Techno Tunnel

Be My

String Theory

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HI-LO & Reinier Zonneveld - String Theory (Original Mix) [Filth on Acid]

Vibrancy

Vibrancy (Original Mix)

Desiderati 4.3

Distinct Operator (Original Mix)

Dark Places

Collection 4

Interference (Luca Agnelli Remix)

HATE exclusive premiere.
Full streaming of the EP soon on our HATE YouTube channel.

Support the label, buy it here:
https://fautsection.bandcamp.com

Lewis Fautzi and The Advent join forces on “Gravity Won’t Hold Me”, a four-track Sci-Fi techno journey that breaks through the limits of sound and space.

Fusing mechanical energy, futuristic tension, and cosmic textures, the EP unfolds with relentless precision and force, a statement of pure propulsion beyond gravity itself.

Artist: Lewis Fautzi & The Advent
Title: Gravity Won’t Hold Me
Label: Faut Section 
Catalogue: FAUT067
Format: 12" Vinyl + Digital
Genre: Electronic
Style: #Techno
Release date: November 24, 2025

Tracklist:
A1. Graviton Field
A2. Deep Sector
B1. Cosmic Static
B2. Echoes of the Void

Follow #LewisFautzi here:
https://soundcloud.com/lewisfautzi
https://www.instagram.com/lewisfautzi/
https://www.facebook.com/lewisfautziofficial

Follow #FautSection here:
https://soundcloud.com/fautsectionofficial
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Gravity Won’t Hold Me

Graviton Field

Premiere: Lewis Fautzi & The Advent — Graviton Field [FAUT067]

T.N.M. Alternate Take

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Amelie Lens - In Silence - Drumcode - DC178

Landing 10 years after his first concept album, Wehbba’s drops his debut full-length on Drumcode, featuring collaborations with David Caretta, Thomas Gandey and Brazilian vocalist L-cio.

Following a series of globally adored EPs and inclusions within the imprint’s esteemed A-Sides compilation series, the chart-dominating São Paulo native now reflects upon his life as ‘the artist’, offering an immersive montage of stories that echo a tenacious dedication to his craft. Enlisting the talents of multi-instrumentalist Thomas Gandey, Electroclash pioneer David Carretta and fellow Brazilian L-cio, with his unparalleled flute mastery, Wehbba’s synergetic cuts span the breadth of electronic music’s sonic landscape, as he challenges the notion of genres with seasoned voices.

Birthed from the purest inspiration, the album’s 13 cuts represent a myriad of musical references close to Wehbba’s heart, running parallel with the organic sensibilities of his field recordings. An ode to eternal growth, the LP highlights a cycle of perception and projection, as Wehbba studies the morphing of genres through his own musical filter. Discussing the upcoming album, Wehbba commented:

"The musical references on these works trace back to the 90s, when I started listening to electronic music and had no judgement of what was cool - when I was totally free. So they represent, without any filter, what touched me, ranging from braindance to goa trance, from ambient to hard house, and from drum n’ bass through every single mutation of techno and house music."

As a key ambassador for Brazil’s dance music community on a global scale, Wehbba’s long-standing career has seen him affiliate with many of the industry greats on both remix and collaborative projects; testament to his flourishing reputation. Following on from the geometric-led titles of his first two albums, Straight Lines and Sharp Corners alludes to the difficult decisions and blunt shifts he has faced in his career, and their capacity to shape his identity over time. Studying the great Antoni Gaudi, Wehbba’s third LP title takes reference from his perceptive quote: "There are no straight lines or sharp corners in nature, therefore buildings must have no straight lines or sharp corners. Anything created by human beings is already in the great book of nature."

Straight Lines and Sharp Corners

Buy all

Wehbba — Dove Rush — Drumcode — DC220

Pre-order:  https://www.beatport.com/track/planet-x-original-mix/13922322

https://soundcloud.com/space92 & https://soundcloud.com/the-yellowheads join forces for their latest outing on https://soundcloud.com/reloadrecordsoffical

Premiere: Space 92, The YellowHeads - Planet X

Eli Brown - Fading To Black - OUT NOW on Arcane

Listen/Stream here: backl.ink/ARC003

Fading to Black

Beyond

Artist: Kaspar & A*S*Y*S
Title: Injection
Label: Fe Chrome (FeCr 017)
Release: 22nd Feb. 2021

Written & produced by Andreas Schmidt, Maximillian Burckhardt & 
Frank Ellrich
Published by AceAge-Musikverlag & Defensive Music Ltd (PSR)

Beatport:
https://www.beatport.com/release/injection-original-mix/3282952

Buy on Beatport

Kaspar & A*S*Y*S - Injection

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

Beyond

Deborah De Luca

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