So enchanting, Debra.💖  You're such a wonderfully gifted lyrical player with an understanding of phrasing to die for. 🎶 ✨

I just uploaded a piece for my newest #4 great grandbaby. The world keeps turning no matter what recasting thing happens like 14 Schoolchildren murdered

It makes us blend in, I don't know if it makes us fall asleep, but I do know that it really makes us feel good. A pleasure to listen to you play the piano

Great piano playing, beautiful…!!🌍☮︎👍🐞🍀

The burning eternal question - do you love me?
Do you love me, you love me?
Well so do people who sell ice-cream
They'll say anything, they think I'd like to hear

Do yo love me like they do?

Hey girl, you better watch out
cos people care not for what you may
Though it's written on their faces
They hide behind sweet words

Anybody for ice-cream (or tennis)?
(a nod to @nic_nic_nic: Nic for tennis suggestion)

Live Studio recording, engineered by Darren Flynn
Drums Steve O'Keeffe (The Pale/BluesConfidential  www.bluesconfidential.com
https://soundcloud.com/bluesconfidential) 
Bernard Byrne (The Pale)
Lead vocals, BV, guitar, art by Suzanne Ledwith

Change of Address

Hey Ho

Composed and produced by Chivicke
HomeStudio Productions ©2022
Image: Pexels

Coming Back Home

An adaptation of Norwegian composer Edvard Grieg's "At the Cradle",
Lyric Pieces Book IX, Op. 68: No.5

A very special thank you to David Dunham for mastering my track. You can hear his beautiful guitar music @david-dunhamuser589535203

At the Cradle (Adapted from Grieg)

《바흐 바이러스 · PUMP YOUR INNER FIRE UP》

Concept remix for a scene of a graphic novel.

Music written by Johann Sebastian Bach, taken from "Prelude and Fugue in C minor, BWV 847" from "The Well-Tempered Clavier".
Inspired by the works of Wendy Carlos, Pierre Schaeffer and Diana Boncheva.
Arranged, produced, mixed and mastered by Thomas O'Higgins Horna.

Cover art: "Johann Sebastian Bach" (1746) by Elias Gottlob Haussmann. Edited by me.

ＢＡＣＨ･ＶＩＲＵＳ

Le Soldat De Bois

Around the Cello - Roger Tastet 11/2022

Cello : Cinesamples - Tina Guo Cello legato
Oboe : V.S.L Oboe d'amore
Guitar : Amplesound AGL
Strings : VSL Synchron Strings Pro

Written with Notion 6 - Realized with Logic Pro

Autour du Violoncelle (Around the Cello)

wouldn't you like to know
are we supposed to know
how it ends

wouldn't you like to see
how it's gonna be
when it's all over

we could leave it up to chance
a little bit of romance never hurt
we could let it all just be
call it destiny 
enjoy the ride

if we knew maybe we'd get it right
or would we be resigned
would we make the most of time
living knowing that

wouldn't you like to know
how it's gonna go
will it rain

it may take a little while
to learn to live life
preordained

wouldn't you like to know
are we supposed to know
how it ends

Belle on flute :)

https://www.youtube.com/watch?v=svQLctmIze8

preordained

again a wonderful open collaboration offer by Paul <3 https://soundcloud.com/paploviante-and-friends/brisa-paploviante-open-collaboration-offer - well, I added some wind instrument: brass & sax with my EWI and synth accents between the solo parts; also to mention some mix-mastering manipulations on Paul's track, to get my stuff integrated. Enjoy !!! ... better to listen with headphones and not too quiet :-)

Brisa // Paploviante & joerxworx

This is my second recording on the piano. Recorded on 29 march at the studio of Claviertuoso Education in Paris.

Sorry Seems to Be the Hardest Word, piano cover Eva Schneider

Impromptu No.1

Jazz Fusión (from Málaga (Spain)) -> RECOMMEND USING HEADPHONES

Por La Gloria De Mi Mare

Best described as eclectic, my style is a soothing mix mirroring my personality: mostly mellow with the occasional outburst. Although I have a background in classical piano I have always loved to create and improvise.  Since early childhood I have been trying to duplicate on the piano what I hear in my head.  Now I see how formal studies and improvisation fit together perfectly. I hope to always keep growing and learning, reflecting the beauty of Christ in all my endeavors. Thank you for your kind listening.

At the Cradle (Adapted from Grieg)

Debra Buesking

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