Having a little fun here with the marvelous Georg Boehme joining me on sax.
Written by Gus Kahn and Isham Jones, "It Had to Be You" was the #1 record in the United States during 1924.  
Many thanks to David Dunham for his mastering help once again. @david-dunhamuser589535203

It Had To Be You (Featuring Georg Boehme)

Composer/Songwriter. Proficient performer of piano, bass guitar, double bass, cello, 6 string , 12 string , drums, triangle (shall I include tambourine too?🤣), vocals, lyrics. 99% of the tracks on this page are original songs. None of my performances on any of my tracks, whether solo work, or collaboration, have any editing whatsoever. Effects and equalization? Of course! But no editing, no software, etc. Quite a substantial amount of these tracks are with The Eclectic Collective. We are like family and have been playing together on a daily basis since approximately March of 2022 as the Eclectic Collective. Before the band bore it's name Eclectic Collective; Josh, Ken, Stephen, Tez, and  CG Maness were doing some occasional collabs. At any given time we are all simultaneously working on about 15 different songs. And when we feel they are done cooking in the oven we release them.  We release a song every week on Fridays at 4AM UTC

Members of The Eclectic Collective :
The Beautiful Dark 
Entheogenic Psychonaught (Josh Clary)
J.J. Terrell
Llanpsych
K2 and the Three [and the Four]
TexMex Shaman
Mistermark
CG Maness

experimental musician/soundmaker from Apuliae
Born in 1978

Welcome here to everyone.

I hope what you'll hear inspires you.

For your growth or fall
Through the cathartic world of sounds 
that I try to propose. 

A test area 

A search for meaning 
Of this passage for ours.

Sound as a primordial frequency
Before any acquired significance

If what you hear resonates with your tuning fork
A like and a repost would be of great support.

May your journey be pleasant and constructive
in this sea of instants called life

The eternity of our days.



Songs from the edge of somewhere. A place that doesn’t announce itself. You step in and can’t tell if you’ve walked into a protest, a party, or the end of something.

Conil’s music comes from the blues and from the life that followed it. A voice marked by the places it’s been.

People heard it early.
Danny Thompson said, “You don’t sound like anyone else.”
Tchad Blake still plays Strange Part of the Country.
Peter Green walked into the studio one afternoon and cut a track.

The record didn’t arrive with noise. It surfaced—four stars in Q Magazine, a Blues Matters cover, a single reaching number three on the U.S. Alternative Radio Chart.

The early years were England. Then came New Orleans, New York, Berlin, the Himalayas, Kilimanjaro.

The second album is close now. Marc Ribot on guitar. Danny Thompson’s final sessions. Tchad Blake in Wales.

Some things reveal themselves only at the end.

My first album here (free listening / free download) : https://bakingjazzpower.bandcamp.com/releases

Salut !
Guitariste et amoureux de musique, je partage sur cette page quelques reprises et compositions... seul ou en collaboration avec des copains de Soundcloud ou d'ailleurs.
Influencé par différents styles, j'aime beaucoup le jazz manouche (Django Reinhardt, Angelo Debarre, Fapy Lafertin, Les Doigts de l'homme), le jazz de la Nouvelles Orleans (Tuba Skinny ainsi que tous les grands maîtres du style), le Klezmer, les musiques d'Europe de l'Est et des Balkans mais aussi le punk, le métal ou la musique d'Afrique occidentale.

Je suis ouvert à tout projet de collab' alors n'hésitez pas à me contacter pour faire de la musique ! ça sera avec grand plaisir !!

Merci pour les écoutes, likes, reposts et autres commentaires !!

----------------------------------------------------------------------------------------------------------------

Hi to everyone who'll be here!
Guitarist and music lover, I share on this page covers and compositions ... alone or in collaboration with soundcloud friends
Influenced by different styles, I really like Gypsy jazz (Django Reinhardt, Angelo Debarre, Fapy Lafertin, Les Doigts de l'Homme), New Orleans jazz (Tuba Skinny and all the great masters of style), Klezmer, musics from Eastern Europe and Balkans but also Punk, Metal or West African music.

I'm open to collaboration music project so do not hesitate to contact me to make music! it will be with great pleasure!

Thanks for listening, likes, reposts and comments !!
And sorry for my "google translate" english ! ;(

Best described as eclectic, my style is a soothing mix mirroring my personality: mostly mellow with the occasional outburst. Although I have a background in classical piano I have always loved to create and improvise.  Since early childhood I have been trying to duplicate on the piano what I hear in my head.  Now I see how formal studies and improvisation fit together perfectly. I hope to always keep growing and learning, reflecting the beauty of Christ in all my endeavors. Thank you for your kind listening.

!!!HOT NEWS!!! New Valuable Friends vinyl album and CD available! ALSO 2nd Deluxe Vinyl & CD+Booklet "Songs That Mean Something" See links below. 

Composer/Guitarist/Producer

Songs: We find them unpainted in our hands, throw them up into the air of our imagination, turning them in the colours we see after we close our eyes until they feel just right, and sometimes we catch them perfectly, without blemishing them...

My music is on most platforms for your ease.

Wow!!  417K+ plays and 4,000+ valued followers and friends on SC alone, that provide lots of wonderfully helpful comments that fuel the next track! Really big thanks to the SC community for listening and providing such brilliant feedback and support. It means so much to myself and my collaborators - huge thanks.

I work in different styles, as the inspiration, dreams or bubonic plagiarism comes! I use Logic Pro X on Mac.
 
I write, produce and play all my own stuff (unless otherwise stated), play vintage Tokai Strats mainly, PRS Torero, Steinberger, Gretsch G2627T, Classical, Fender Dreadnought, Yamaha and Rickenbacker basses, keyboards and sax. I use Native Instrument's Komplete, Omnisphere 2 and my own organic samples.

I mix on Sennheiser HD 280 Pro's and HD 650's (closed and open headphones) when not making a bigger noise through my Yamaha HS8 studio monitors. I use Focusrite Clarett 2Pre ThunderBolt and Apogee audio interfaces, Neumann & iSK condenser & AKG dynamic mics. 

Hardware: Feb 1978 Marshall JMP 50W Combo, BOO & BOSS stomps

I love collaborating with other musicians and will compose with, play guitar for, produce, arrange, master or even just hum along with other SC musicians. Please ask!

P.S. I am a long standing member of the Performing Rights Society and PPL through my old TV and theatre work as well as my record and publishing deals.

Progressive Metal Guitarist, Drummer, Bassist, and Keyboardist.

I love all music !                                                                            I make beats.
I USE REASON  
THANK YOU FOR LISTENING!!!                                                                          
                                                              
                    THESE ARE ROUGH MIXES
Listen WITH HEADPHONES

Hello
srp which lives in Japan. I write freely.
Please hear.

HELP!!! Chris and Shael are stuck on this Island in the Pacific Northwest, nuthin' but a baguette, a 1/2 bottle of Tequila, and a recording studio. Just a few more followers, we'll buy a xylophone, and topple the music industry!!!!  
All songs written by Shael Wrinch and Chris Herbsen. Recorded and produced by Shael Wrinch at Stone Hill studio on Bowen Island B.C.

It Had To Be You (Featuring Georg Boehme)

Debra Buesking