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Xenia (UA) - Stimulant X (Belocca Remix)[Numen]

Autektone continues its commitment to releasing the scene's most super techno.

This October see's the return of the boss T78 with ‘Liquid Night’ which is a captivating, big room techno masterpiece with destructive dancefloor intent.

There is no holding back with the low end synth modulation which T78 has mastered to perfection. Deep reverberations punch alongside a sinisterly crisp percussive drive. Launching into a groove laden synth modulation of low end textures, it breaks down into an evil acid line before the vocal launches, taking this track to another level.

#onlybombs

ARTIST: T78
TITLE: LIQUID NIGHT
VERSION: ORIGINAL MIX
RELEASE DATE: 25/10/2021

For infos & Licensing contact:
info@autektone.com

Follow The Label:

http://www.autektone.com/store       (Buy the original #Onlybombs Merchandising)
https://www.facebook.com/Autektone
https://www.instagram.com/autektone/
https://twitter.com/autektone
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Liquid Night

Liquid Night (Original Mix)

ATK100 - T78 "Liquid Night" (Original Mix)(Preview)(Autektone Records)(Out Now)

@eatseverything
@kneadedpainsrecords
@space92


Lanzado originalmente en 2018, "Space Raiders" de Eats Everything continúa dando alegrías en forma de beats infecciosos. 

Space 92 ha tenido unos inmensos 24 meses, coronado por Beatport como su artista techno más vendido de 2020 y 2021, y liderando una nueva ola de productores y DJ que popularizan una mezcla tóxica de ritmos y  melodías inspiradas en el rave. El remix del joven francés de "Space Raiders" va directo a la yugular,  es un track cargado de bombos precisos, efectos siniestros o redobles de baterías frenéticas que envuelven a este lanzamiento en todo un revienta pistas, convirtiéndolo en una experiencia sonora gigantesca!

PREMIERE: Eats Everything - Space Raiders(Space 92 Remix)[Kneades Pains]

WHERE will you go

For Respekt 166, we welcome Stiv Hey for his first full EP on the label. The release kicks off with 'Can't Stop'; a stone-cold dancefloor destroyer with it's seismic kickdrum, swirling vocal loops and percussive synth hook. Backing it up is 'Control', a slightly deeper take on Stiv's sound, powered by a huge offbeat bass and topped with cool, proggy chords.
As if these two monsters weren't enough, we have a double bill of debut remixers too. Brennen Grey cranks up the drones on his remix of 'Can't Stop', and Juliet Fox takes us on a trip deep into acid territory with her monster rework of 'Control'.

Buy Now

Stiv Hey - Can't Stop (Brennen Grey Remix)

Sideral

Sideral (Superstrobe Remix)

DJ Dextro - Sideral (Superstrobe Remix)

Buy Link : http://classic.beatport.com/release/86/2595392

P.N.R ( Dolma Rec )

The Belgium sweethearts Joyhauser are back on Terminal M! Check out the new 4 track ep with their unique Joyhauser sound! (Monika Kruse)

beatport/spotify/vinyl

Joyhauser - Elements

Out now on Beatport
https://www.beatport.com/release/x818-remixes/2754011

Carl Cox and Jon Rundells label Intec recently dropped the debut solo album from Dutch artist Roel Salemink and this is the second part of that release with new remix versions from The YellowHeads, Drumcomplex, Nakadia, Transcode and Patrik Berg.

The original version of the album was well received with DJ support from the likes of Pan-Pot, Laurent Garnier, Joseph Capriati, Pleasurekraft, plus many others, and this selection of reworks is even more dance floor focused.

The YellowHeads open the release with their remix of "Item Zero" where its dark energy and arpeggiated lead synth are on a par with the hard-hitting style of compelling techno that they have previously released on Suara, Kraftek and their own Reload Black Label.

Second is Drumcomplex who is a regular collaborator with Roel Salemink, but has also released solo tracks on the likes of Terminal M and OFF Recordings. With rattling percussion and explosive acid, Drumcomplex reworks "Machine Attendance" with added intensity.

Nakadia is the first lady of Thai techno, and she is back on Intec after making her label debut earlier in 2019 adding Intec to her back catalogue that also includes the likes of Filth on Acid and KD Music. Nakadia turns My Body Is My Temple into an acid storm with the ferocious energy she is famed for.

Fourth of the reworks comes from Transcode who is new on the Intec roster but joins the label following releases on a wide selection of other labels ranging from Respekt to Stil Vor Talent. Transcode turns Transforming into a stomping techno monster with dramatic bursts of texture that cut the shadowy atmosphere.

Patrik Berg has previously featured on Intec when working in collaboration with Matt Sassari, but this time he is back showing off his solo talents with a rework of Free, which brings some uplifting euphoria to the release, and ramps up the tension as it unfolds with devastating force.

Roel Salemink - Transforming (Transcode Remix)

Roel Salemink - My Body Is My Temple (Nakadia Remix)

Roel Salemink - Machine Attendance (Drumcomplex Remix)

Roel Salemink - Free Ft. Sandra Vriese - Patrik Berg Remix

Out now on Beatport
https://www.beatport.com/release/defect-ep/2761240

Carl Cox is an industry figurehead whos legacy in music includes his iconic label Intec, which he runs with friend and business partner Jon Rundell, and the labels new release is from RanchaTek.

Serbian artist RanchaTek makes his debut on Intec following releases on Orange Recordings, Loose, Bitten, Nervous and Unity Records.

Listing Carl Cox as a significant influence alongside people like UMEK and Richie Hawtin, this EP is an extra special one for Vladimir Rancic aka RanchaTek who has always wanted to feature on Intec.

A regular performer at many of Serbias top techno events, its also not uncommon to see him on DJ line-ups in other countries such as the Czech Republic, Bosnia and Croatia.

Dark with a relentless intensity, the two tracks on this EP have contrasting moods with Defect having a focus on deep atmosphere while the up-tempo groove of Freak raises the roof with its hard-hitting style.

"Defect" has a subtle euphoria cut by bursts of acid while the underpinning percussion provides a steady momentum immersed in shadowy atmospherics.

Second on the EP Freak has a heavy kick drum that pounds underneath the stabbing synths and onslaughts of the thrashing hi-hats while the commanding vocals complement the pulsating rhythms of the bassline.

ID191 1. RanchaTek - Defect

Markantonios label AnalyticTrail welcomes back Australian artist Mha Iri who has released her hard hitting techno tracks on labels such as Steve Mulder's Orange Recordings, Spartaque's Codex and The Yellowheads Reload Black Label.

Mha Iri featured a track made in collaboration with Nohak on an AnalyticTrails mixed artist release titled Expression A5 at the start of 2020, but this time she is back with three solo tracks on her own EP.

Known for her charismatic blend of high energy percussion shrouded in shadowy atmosphere, she is the master of blending hints of euphoria to enrapture with sounds both dark and light.

Burn Steadily opens the release with a sensual vocal layered with a pounding kick drum, stabbing acid and a grinding bassline. Life Is A Game has dramatic synth bursts and swelling tension unleashed with maximum impact. Mission Control has a twisted melody and pulsating rhythms that create an eerie atmosphere full of suspense.

Mha Iri - Burn Steadily

Pre-order: https://www.beatport.com/track/driller-original-mix/13956494

UMEK is proud to present his debut collaboration with Spanish duo The YellowHeads who have released on many great labels ranging from Kraftek to We Are The Brave, and of course their own label Reload.

This collaboration with The YellowHeads is forthcoming on UMEK’s own label 1605, which has become a main outlet for the label owners own tracks, but he has also featured on other iconic imprints such as Intec, Filth On Acid and Tronic.

Alongside the original track titled “Driller” the release also includes a heavyweight remix pack featuring Teenage Mutants, Beico and Heerhorst.

All three of the remix artists have previously featured on 1605 in addition to other high-flying imprints such as Terminal M, Suara and Octopus. Beico is also known for being one half of the duo Beico & MT93.

The original mix of "Driller" opens the release with its thundering kick drum and pulsating bassline that is soon joined by the euphoric energy of the lead synth that takes flight in the epic breakdown. Reaching its crescendo when the percussion slams back in, the track lifts a gear and unleashes a new wave of intensity.

Teenage Mutants are first up on remix duty with an epic version that focuses on the melodic elements while ensuring that none of the original’s energy is lost in their cosmic techno rework.

In terms of its raw aggression and melodic focus, Beico’s version sits somewhere between the two previous tracks, as it keeps chunky elements from the original while also shining a spotlight on the exquisite melody of the lead synth.

Heerhorst closes out the release with a version that refines the original with a slightly more stripped back sound, that gives each of the parts room to breathe and intertwine, while the fast-flowing percussion rhythms fill the track with unstoppable forward momentum.

Premiere: UMEK & The YellowHeads - Driller

Blow To The Heart

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

Blow To The Heart

Deborah De Luca

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