[Gabriel Fauré – Requiem]

Habanera is the popular name for the aria "L'amour est un oiseau rebelle" (Love is a rebellious bird) 

Quand je vous aimerai?
Ma foi, je ne sais pas,
Peut-être jamais, peut-être demain.
Mais pas aujourd'hui, c'est certain!

[sung]
L'amour est un oiseau rebelle
Que nul ne peut apprivoiser,
Et c'est bien en vain qu'on l'appelle,
S'il lui convient de refuser.
Rien n'y fait, menace ou prière;
L'un parle bien, l'autre se tait,
Et c'est l'autre que je préfère;
Il n'a rien dit mais il me plaît.

(L'amour est un oiseau rebelle) L'amour...
(Que nul ne peut apprivoiser,) L'amour...
(Et c'est bien en vain qu'on l'appelle,) L'amour...
(S'il lui convient de refuser.) L'amour...

L'amour est l'enfant de Bohême,
Il n'a jamais, jamais connu de loi;
Si tu ne m'aimes pas, je t'aime;
Si je t'aime, prends garde à toi! (Prends garde à toi!)
Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime; (Prends garde à toi!)
Mais si je t'aime, si je t'aime;
Prends garde à toi!

(L'amour est l'enfant de Bohême,)
(Il n'a jamais, jamais connu de loi;)
(Si tu ne m'aimes pas, je t'aime;)
(Si je t'aime, prends garde à toi!) (Prends garde à toi!)

Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime; (Prends garde à toi!)
Mais si je t'aime, si je t'aime;
Prends garde à toi! (Prends garde à toi!)

L'oiseau que tu croyais surprendre
Battit de l'aile et s'envola.
L'amour est loin, tu peux l'attendre;
Tu ne l'attends plus, il est là.
Tout autour de toi, vite, vite,
Il vient, s'en va, puis il revient.
Tu crois le tenir, il t'évite,
Tu crois l'éviter, il te tient!

(Tout autour de toi, vite,) L'amour
(Il vient, s'en va, puis il revient.) L'amour
(Tu crois le tenir, il t'évite,) L'amour
(Tu crois l'éviter, il te tient!) L'amour

L'amour est l'enfant de Bohême,
Il n'a jamais, jamais connu de loi;
Si tu ne m'aimes pas, je t'aime;
Si je t'aime, prends garde à toi! (Prends garde à toi!)
Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime (Prends garde à toi!)
Mais si je t'aime, si je t'aime
Prends garde à toi!

(L'amour est l'enfant de Bohême,)
(Il n'a jamais, jamais connu de loi;)
(Si tu ne m'aimes pas, je t'aime;)
(Si je t'aime, prends garde à toi!) (Prends garde à toi!)

Si tu ne m'aimes pas,
Si tu ne m'aimes pas, je t'aime (Prends garde à toi!)
Mais si je t'aime, si je t'aime
Prends garde à toi! (Prends garde à toi!)

Andreas Scholl ~ Habanera ~Carmen

ISRC code: GBF076710340
Composer: Delibes
Work: Lakmé / Act 1
Movement: Viens, Mallika, ... Dôme épais (Flower Duet) 
Soprano: Dame Joan Sutherland
Mezzo-Soprano: Jane Berbié
Orchestra: Orchestre National de l'Opéra de Monte-Carlo
Conductor: Richard Bonynge
 

If you want more information about this track please e-mail sync@decca.com 
Please quote GBF076710340 in the subject line.


Delibes: Lakmé / Act 1, "Viens, Mallika, ... Dôme épais" (Flower Duet)

MAURICE RAVEL ~ Bolero
(Radio Symphony Orchestra Ljubljana - Direttore Samo Hubad)

Boléro
From Wikipedia, the free encyclopedia

Boléro is a one-movement orchestral piece by Maurice Ravel. Originally composed as a ballet commissioned by Russian ballerina Ida Rubenstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.[2] Before Boléro, Ravel had composed large scale ballets (such as Daphnis et Chloé, composed for the Ballets Russes 1909–1912), suites for the ballet (such as the second orchestral version of Ma Mère l'Oye, 1912), and one-movement dance pieces (such as La Valse, 1906–1920). Apart from such compositions intended for a staged dance performance, Ravel had demonstrated an interest in composing re-styled 
dances, from his earliest successes (the 1895 Menuet and the 1899 Pavane) to his more 
mature works like Le tombeau de Couperin (which takes the format of a dance suite).

Boléro epitomises Ravel's preoccupation with restyling and reinventing dance movements. It was also one of the last pieces he composed before illness forced him into retirement: the two piano concertos and the Don Quichotte à Dulcinée song cycle were the only compositions that followed Boléro.



MAURICE RAVEL ~ Bolero

Giulio Caccini - Ave Maria

Highlights from the Internationally acclaimed soprano opera singer's new album

Casta Diva - Norma (Bellini)

Brodmann PE-187 grand piano. AKG microphones. Pro Tools recording. 

Ravel - Pavane Pour Une Infante Defunte

Ludwig van Beethoven's Symphony No. 7 in A major, Op. 92, in 1811, was the seventh of his nine symphonies. He worked on it while staying in the Bohemian spa town of Teplice in the hope of improving his health. It was completed in 1812, and was dedicated to Count Moritz von Fries. At its debut, Beethoven was noted as remarking that it was one of his best works.
The second movement Allegretto was the most popular movement and had to be encored.
 The instant popularity of the Allegretto resulted in its frequent performance separate from the complete symphony.


Beethoven - Symphony No.7 in A Major Op.92 (2nd Movement)

The movie  classic "The  fabulous destiny of Amélie Poulin (Le fabuleux destin d´Amélie Poulain, Die fabelhafte Welt der Amelie Poulain, O Fabuloso Destino de Amélie Poulian) and  its  great soundtrack  by Yann Tiersen:  Valse d´Amélie (with Audrey Tautou) interpreted  by Bastian Lee Jones
EARMErecords  LC 29347, ISRC DE-QB2-15-00038
PHOTO source: google search - © owner is the production company of the movie Le fabuleux destin d´Amelie Poulain

"Valse d´Amélie" (movie:"Le  fabuleux destin d´Amélie Poulain")

all buy & follow links

Yann Tiersen "Valse d´Amélie" (movie:"Le  fabuleux destin d´Amélie Poulain")

Faure Requiem Op.48 / Durufle Requiem Op.9
Gabriel Fauré (Composer), Robert Shaw (Conductor), Atlanta Symphony Orchestra & Chorus (Orchestra), Judith Blegen (Soprano), James Morris (Baritone)

Gabriel Faure's Requiem Op. 48 Complete (Best Recording)

Giuseppe Verdi - Nabucco - Chorus of the Hebrew Slaves from Akt III 1842

The first movement of Beethoven's fifth symphony is one of the most well-known pieces of classical music. This digital arrangement is for full orchestra and was based directly on the original score.

Beethoven - Symphony No. 5 in C Minor; Op. 67 - Movement 1

Meagan Mccarrol (Malika), Christina Nicastro (Lakme), and Amanda Zook (Piano)

Delibes: Lakmé / Act 1, "Viens, Mallika, ... Dôme épais" (Flower Duet)

Decca Records (Sync)

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