Dark DnB Neurofunk - Part 1

Mulcher

Aerial

Maelstrom EP

Unlimiited

Stream/buy 'Obsession' here: https://DarkMachineRecs.lnk.to/ObsessionSo

Pirapus - Obsession (feat. Christina Harrison)

Buy / Stream Links: https://kosenprod.fanlink.to/wisdombeliefs

After “Seduction Scale” EP on Kosenprod and “Nergal” on Karnage Records, The Clamps is back with "Wisdom & Beliefs" as the third and the last musical introspection celebrating 10 years of The Clamps. A journey into Drum & Bass meanders, blending weird beats, angry bass, melancholy and storytelling with some mechanical and industrial influences. “Under The Saw” is a sad statement about the pains that anxiety can cause, while “Caspura” is an ode to the Corsica Island.“Terror Machine” will bring you in an exciting mechanical routine and lastly “Wisdom & Beliefs” will tell you a story where reality is interfered by myths.

All tracks written, composed and programmed by Julien Carbou.

Artwork: Yan Caspar Hirschbuehl
Mastering: Julien Carbou

Follow The Clamps: 
https://soundcloud.com/the-clamps
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/theclampsmusic
https://theclamps.bandcamp.com/
https://www.youtube.com/channel/UCOmoeezEUIYxswcTiZzHqZg


Kosen: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod 
https://www.facebook.com/KOSEN.PRODUCTION
https://kosenproduction.bandcamp.com/
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod
https://www.youtube.com/channel/UCIbBlXzP1ovUmTYnf5JpswA

Wisdom & Beliefs

Buy & Stream

The Clamps - Under The Saw [KOSEN 55]

Clone

Stazis

Nothing Left To Say

Brokenhead - Take That (Original Mix)

Let the bass drop and the crowd go wild—my new jump-up banger “Let’s Go” is here!  
Produced, mixed & mastered by TURBØ PUŠKA
Artwork by TURBØ PUŠKA 


#DrumAndBass #JumpUpDnB #Hardcore #LetsGo #DnBCommunity

Let's Go v2

Store & Downloads

Crowd Ignition

Donate to download > http://igiveyougive.org/Gift/24/critical-music/do-they-know-its-critmas-vol-2

A Critical Music charity fundraising album project for Oxfam's refugee crisis appeal, featuring tracks donated by Current Value, Enei, Foreign Concept, Halogenix, Hyroglifics, Klax, Sam Binga & Signal. 
Album mastered by Audio Montage: https://www.facebook.com/studio.audiomontage

Over the last two Christmas' the team at Critical huddled together and decided that rather than let some sought after unreleased music sit idle on their hard drives they would put it to use and offer people the chance to download the tracks in return for donating something to charity. 
This year is no different and we at Critical have all gone through the vaults and put an album together, again for an important cause. We have chosen Oxfam's Refugee Crisis Appeal which is something close to all of our hearts.
Millions of people have been forced to flee their homes, to run for their lives and risk the safety of their families. Oxfam urgently need to help more people in Syria, Jordan, Lebanon and closer to home in Europe, too.

You can read more about the appeal here -
http://www.oxfam.org.uk/what-we-do/emergency-response/refugee-crisis?intcmp=donate_refugee_info_2015-09-05

Do They Know It's #CRITMAS Vol.1: http://igiveyougive.org/Gift/2/critical-music/do-they-know-its-critmas

100% of the proceeds go directly to the charity.  
Please give generously and enjoy the music!

Merry Christmas from all at Critical Music

http://www.criticalmusic.com
http://igiveyougive.org/

Donate to Download

1. Current Value - Space Encounter

https://pro.beatport.com/release/run-away-ep/1709343

SYNDROME16043 / Black Barrel - Run Away EP
Beatport Exclusive: 7th March 2016
Worldwide: 21th March 2016

Tracklist:
Black Barrel - Baphomet
Black Barrel - Iron Mind
Black Barrel - Run Away
Nami & Black Barrel - Generation

@blackbarreldnb
@namiongaku
https://www.facebook.com/blackbarreldnb
https://www.facebook.com/nami.ongaku.official



Black Barrel - Baphomet

Beastmode

Rogue

Stream//Buy: https://Technique.lnk.to/WardanceLPSo

Follow us on Spotify bit.ly/TechniqueRec

When artists with the pedigree of Drumsound & Bassline Smith drop an album, it’s big news. With roots stretching back to the absolute foundations of rave music, this production team has legendary status. While keeping their underground credentials intact, they’ve been able to achieve mainstream chart success, perform on some of the biggest stages this music has to offer, and bring through many other monumental artists in their role as bosses of Technique Recordings. So this brand new collection of material is, no doubt about it, going to create waves.

With the first assured, slick bass tones and the eponymous vocal in the intro of Come With Me, we’re delivered straight into the big room sound that has set parties alight across the world. As the tune builds and drops, though, it becomes something diferent. There’s a dirty, grinding mid-range bass to get that screwface going. There are sonic references to other Drumsound & Bassline Smith tunes for the real fans to spot. As soul, filth, and production flourishes combine, we’re being shown the blueprint for the rest of the album.

You see, there are hints at a junglist past in tunes like Warrier and Ouija, but combined with the huge sound that the DBS studio is capable of creating. That collision of old and new comes to a head most clearly in the Brinsley Forde-laced Beautiful Danger, as gorgeous reggae vocals blend into a tear-out bassline-led rave-wrecker.

And then there are the nods to Drumsound & Bassline Smith’s history in the recon gured versions of Odyssey and Outlaw Renegade. These tunes, originally released a decade apart, both share the distinction of crossing sub-genre boundaries, and are as likely to be heard in a jump-up party as on a festival main stage. The inclusion of them here provides a marker of just how representative of the whole DnB scene these producers really are.

Of course, this overview barely scratches the surface. There’s the cinematic majesty of the collaboration with Prolix, Welcome to the Machine. There’s the gangsta funk of Roadblock, and the skank-out call-and-response of Technique Badboy. There’s the skippy syncopation of Control. There are subtleties and gems to be discovered throughout the whole album, as much a treat for the listener as for the raver.

So, this, their third LP, is like a gallery exhibit of the many facets of Drumsound & Bassline Smith. Their past, their present, and maybe their future, is laid out in intricate detail and with the sheen of sheer production class which marks them out from the crowd. Every tune on this album tells a chapter of their story while simultaneously being a straight-up banger. There aren’t many producers who could pull that off , but this is Drumsound & Bassline Smith were talking about here. So, of course they can.

Tracklisting:
1. Come With Me
2. Warrier
3. Technique Badboy 
4. Control
5 .Wardance
6. Ouija
7. Odyssey VIP
8. Beautiful Danger feat. Brinsley Forde 
9. Roadblock
10 . Outlaw Renegade VIP 
11. Welcome to the Machine Vs Prolix

For interview requests and further information, contact:
info@techniquerecordings.co.uk

DRUMSOUND & BASSLINE SMITH VS PROLIX - WELCOME TO THE MACHINE

Bad Taste Recordings

• WebSite → http://www.badtasterecordings.com/ 
• SoundCloud → https://soundcloud.com/bad-taste-recordings
• Spotify → https://open.spotify.com/collection/playlists
• FaceBook → https://www.facebook.com/badtasterecordings/
• YouTube → https://www.youtube.com/user/badtasterecordings 
• Instagram → https://www.instagram.com/bad_taste_recordings/
• MixCloud → https://www.mixcloud.com/BadTasteRecordings/

Turbine [Signal Remix]

Signal Remix : Malux - Turbine [Noisia Radio]

1K FOLLOWERS SPECIAL

I finally hit 1K followers on Soundcloud. As a thanks I have put together a track that encompasses what my style has formed into and what it may develop into in the future.

New material is coming out soon, including a 4 track EP in December.

Artwork by: Chris Ostrowski
https://www.artstation.com/artwork/WeGP2

Socials:
@esymdnb
www.facebook.com/EsymDnB/
www.instagram.com/esymdnb/

Nothing Left To Say

Decades .

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