the ending is gay. she should not have spoken

New & hot Swiss Chart Techno 2 April 2019

Dubfire - "Exit" (Feat. Miss Kittin) [Original Mix]

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Dusty - Drumcode - DCCD10

PARIS Marleen

Following on from the success of Capriati’s album Self Portrait, 4 tracks have been hand selected by some of techno’s hottest producers. Dubfire, Coyu, Julian Jeweil, Luigi Madonna have each incorporated the same feeling that Joseph laid out in his original productions, but have added a unique twist that breathes a new lease of life into the tracks.

Joseph Capriati - Basic Elements (Luigi Madonna Remix) - Drumcode - DC148

DEEP INSIDE ME - Deborah De Luca (august 2016)

DEEP INSIDE ME - Deborah De Luca (Original Remix)

BELLA M'BRIANA 
Deborah De Luca 
(august 2016)

BELLA M'BRIANA - Deborah De Luca (Original Remix)

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Reinier Zonneveld - Things We Might Have Said (feat. Cari Golden)

LAST SONG FOR YOU (Original Mix)
solamente035
October 2017

LAST SONG FOR YOU - Deborah De Luca

Spotify

Droplex & Steve Kid - Unique Flavor

WRITING THIS SONG - Deborah De Luca
available from 12 august 2019
TRONIC music

WRITING THIS SONG - Deborah De Luca

HOUNDED - Open Collab Paploviante 2019
Paploviante Music
BPM 115
The track is downloadable as a mp3 file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!
Thanks for listening!

Hounded - Open Collab Offer - Free DL

DEBORAH DE LUCA live @ INPUT Barcellona 22.02.19

Veerus makes his Drumcode debut, after an impressive contribution to Truesoul’s VA EP in 2017.

The Italian has built up an impressive discography over the last decade, dropping records on labels including Terminal M, Octopus, Filth on Acid and his own Le Club imprint. His collaborative with Maxie Devine ‘My Train’ was a highlight of Solomun’s classic Boiler Room in Tulum, which has clocked 37 million views. In late 2017 he linked up with Brits OC & Verde for the fantastic ‘Naaki’ that featured on Truesoul’s first Various Artists EP, ensuring he was an artist well and truly in Adam Beyer’s sights. 

His maiden outing for Drumcode mines 20 years of history, taking inspiration from classic trance and acid from the ‘90s, which he distils to create powerful modern techno works. ‘Hypnosis’ was a huge highlight of Beyer’s Awakenings show at Gashouder during ADE. It’s characterised by an engrossing call-and-response dynamic Veerus builds between the 303 acid warbles and the melodic stabs that run throughout. A track custom made for big moments.  ‘Apocalypse’, like its name, is more menacing. Veerus constructs the work to mimic the dramatic theatre of a gladiatorial scene in a film, as heart-fluttering chord progressions, a piercing synth line and dystopian melody mark this memorable track.

Buy all

Veerus - Hypnosis - Drumcode - DC203

Chinese born Tzusing has spent time in Chicago, Singapore and Taiwan and “this condition of dislocation” is what informs his music. It is a brash mix of industrial textures, harsh broken techno and subversive pop, trap and rap that is all blurred into one borderless offering that mirrors his own personal intersections. That music has come on LIES since 2011 and has given rise to standout LP 東方不敗 in 2017 that lead to shows on Boiler Room, Dommune and at Berghain. 

He was quiet on the release front in 2018, but has started this year with a new split EP on Pan, and now offers us a musical catch up ahead of him playing at Dekmantel Festival later in the year. Over the course of seventy minutes he jumps around restlessly, but somehow his sounds remain united by shiny metallic surfaces whether he’s mixing in Asian pop, whirring computer sounds in meltdown or horror-core. To us, it sounds like a futuristic soundtrack to some hyper urban metropolis that’s on the brink of collapse, and it’s genuinely compelling.

Dekmantel Podcast

Dekmantel Podcast 224 - Tzusing

Dubfire - Grindhouse Dubfire Terror Rmx

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

WRITING THIS SONG - Deborah De Luca

Deborah De Luca

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