I love this beat and the bass. It's a great fit.

Cool track. First impressions are that it's a little "lighter" than usual, but there is an edgy disquiet bubbling away throughout. Good work.

Great upbeat track with ghostly synths! I love the bass and drums. The other sounds are icing on the cake... Well done Neil! :)

Another drone-ish track related to Dead Zone and The Edge. A little more ambient in the first half, more drone in the second. More of a dream-like quality to it overall (I think).

Haze

suddenly somewhere

Remember When

Freeform piano, synth and some skittery beats.

Floor

Dissemble

Released from Spaceal Orbeats Records 
14 October 2014 / in all major digital stores
www.beatport.com/release/deepandence/1391516

Beatport : beatport.com/label/spaceal-orbeats-records/23917
Mixcloud : mixcloud.com/Spacealorbeats/
Soundcloud : soundcloud.com/spacealorbeats
Wordpress : spacealorbeatsrecords.wordpress.com/
Facebook : facebook.com/SpacealOrbeatsRecords

Deepandense

Free download.  :) Uploading an instrumental version of this track on a request from my pal, IG88.  :)

SUPERPARTICLE (instrumental) - Jazzyspoon (free download)

Demdike Stare return to the lab with two extended new productions, inaugurating a series of untamed releases brought together under the Testpressing banner. 'Collision' was recorded in late 2012 and is pretty much unlike anything you'll have heard from Demdike before, an intense high-frequency re-arrangement of Jungle and Noise, like a more brutal variant of the Demdike-affiliated HATE project, fed through a bank of analogue boxes and pedals, left to spin uncontrollably for 10 minutes before fading to black. 'Misappropriation' on the flip feeds off a different noise altogether, perched precariously between the mangled percussion you'd most commonly associate with Muslimgauze and the metallic clank of industry, a proper sunstroke riddim: angry and unforgiving.

Collision

Misappropriation

My name is Neil and i'm currently living in a small village called Emneth in the Norfolk countryside.
I make downtempo/electronic/experimental music. I've always been musical, starting with the usual recorder playing in primary school but soon moving on to the cello at eight.
This lasted a couple of years until i started to get into punk and metal. After growing tired of trying to play Pretty Vacant and Ace of Spades on a cello i started to bug
my dad to get me a guitar. Eventually he came home from work one day with an ancient guitar and amp which he'd bought from one of his friends, starting me off on an obsession with music. 
Between then and now my musical horizons have broadened hugely, and although i still listen to guitar music i find myself artistically drawn towards electronic styles.

Dissemble

Deccan Traps

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