspire a dreamy surreal feeling which brings Captain Beefheart to mind. Whilst ‘Don’t Get Ahead Of Yourself’ falls more along the lines of The K.
NEON BUZZ


For more info visit Death Pop Records at www.deathpoprecords.co.uk



The Bumps - Bumps Start E.P. Radio Ad 1

The Teeth use samplers, synthesizers, squelchy bass, space noises, electric guitars, robot voices & matinee idol good looks to create the second most exciting pop music of the 21st century.
The Teeth believe POP is not a four letter word.
Find us at www.myspace.com/wearetheteeth
The Teeth, who perform a mixture of surf music, techno and pop, shuffle on stage at the Hoxton Bar & Grill wearing caveman rags, exotic necklaces (made of teeth, naturally) and carrying bamboo harpoons. They look like Amazonian cavemen - and there's five of the bastards. Are The Teeth actually perverts or do they just pretend to be?” Artrocker
The Teeth play sleazy electro-dub. Think Lee ‘Scratch’ Perry meets Bonde do Role whilst Serge Gainsbourg watches from the corner...I Know you’re going to like this”
Huw Stephens (BBC Radio 1)
"Unusual & exciting...very fine indeed. The Teeth are a hot, cool & tasty combo who we loved on first hearing. Check out their insolent, sneering hits in waiting”"
Tom Robinson (BBC Radio 6)


For more info visit Death Pop Records at www.deathpoprecords.co.uk


The Teeth - Hot Silk

The Teeth use samplers, synthesizers, squelchy bass, space noises, electric guitars, robot voices &amp; matinee idol good looks to create the second most exciting pop music of the 21st century.
The Teeth believe POP is not a four letter word.
Find us at www.myspace.com/wearetheteeth
The Teeth, who perform a mixture of surf music, techno and pop, shuffle on stage at the Hoxton Bar &amp; Grill wearing caveman rags, exotic necklaces (made of teeth, naturally) and carrying bamboo harpoons. They look like Amazonian cavemen - and there's five of the bastards. Are The Teeth actually perverts or do they just pretend to be?” Artrocker
The Teeth play sleazy electro-dub. Think Lee ‘Scratch’ Perry meets Bonde do Role whilst Serge Gainsbourg watches from the corner...I Know you’re going to like this”
Huw Stephens (BBC Radio 1)
"Unusual &amp; exciting...very fine indeed. The Teeth are a hot, cool &amp; tasty combo who we loved on first hearing. Check out their insolent, sneering hits in waiting”"
Tom Robinson (BBC Radio 6)

For more info visit Death Pop Records at www.deathpoprecords.co.uk


The Teeth - Who Loves The Teeth

If your loving THE BUMPS - please visit our Death Pop Records site on BandCamp - http://deathpop.bandcamp.com and purchase our limited edition (500) 7" jukebox The Bumps Start E.P.! You know you wanna!

Like Dr. Frankengoof, The Scummy Mummy or even the mysterious finger probing around inside your sister’s doll’s house. The Bumps are both an enigma and an unstoppable force of creepiness.
The bubblegum flavour of their music only serves to confuse the senses and mask the ridiculous truth about their world. Theirs is a world of girl group ritual, crazy golf delirium and midnight mind games.
Generously, DEATH POP RECORDS have been granted brief access to this world via Wonka-like circumstances and allowed inside the jewelled inner chamber of The Bumps’ pop pyramid.
This important new release from DEATH POP RECORDS offers you the chance to sample just a handful of these riches. Cherish them while you can...

Bump history
Summer 1966: Bubblegum duo Den Zonen and Jim Sox of THE BUMPS are pronounced dead following a horrific beach buggy accident in Malibu. Officials, however deem it appropriate to preserve their mangled bodies in ice. Winter 2009: Carol Vorderman of Channel 4’s Countdown fame starts a nationwide campaign to regenerate the group’s legend and the boys are thawed out in time for the Christmas No.1 market. Never a group to play by the rules - the boys ignore this challenge and choose to record a tribute to the lovely Carol in the form of ‘Do The Math’, three minutes of pop perfection (with calculators). Due to an ecstatic response, they then follow this with their chewy pop smasher masterpeice of a debut single: ‘‘I’m A Creepy Guy’, ‘Love You Until You Are Dead’, ‘Heroin Girl’, ‘Don’t Get Ahead Of Yourself’!
Spring 2010: So as THE BUMPS debut single proper nears it’s completion, we visit the band at their Tiki-styled studio, ranch & crazy golf complex in South London to ask about the future, “All this means nothing” offers Keys/Bass/Electronics supremo Jim Sox, “we haven’t even started warming up yet!”


Some tasty nods in the general direction of Ambulance LTD, The Eskimos and The Flamin’ Groovies weld the mix onto a lazy eyed bubblegum pub rock chassis and voila, a bit of a babe in the making.
ARTROCKER

Toe tapping jewel crusted candy pop tastiness that to these ears appear to have been swiped straight from the arse pockets of The Raspberries. A darker half variation of The Everly Brothers yet struck with the kind of naïve kookiness that was once the hallmark of The Shaggs.
LOSING TODAY

The weirdly eerie sassily saccharine 60s soft top psychedelicised pop of ’I’m A Creepy Guy’ with its wired fuzzy jangles ’Twilight Zone’ codas and shoe-shuffling strums had us recalling the more withdrawn & tender pop moments of Johnny Thunders pairing with Patti Palladin shortly before ‘Hi’.
LOSING TODAY 

Another band in the ‘Death Pop’ phenomenem that is taking over London, THE BUMPS may or may not be ‘real’, but either way make genius pop tunes that recall 1960s sex movies, Dastardly and Mutley, and Jim Morrison’s love poems. They even have a song called ‘Death Moth’ that is played entirely in reverse!
RATING: LCD TAINTED SUGAR CUBES
ARTROCK ALFONSO DEMO KITCHEN’s

Heroin Girl’ in particular is a nuzzling treat threaded with wonky keys, Dylan-esque breezy harmonicas and an off kilter and inebriated hillbilly campfire warmth.
LOSING TODAY

The Bumps come highly recommended in the latest Alfonzo Demo Kitchen column. Rated ‘LCD laced sugar cubes’ by the moustachioed culinary one... Sound like slinky farfisa garage pop to me.
ARTROCKER


Their psychedelic sound perfectly compliments their often off-beat, verging on the darker side of life lyrics. The Bumps deliver a sunny uplifting set of tracks which will make you want to move your feet. Their short songs are light hearted, party music that you can clap along to.
NEON BUZZ

The Bumps are a UK based bubblegum/electro pop duo. Their sound is a melee of 60s psychedelia and garage rock hooks. Tracks like ‘Magick Eye’ inspire a dreamy surreal feeling which brings Captain Beefheart to mind. Whilst ‘Don’t Get Ahead Of Yourself’ falls more along the lines of The K.
NEON BUZZ


For more info visit Death Pop Records at www.deathpoprecords.co.uk


The Bumps - Malibu

The Bumps - A.S.A.F.P.

If your loving THE BUMPS - please visit our Death Pop Records site on BandCamp - http://deathpop.bandcamp.com and purchase our limited edition (500) 7" jukebox The Bumps Start E.P.! You know you wanna!

Like Dr. Frankengoof, The Scummy Mummy or even the mysterious finger probing around inside your sister’s doll’s house. The Bumps are both an enigma and an unstoppable force of creepiness.
The bubblegum flavour of their music only serves to confuse the senses and mask the ridiculous truth about their world. Theirs is a world of girl group ritual, crazy golf delirium and midnight mind games.
Generously, DEATH POP RECORDS have been granted brief access to this world via Wonka-like circumstances and allowed inside the jewelled inner chamber of The Bumps’ pop pyramid.
This important new release from DEATH POP RECORDS offers you the chance to sample just a handful of these riches. Cherish them while you can...

Bump history
Summer 1966: Bubblegum duo Den Zonen and Jim Sox of THE BUMPS are pronounced dead following a horrific beach buggy accident in Malibu. Officials, however deem it appropriate to preserve their mangled bodies in ice. Winter 2009: Carol Vorderman of Channel 4’s Countdown fame starts a nationwide campaign to regenerate the group’s legend and the boys are thawed out in time for the Christmas No.1 market. Never a group to play by the rules - the boys ignore this challenge and choose to record a tribute to the lovely Carol in the form of ‘Do The Math’, three minutes of pop perfection (with calculators). Due to an ecstatic response, they then follow this with their chewy pop smasher masterpeice of a debut single: ‘‘I’m A Creepy Guy’, ‘Love You Until You Are Dead’, ‘Heroin Girl’, ‘Don’t Get Ahead Of Yourself’!
Spring 2010: So as THE BUMPS debut single proper nears it’s completion, we visit the band at their Tiki-styled studio, ranch & crazy golf complex in South London to ask about the future, “All this means nothing” offers Keys/Bass/Electronics supremo Jim Sox, “we haven’t even started warming up yet!”


Some tasty nods in the general direction of Ambulance LTD, The Eskimos and The Flamin’ Groovies weld the mix onto a lazy eyed bubblegum pub rock chassis and voila, a bit of a babe in the making.
ARTROCKER

Toe tapping jewel crusted candy pop tastiness that to these ears appear to have been swiped straight from the arse pockets of The Raspberries. A darker half variation of The Everly Brothers yet struck with the kind of naïve kookiness that was once the hallmark of The Shaggs.
LOSING TODAY

The weirdly eerie sassily saccharine 60s soft top psychedelicised pop of ’I’m A Creepy Guy’ with its wired fuzzy jangles ’Twilight Zone’ codas and shoe-shuffling strums had us recalling the more withdrawn & tender pop moments of Johnny Thunders pairing with Patti Palladin shortly before ‘Hi’.
LOSING TODAY 

Another band in the ‘Death Pop’ phenomenem that is taking over London, THE BUMPS may or may not be ‘real’, but either way make genius pop tunes that recall 1960s sex movies, Dastardly and Mutley, and Jim Morrison’s love poems. They even have a song called ‘Death Moth’ that is played entirely in reverse!
RATING: LCD TAINTED SUGAR CUBES
ARTROCK ALFONSO DEMO KITCHEN’s

Heroin Girl’ in particular is a nuzzling treat threaded with wonky keys, Dylan-esque breezy harmonicas and an off kilter and inebriated hillbilly campfire warmth.
LOSING TODAY

The Bumps come highly recommended in the latest Alfonzo Demo Kitchen column. Rated ‘LCD laced sugar cubes’ by the moustachioed culinary one... Sound like slinky farfisa garage pop to me.
ARTROCKER


Their psychedelic sound perfectly compliments their often off-beat, verging on the darker side of life lyrics. The Bumps deliver a sunny uplifting set of tracks which will make you want to move your feet. Their short songs are light hearted, party music that you can clap along to.
NEON BUZZ

The Bumps are a UK based bubblegum/electro pop duo. Their sound is a melee of 60s psychedelia and garage rock hooks. Tracks like ‘Magick Eye’ inspire a dreamy surreal feeling which brings Captain Beefheart to mind. Whilst ‘Don’t Get Ahead Of Yourself’ falls more along the lines of The K.
NEON BUZZ


For more info visit Death Pop Records at www.deathpoprecords.co.uk


The Bumps - Alcopops

The Bumps - 0-60

Proxy Music - Lucky Number

Proxy Music - Baby's on Fire

They play raw ‘n’ atonal freaked ‘n’ f**ked-up heads-down wig-flipped beatnik-boogie brew. Imagine Sonic Youth wrestling The Banana spilts – its fun fuzz! The sound is like something cooked up by a shit-faced coming together of Hawkwind, MC5 and The Butholes. A primitive wah-wah effects-laden sonic flashback liberally festooned with all manner of tripping-psyche-induced-beatnik-boogie.

“Bad Acid’ is your sumptuously shimmering sub three minute slice of shade-wearing two chord goo, that in its ridiculously brief passage of time manages to nod towards classic era Detroit garage and the flamboyance of glam T-Rex, and yet somehow cleverly shoehorns between them elements of late 60’s white-out-psych tastily dusted and scratched by some neat slabs of primal mid 60’s beat groove. Did we also mention it’s a bit horny – well it is in a kind of wasted ‘kool thing’ era Sonic Youth face-off with Mudhoney type way. Essential in case you were wondering.”
LOSING TODAY



"This is straight up pure and honest retro-psych-freakbeat-garage rock and its really bloody good. have noticed a whiff lately of a bunch of east London garage bands on the rise. Not sure it amounts to a full on revival, but for my ears Brain washington are far and away the pick of the bunch."
Twobobs - Facebook review

"Brain Washington Live at The Miller, London 17.04.10 “If Dastardly and Mutley formed a band, they might well be Brain Washington, who kick off tonight’s revue of cinematic/psychedlic acts wearing t-shirts that read ‘I LOVE ACID’. The band are pure B-movie rock and roll, dressed in ABBA-style white suits. The music is pre-punk but with elements of The Stooges, zooming along like a car chase from a ’70s cop show. What’s not to like? “"

Brain Washington - Bad Acid

The Bumps - Cryin' For Nothing

If your loving THE BUMPS - please visit our Death Pop Records site on BandCamp - http://deathpop.bandcamp.com and purchase our limited edition (500) 7" jukebox The Bumps Start E.P.! You know you wanna!

The BUMPS celebrate their first release on DEATH POP RECORDS. A vinyl E.P. with 2 sides! Limited 500 juke box copies!
Bump-Start E.P.
A  “I’m A Creepy Guy” (2:37)
     “Love You Until You Are Dead” (2:21)
AA “Heroin Girl” (1:30)
      “Don’t Get Ahead Of Yourself” (2:11)Recorded in STREATHAM LONDON at The Psychedelic Concentration Camp 
Produced/engineered by THE BUMPS 2010

Like Dr. Frankengoof, The Scummy Mummy or even the mysterious finger probing around inside your sister’s doll’s house - The Bumps are both an enigma and an unstoppable force of creepiness.
The bubblegum flavour of their music only serves to confuse the senses and mask the ridiculous truth about their world. Theirs is a world of girl group ritual, crazy golf delirium and midnight mind games. Generously, DEATH POP RECORDS have been granted brief access to this world via Wonka-like circumstances and allowed inside the jewelled inner chamber of The Bumps’ pop pyramid.
This important new release from DEATH POP RECORDS offers you the chance to sample just a handful of these riches. Cherish them while you can...


The Bumps - I'm A Creepy Guy

They play raw ‘n’ atonal freaked ‘n’ f**ked-up heads-down wig-flipped beatnik-boogie brew. Imagine Sonic Youth wrestling The Banana spilts – its fun fuzz! The sound is like something cooked up by a shit-faced coming together of Hawkwind, MC5 and The Butholes. A primitive wah-wah effects-laden sonic flashback liberally festooned with all manner of tripping-psyche-induced-beatnik-boogie.

“Bad Acid’ is your sumptuously shimmering sub three minute slice of shade-wearing two chord goo, that in its ridiculously brief passage of time manages to nod towards classic era Detroit garage and the flamboyance of glam T-Rex, and yet somehow cleverly shoehorns between them elements of late 60’s white-out-psych tastily dusted and scratched by some neat slabs of primal mid 60’s beat groove. Did we also mention it’s a bit horny – well it is in a kind of wasted ‘kool thing’ era Sonic Youth face-off with Mudhoney type way. Essential in case you were wondering.”
LOSING TODAY



"This is straight up pure and honest retro-psych-freakbeat-garage rock and its really bloody good. have noticed a whiff lately of a bunch of east London garage bands on the rise. Not sure it amounts to a full on revival, but for my ears Brain washington are far and away the pick of the bunch."
Twobobs - Facebook review

"Brain Washington Live at The Miller, London 17.04.10 “If Dastardly and Mutley formed a band, they might well be Brain Washington, who kick off tonight’s revue of cinematic/psychedlic acts wearing t-shirts that read ‘I LOVE ACID’. The band are pure B-movie rock and roll, dressed in ABBA-style white suits. The music is pre-punk but with elements of The Stooges, zooming along like a car chase from a ’70s cop show. What’s not to like? “"


Brain Washington - L.S.D.

DEATH POP RECORDS
We Are The Record Company That Champions Nearly Every Noisy Lunatic And Weirdo...
If you like what your hearing, come and befriend us at www.deathpoprecords.co.uk or meet us on facebook - http://www.facebook.com/#!/group.php?gid=20297252080

Death Pop Records are an independent collective that releases weird, eccentric and underground music - all on 7 inches of super limited jukebox vinyl!

Explanation:
Due to no-fault-of-their-own the Death Pop label-mates have, by a culmination of bloomin’ bad luck, bad looks and sick circumstances, been driven to the very edge. And yet, with giddy desperation and against-all-possible-odds, they have created some of the most vital pop in modern times!  Our job here at Death Pop is to preserve these reassuring chunks of sonic obliteration for the benefit of mankind!

Our releases include...    ...the rock’n’raw noise of ATOMIC SUPLEX - the nihilistic punk eruptions of THE SWANKERS - the dysfunctional radio rock of CONWAY HALL -  the sleazy surf crawl of THE VINYL STITCHES - the twisted disco jive of THE TEETH - the psychotropic ramalama garage of BRAIN WASHINGTON - the irresistible bubblegum anthems of THE BUMPS - and the maximum balls-out garage glam of the RENT BOYS! plus much much more...

Visit www.deathpoprecords.co.uk ! You can check us out and purchase the limited vinyl!
All vinyl and downloads are easily purchased through http://deathpop.bandcamp.com/

DP666 ATOMIC SUPLEX Vs THE SWANKERS 7inch
A “Fuck Off” The Swankers 
AA “A.S.B.A.G” Atomic Suplex

DP665 BLACK HELIUM Vs THE TEETH 7inch
A “Consumed With Doom” Carry On Satan
AA “High Hair” The Teeth

DP664 THE TEETH 12inch
A “God Of Sex (Full Length)”
AA “God Of Sex (Radio Edit) /Girls Aloud”

DP663 BRAIN WASHINGTON 7inch
A “L.S.D.” 
AA “The Whole Truth And Nothing Like The Truth”

DP662 THE VINYL STITCHES E.P.
A “Beautiful Mistake / Panther Sex”
AA “I Said Alright / Runaway Baby”

DP661 CONWAY HALL 7inch
A “Pull Of Love” - AA “Erosion”

DP660 THE BUMPS START E.P.
A “I’m A Creepy Guy/Love You Until You Are Dead”
AA “Heroin Girl/Don’t Get Ahead Of Yourself”

DP659 RENT BOYS 7inch
A “XXX Communicate” 
AA “Live that Way”
Please contact us via any of our platforms and if your a band and wanna give Death Pop a go - drop us an mp3 or two in our soundcloud drop box. We'll endeavour to listen to everything!
Becky Blitz

deathpoprecords

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